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Music Perception (2015) 32 (3): 254–265.
Published: 01 February 2015
... model makes a unique prediction that musicians with absolute pitch (AP) should be biased towards compensating for objectively mistuned notes in a single note imitation task. In this paper, we tested this prediction by asking musicians with and without AP to imitate vocal notes that are either well-tuned...
Music Perception (2012) 30 (2): 147–159.
Published: 01 December 2012
...Sean Hutchins; Catherine Roquet; Isabelle Peretz prior work indicates that listeners may be more likely to call a note in-tune when it is sung than when it is in another timbre. The current study seeks to confirm whether this vocal generosity effect generalizes to melodies. Musicians and...
Music Perception (2008) 26 (2): 145–155.
Published: 01 December 2008
...Rachel M. Van Besouw; Jude S. Brereton; David M. Howard PREVIOUS STUDIES ON VIBRATO PITCH HAVE attempted to determine the "principal pitch" of vibrato tones and not the range of tuning for such tones in a melodic context. This study investigates the range of acceptable tuning (RAT) for tones with...