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Music Perception (2019) 37 (1): 66–91.
Published: 01 September 2019
... each experiment, thirty nonmusician participants rated perceived emotion along scales of valence and intensity (Experiments 1 & 2) or valence and arousal ( Experiment 3 ) for 48 pieces in the WTC . Responses indicate listeners used attack rate, Mode, and pitch height to make judgements of valence...
Music Perception (2017) 35 (1): 38–59.
Published: 01 September 2017
... instrumentation, musical form, style, and familiarity. We collected a wide range of subjective responses from 30 highly trained musicians to music varying along the affective dimensions of arousal and valence. Experiment 2 examined a set of psychophysiological correlates of emotion in 20 different musicians by...
Music Perception (2016) 34 (1): 104–117.
Published: 01 September 2016
... music from Mozart to minimalism and Xenakis; and include jazz, ambient, drum n' bass and performance text. We particularly assess whether modeling perceptions of the valence expressed by the music, generally modeled less well than the affective dimension of arousal, can be enhanced by inclusion of...
Music Perception (2014) 31 (5): 436–443.
Published: 01 June 2014
... investigated emotional recognition of nonsocial stimuli in this population. In this study, participants with ASD and a comparison group of typically developing (TD) control participants listened to song clips that varied in levels of pleasantness (valence) and arousal. Participants then rated emotions they...
Music Perception (2009) 26 (4): 355–364.
Published: 01 April 2009
... music emotions arousal valence time Music Perception VOLUME 26, ISSUE 4, PP. 355 364, ISSN 0730-7829, ELECTRONIC ISSN 1533-8312 © 2009 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. PLEASE DIRECT ALL REQUESTS FOR PERMISSION TO PHOTOCOPY OR REPRODUCE ARTICLE CONTENT THROUGH...