Review: Interacting with Print: Elements of Reading in the Era of Print Saturation by The Multigraph Collective

Terence Hoagwood is Professor Emeritus of English at Texas A&M University. He is most recently the author of From Song to Print: Romantic Pseudo-Songs (2010) and coauthor, with Kathryn Ledbetter, of “Colour’d Shadows”: Contexts in Printing, Publishing, and Reading Nineteenth-Century British Women Writers (2005). His other books include Politics, Philosophy, and the Production of Romantic Texts (1996), Byron’s Dialectic: Skepticism and the Critique of Culture (1993), and Prophecy and the Philosophy of Mind: Traditions of Blake and Shelley (1985). His current project is entitled “Adaptational Art: Literature, Visual Art, and Film.”