NOTES

NOTES
1
Lawrence Gilman, The Music of Tomorrow (New York, 1907), pp. 33-34
Lawrence
33
The Music of Tomorrow
1907
Léon Vallas, Claude Debussy et son temps (Paris, 1932), p. 65
Vallas
Claude Debussy et son temps
1932
2
Louis Rousselet, L'Exposition universelle de 1889 (Paris, n.d.), p. 5
Louis
5
L'Exposition universelle de
1889
3
FranÇois Lesure in his Catalogue de l'∄ceuvre de Claude Debussy (Geneva, 1977), p. 72
72
FranÇois Lesure in his Catalogue de l'∄ceuvre de Claude Debussy
1977
Debussy wrote to d'Indy on 20 April, "En reflechissant il eut mieux fallu une execution suffisante des trois morceaux qu'une ex- ecution satisfaisante du premier, obtenue grace a vous." Claude Debussy, Lettres 1884-1918, ed. François Lesure (Paris, 1980), p. 28
En reflechissant il eut mieux fallu une execution suffisante des trois morceaux qu'une execution satisfaisante du premier, obtenue grace a vous
28
Claude Debussy, Lettres
1980
4
Lesure, Catalogue, p. 72.
5
Henri Lerolle on 23 September 1895
Debussy, Lettres, p. 76
Debussy
76
Lettres
6
Debussy, Lettres, p. 185.
Debussy
185
Lettres
7
Lesure, Catalogue, p. 72.
8
Claude Debussy, Fantaisie, ed. André Jouve (Paris, 1968)
Claude
Fantaisie
1968
Lesure, Cata- logue, p. 72
Lesure
72
Catalogue
9
Edward Lockspeiser, Debussy: His Life and Mind (London, 1962), I, 115
Edward
115
I
Debussy: His Life and Mind
1962
10
Ibid.
11
Ibid.
12
Julien Tiersot, Musiques pittoresques: Promenades musi- cales á l'Exposition de 1889 (Paris, 1889), pp. 33-34.
Julien
33
Musiques pittoresques: Promenades musicales á l'Exposition de
1889
13
E. Raoul, Javanais et javanaises á l'exposition, 1889 (Paris, n.d.), p. 7.
Raoul
7
Javanais et javanaises á l'exposition
1889
14
Léon Pillaut, "Le Gamelan javanais," Le Ménestrel, 3 July 1887, pp. 244-45.
Pillaut
3 July
244
Le Ménestrel
1887
15
Louis Benedictus, Les Musiques bizarres á l'Exposi- tion (Paris, 1889), pp. 3-17
Louis
3
Les Musiques bizarres á l'Exposition
1889
Tiersot, Musiques pittores- ques, pp. 31-47
31
16
9, below
17
Tiersot, Musiques pittoresques, p. 31.
31
18
Lockspeiser, Debussy I, 113-14
113
20
Ibid., pp. 58-61.
58
20
Ibid., pp. 82-83.
82
21
Robert Godet, "En Marge de la marge," Revue musicale, May 1926, pp. 59-61.
Robert
May
59
Revue musicale
1926
22
Mantle Hood, "Slendro and Pelog Redefined," Se- lected Reports in Ethnomusicology 1 (1966), 28-48
Mantle
28
1
Selected Reports in Ethnomusicology
1966
23
Peter Reiche, "Die theoretischen Grundlagen javanis- cher Gamelan-Musik und ihre Bedeutung für Claude De- bussy," Zeitschrift für Musiktheorie 3 (1972), 5
Peter
5
3
Zeitschrift für Musiktheorie
1972
24
Tiersot, Musiques pittoresques, p. 36
36
Pillaut, "Le Gamelan javanais," p. 244
244
25
Tiersot, Musiques pittoresques, p. 36.
36
27
Tiersot, Musiques pittoresques, pp. 44-45.
44
28
on p. 39 of Musiques pittoresques, Tiersot writes: "En principe, ce chant est fait par le rebab et les bonang-ageng aigus, allant a l'unisson."
Tiersot
39
En principe, ce chant est fait par le rebab et les bonang-ageng aigus, allant á l'unisson
29
Judith Becker, Traditional Music in Modern Java (Honolulu, 1980), pp. 249 and 14
Judith
249
Traditional Music in Modern Java
1980
30
Iasaac Groneman, De gamelan te Jogjakarta (Amsterdam, 1890), p. 72
Groneman
72
De gamelan te Jogjakarta
1890
Mantle Hood, The Nuclear Theme as a Deter- minant of Patet in Javanese Music (Groningen, 1954), p. 280
Mantle
280
The Nuclear Theme as a Determinant of Patet in Javanese Music
1954
31
Groneman, De gamelan, pp. 54-55
54
