Inspired in part by his graduate research and his experience training in both Mexico and Cuba, David C. LaFevor presents a transnational study of boxing and its impact on the formation of Mexican and Cuban identities from the mid-nineteenth to mid-twentieth centuries in his book Prizefighting and Civilization. In the tradition of Elliott Gorn’s landmark work The Manly Art (1986), a foundational work on prizefighting prior to the turn of the twentieth century, and Louis Moore’s I Fight for a Living (2017), which highlights African American boxers over the same time frame, LaFevor’s work expands the scope further to include Mexico and Cuba in a broader North American prizefighting culture. The author grounds this dual analysis in theoretical frameworks associated with the cultural turn, focusing mostly on print-media sources, but also fortifies each chapter with archival research and relevant secondary literature. He traces the introduction...

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