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Keywords: timing
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Journal Articles
Music Perception (2023) 40 (3): 237–252.
Published: 01 February 2023
...Marjaana Puurtinen; Erkki Huovinen; Anna-Kaisa Ylitalo Music-reading research has not yet fully grasped the variety and roles of different cognitive mechanisms that underlie visual processing of music notation; instead, studies have often explored one factor at a time. Based on prior research, we...
Journal Articles
Music Perception (2017) 34 (5): 557–568.
Published: 01 June 2017
... by The Regents of the University of California 2017 rhythm isochrony timing interonset intervals nPVI VISUALIZING AND INTERPRETING RHYTHMIC PATTERNS USING PHASE SPACE PLOTS ANDREA RAVIGNANI Vrije Universiteit Brussel, Brussels, Belgium Max Planck Institute for Psycholinguistics, Nijmegen...
Journal Articles
Music Perception (2017) 34 (4): 438–451.
Published: 01 April 2017
... pulses—these being either short, medium, or long. London (2010) called the possibility of more than two different pulse classes into question on psychological and theoretical grounds. To shed light on this issue, 23 professional Malian percussionists and dancers were presented with timing-manipulated...
Journal Articles
Music Perception (2011) 29 (1): 109–114.
Published: 01 September 2011
...Peter E. Keller; Andreas Weber; Annerose Engel while spontaneity is often a desirable quality in music performance, the objective musical features that characterize genuinely spontaneous performances are unclear. We addressed this issue by recording pianists’ keystroke intensity and timing...
Journal Articles
Music Perception (2011) 28 (3): 265–278.
Published: 01 February 2011
... centroid), timing (intertone onset interval), and dynamics (root mean square envelope) showed significant differences depending on the expressive intention of the performer. In the present companion study, we investigate the effects of these acoustical parameters on listeners' preferences. An analysis...
Journal Articles
Music Perception (2010) 28 (2): 135–154.
Published: 01 December 2010
... and Strings were recorded. Timbre, timing, dynamics, and pitch descriptors were extracted from the recorded performances. The data were processed using a two-way analysis of variance, where the musician's expressive intentions and the note factors were defined as the independent variables. In both musical...
Journal Articles
Music Perception (2010) 28 (1): 15–26.
Published: 01 September 2010
... ) at two tempi (500 ms and 400 ms interonset interval). The Flash sequence contained only temporal information, whereas the two Finger sequences contained apparent motion of different amplitudes. Participants' finger movements were recorded with a motion capture system, and movement trajectories and timing...
Journal Articles
Music Perception (2009) 26 (5): 427–438.
Published: 01 June 2009
... playing more notes preceded the other pianist, and this tendency increased with reduced feedback. Interonset timing suggested bidirectional adjustments during full feedback despite the leader/follower instruction, and unidirectional adjustment only during reduced feedback. Motion analyses indicated...
Journal Articles
Music Perception (2009) 26 (5): 415–425.
Published: 01 June 2009
... yielded the largest asynchronies. Pianists were sensitive to the timing of the sensory information; information that occurred earlier relative to the midpoint between metronome beats was associated with larger asynchronies on the following beat. Finger motion was influenced only by motor production...
Journal Articles
Music Perception (2009) 26 (5): 465–473.
Published: 01 June 2009
... investigated such cues in the context of conductor-musician synchronization. Twenty-four participants tapped in time with dynamic point-light representations of traditional conducting gestures, in which the clarity of the beat and overall tempo was manipulated. A series of nine linear regression analyses...
Journal Articles
Music Perception (2008) 25 (5): 471–476.
Published: 01 June 2008
... to perform on a full MIDI drum kit. The results show that professional jazz drummers have enormous control over their timing. Nevertheless, the swing ratio is not kept constant, but it is systematically adapted to a global tempo. As such, this study provides further support for the hypothesis that expressive...
Journal Articles
Music Perception (2006) 24 (2): 147–154.
Published: 01 December 2006
...Takayuki Nakata; Sandra E. Trehub; Chisato Mitani; Yukihiko Kanda Congenitally deaf children (5–10 years) who use cochlear implants and hearing children of comparable age sang songs from memory. Analyses of their performances revealed timing similarities in the songs of deaf and hearing children...