Hood, Patet, pp. 18- 19
18
32
Lockspeiser, Debussy I, 114-15.
114
34
Oral communication from René Lysloff, Director, Univer- sity of Michigan Gamelan, Summer 1985.
35
Judith Becker, Traditional Music in Java, pp. 108-09.
108
36
Tiersot, Musiques pittoresques, p. 39
39
37
Lesure, Catalogue, p. 116.
Lesure
116
Catalogue
38
Claude Debussy, Lettres a deux amis (Paris, 1942), p. 81.
Claude
81
Lettres a deux amis
1942
39
Tiersot, Musiques pittoresques, p. 32
32
41
Ibid., p. 35
35
42
Ibid.
43
March 1894 Maurice Kufferath criticized Debussy's String Quartet for its "flots abondants d'harmonies riches, largement soutenues, 6voquant le souvenir du Gamelang." Léon Vallas, Claude Debussy et son temps, p. 141
Maurice Kufferath criticized Debussy's String Quartet for its "flots abondants d'harmonies riches, largement soutenues, 6voquant le souvenir du Gamelang
141
Léon Vallas, Claude Debussy et son temps
1894
44
Lesure, Catalogue, pp. 70, 80, and 81
Lesure
70
Catalogue
45
William P. Malm, Music Cultures of the Pa- cific, the Near East, and Asia, 2nd edn. (Englewood Cliffs, N.J., 1977), pp. 39-42
William
2
39
Music Cultures of the Pacific, the Near East, and Asia
1977
46
Roger Nichols, Debussy (London, 1973), pp. 21-23.
Roger
21
Debussy
1973
47
Robert Orledge, Debussy and the Theatre (Cam- bridge, 1982), exs. 51 and 52, p. 202
Robert
202
Debussy and the Theatre
1982
pp. 186-205
48
Colin McPhee, Music in Bali (New Haven, 1966), p. 235.
Colin
235
Music in Bali
1966
49
"continuing influence" that characterizes the Balinese mu- sic composed by Colin McPhee after his first exotic work, Tabuh-Tabuhan (1936)
continuing influence
Tabuh-Tabuhan
1936
Richard Mueller, Imitation and Stylization in the Balinese Music of Colin McPhee (Ph.D. diss., University of Chicago, 1983), pp. 334-79
50
Jaap Kunst, Music in Java, ed. E. L. Heins, 3rd edn. (The Hague, 1973), I, 249
Jaap
3
249
I
Music in Java
1973
51
Undated clipping (Santa Barbara Daily News), Eichheim Papers, Dr. Ethel John Lindgren, Cambridge, England.
Eichheim Papers, Dr. Ethel John Lindgren
53
Quoted in Kunst, Music in Java I, 249.
Quoted in Kunst
249
I
Music in Java
54
Robert E. Brown (Nonesuch H-72044, H-72074, and H- 72083)
vol. 3
55
Léon Vallas, Claude Debussy, trans. Maire and Grace O'Brien (London, 1933), p. 45.
Vallas
45
Claude Debussy, trans
1933
56
Debussy on Music, trans. and ed. Richard Langham Smith (New York, 1977), p. 16.
16
Debussy on Music
1977
57
Ibid., p. 18, fn. 6.
18
58
Maurice Emmanuel, Pelléas et Mélisande (Paris, n.d.), p. 214.
Maurice
214
Pelléas et Mélisande
59
Colin McPhee's critical review of MacDowell's Indian Symphony, in Modern Music 13 (1936), 46
46
13
Modern Music
1936
"The Relation between Folk Music and Art Mu- sic (1931)," in Béla Bartók Essays, ed. Benjamin Suchoff (New York, 1976), pp. 340-44
The Relation between Folk Music and Art Music
340
Béla Bartók Essays
1976
60
fn. 6
Marguerite Long, At the Piano with Debussy, trans. Olive Senior-Ellis [London, 1972], pp. 27-28 and 11-12
27
Marguerite Long, At the Piano with Debussy
1972
fn. 5
61
Richard Mueller, Imitation and Styliza- tion, pp. 210, 217, 240-41, 259-62, and 303-04
Mueller
210
Imitation and Stylization
62
Richard Mueller, Imitation and Stylization, pp. 316-32
Mueller
316
Imitation and Stylization
Malay Mo- saic (1924)
Malay Mosaic
1924
W. B. Yeats "The Heart of the Woman," which was published in 1910
Yeats
The Heart of the Woman
1910
This content is only available via PDF.

Article PDF first page preview

Article PDF first page preview