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Keywords: tonality
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Journal Articles
Music Perception (2020) 37 (3): 225–239.
Published: 01 February 2020
...Rie Matsunaga; Pitoyo Hartono; Koichi Yokosawa; Jun-ichi Abe Tonal schemata are shaped by culture-specific music exposure. The acquisition process of tonal schemata has been delineated in Western mono-musical children, but cross-cultural variations have not been explored. We examined how Japanese...
Journal Articles
Music Perception (2019) 36 (5): 435–447.
Published: 01 June 2019
.... One possibility, suggested by Jentschke et al. (2014) , is that the differences stem from the musical stimuli used in each study. The chord sequences used by Jentschke et al. may have produced stronger tonal expectations, leading to a more mature response to violations of those expectations in young...
Journal Articles
Music Perception (2019) 36 (4): 406–430.
Published: 01 April 2019
... of Graz, Merangasse 70, 8010 Graz, Austria, E-mail: parncutt@uni-graz.at 24 6 2016 3 2 2019 © 2019 by The Regents of the University of California 2019 harmony tonality pitch missing fundamental chord root M ajor-minor tonality is the most familiar system...
Journal Articles
Music Perception (2018) 36 (2): 135–155.
Published: 01 December 2018
... 10 12 2017 11 5 2018 © 2018 by The Regents of the University of California 2018 absolute pitch relative pitch cross-cultural tonality music education A bsolute pitch (AP)— an ability to name or produce a note of a given pitch in the absence of a reference note...
Journal Articles
Music Perception (2018) 36 (2): 243–249.
Published: 01 December 2018
...Jeffrey Bostwick; George A. Seror; W. Trammell Neill I n most W estern music , notes in a melody relate not only to each other, but also to a “key”—a tonal center combined with an associated scale. Music is often classified as in a major or minor key, but within a scale that defines a major key...
Journal Articles
Music Perception (2017) 34 (5): 541–556.
Published: 01 June 2017
...J. Fernando Anta The idea that listeners’ tonal/atonal sense represents a special case of multiple causation was examined, and the following hypothesis was tested: pitch dispersal (i.e., distance in pitch between successive tones) is a secondary determiner of tonality and atonality, the former...
Journal Articles
Music Perception (2017) 34 (5): 531–540.
Published: 01 June 2017
... University, New Haven, CT 06520-8310. E-mail: ian.quinn@yale.edu 22 5 2014 23 11 2016 © 2017 by The Regents of the University of California 2017 corpus analysis tonality keys cognitive modeling key profiles CORPUS-DERIVED KEY PROFILES ARE NOT TRANSPOSITIONALLY EQUIVALENT IAN...
Journal Articles
Music Perception (2016) 33 (3): 319–331.
Published: 01 February 2016
... structure. Edward W. Large, Department of Psychology, University of Connecticut, 406 Babbidge Road, Unit 1020, Storrs, CT 06269-1020. E-mail: edward.large@uconn.edu 5 12 2014 30 4 2015 © 2016 by The Regents of the University of California 2016 tonality neurodynamics...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception (2016) 33 (3): 344–366.
Published: 01 February 2016
...Elaine Chew This article centers on the phenomenon of tipping points—a case of extreme pulse elasticity—in music performance, and the dynamic interplay between tonal structure and musical timing. The article presents the idea and principles of tipping points. Examples illustrate three types...
Journal Articles
Music Perception (2015) 33 (1): 20–31.
Published: 01 September 2015
... 2014 1 4 2015 © 2015 by The Regents of the University of California 2015 psychological measurement tonality statistical learning corpus analysis tonal and event hierarchies STATISTICS, STRUCTURE, AND STYLE IN MUSIC CAROL LYNNE KRUMHANSL Cornell University THIS ESSAY BEGINS...
Journal Articles
Music Perception (2015) 32 (4): 364–393.
Published: 01 April 2015
... of Western Sydney, Locked Bag 1797, Penrith, 2751, NSW, Australia. E-mail: andymilne@tonalcentre.org 30 1 2013 17 6 2014 © 2015 by The Regents of the University of California 2015 tonal hierarchies probe tone data spectral pitch class similarity tonality microtonality...
Journal Articles
Music Perception (2014) 31 (3): 223–243.
Published: 01 February 2014
... tonality A STATISTICAL APPROACH TO TRACING THE HISTORICAL DEVELOPMENT OF MAJOR AND MINOR PITCH DISTRIBUTIONS, 1400-1750 JOSHUA D. ALBRECHT University of Mary Hardin-Baylor DAVID HURON Ohio State University A LARGE-SCALE STUDY IS REPORTEDWHOSE PURPOSE was to elucidate the historical development...
Journal Articles
Music Perception (2014) 31 (3): 244–253.
Published: 01 February 2014
...Christopher Wm. White This article explores the historical development of common-practice musical style and how that development might connect to the cognition of key within the history of Western European tonality. First, musical corpora of 19 composers were divided into three-chord progressions...
Journal Articles
Music Perception (2014) 31 (3): 254–270.
Published: 01 February 2014
...Jon B. Prince; Mark A. Schmuckler Despite the plethora of research on the role of tonality and meter in music perception, there is little work on how these fundamental properties function together. The most basic question is whether the two hierarchical structures are correlated – that is, do...
Journal Articles
Music Perception (2012) 30 (1): 19–35.
Published: 01 September 2012
...., rapid beating. In contrast, tonal theories attribute dissonance to violations of harmonic principles embodied in Western music. We propose a dual-process theory that embeds roughness within tonal principles. The theory predicts the robust increasing trend in the dissonance of triads: major < minor...
Journal Articles
Music Perception (2011) 28 (5): 461–472.
Published: 01 June 2011
...Dominique T. Vuvan; Jon B. Prince; Mark A. Schmuckler one facet of tonality perception that has been fairly understudied in the years since Krumhansl and colleagues' groundbreaking work on tonality (Krumhansl & Kessler, 1982; Krumhansl & Shepard, 1979) is the music theoretical notion...
Journal Articles
Music Perception (2011) 28 (4): 333–366.
Published: 01 April 2011
... then, the primary perceptual reference in tonal music has been the tonic triad sonority (not the tonic tone or chroma) in an experiential (not physical or notational) representation. This thesis is consistent with the correlation between the key profiles of Krumhansl and Kessler (1982; here called chroma stability...
Journal Articles
Music Perception (2010) 28 (2): 195–200.
Published: 01 December 2010
... results indicate that harmony perception begins to develop earlier than has been previously suggested. ©© 2010 By the Regents of the University of California key membership harmony tonality musical enculturation pitch Music Perception volume 28, issue 2, pp. 195 200, issn 0730-7829...
Journal Articles
Music Perception (2009) 26 (4): 321–334.
Published: 01 April 2009
... with the particular piece). ©© 2009 By the Regents of the University of California attention sensory pleasantness perception tonality listening Music Perception VOLUME 26, ISSUE 4, PP. 321 334, ISSN 0730-7829, ELECTRONIC ISSN 1533-8312 © 2009 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS...