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Keywords: timbre
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Journal Articles
Music Perception (2023) 41 (1): 59–73.
Published: 01 September 2023
...Jordaine Tran; Laura Marie Getz In three studies, we investigated how the pitch, tempo, and timbre of music can influence perception of an advertised product’s features. To do so, we created radio advertisements where either the pitch, tempo, or timbre of the music was manipulated. Participants...
Includes: Supplementary data
Journal Articles
Music Perception (2023) 41 (1): 1–14.
Published: 01 September 2023
..., University of Oldenburg, Küpkersweg 74, 26129 Oldenburg, Germany. E-mail: michel.buergel@uol.de 19 7 2022 15 7 2023 © 2023 by The Regents of the University of California 2023 auditory attention autotune frequency micro-modulations vocal salience timbre Who has...
Includes: Supplementary data
Journal Articles
Journal Articles
Music Perception (2022) 40 (1): 27–38.
Published: 01 September 2022
... results also suggest that higher string register locations have a darker timbre and possibly a wider and faster vibrato. Further research on whether musicians can effectively imitate vocal range location signals with their instruments is warranted. Caitlyn Trevor, Department of Psychology...
Journal Articles
Music Perception (2022) 39 (3): 289–308.
Published: 01 February 2022
...Rebecca N. Faubion-Trejo; James T. Mantell Listeners can recognize musical excerpts less than one second in duration (plinks). We investigated the roles of timbre and implicit absolute pitch for plink identification, and the time course associated with processing these cues, by measuring listeners...
Includes: Supplementary data
Journal Articles
Music Perception (2021) 39 (1): 1–20.
Published: 01 September 2021
...Zachary Wallmark; Linh Nghiem; Lawrence E. Marks Musical timbre is often described using terms from non-auditory senses, mainly vision and touch; but it is not clear whether crossmodality in timbre semantics reflects multisensory processing or simply linguistic convention. If multisensory...
Includes: Supplementary data
Journal Articles
Music Perception (2021) 38 (3): 282–292.
Published: 01 February 2021
...André Almeida; Emery Schubert; Joe Wolfe In music, vibrato consists of cyclic variations in pitch, loudness, or spectral envelope (hereafter, “timbre vibrato”—TV) or combinations of these. Here, stimuli with TV were compared with those having loudness vibrato (LV). In Experiment 1, participants...
Journal Articles
Music Perception (2020) 38 (2): 106–135.
Published: 25 November 2020
... that match previous listening experiences in the lab, suggesting reactivation of those experiences. Previous studies suggested that timbre and brief rhythmic patterns may influence metrical restoration. However, variations in the magnitude of effects in different experiments suggest that other factors...
Journal Articles
Music Perception (2019) 37 (2): 134–146.
Published: 01 December 2019
...Weixia Zhang; Fang Liu; Linshu Zhou; Wanqi Wang; Hanyuan Jiang; Cunmei Jiang T imbre is an important factor that affects the perception of emotion in music. To date, little is known about the effects of timbre on neural responses to musical emotion. To address this issue, we used ERPs...
Journal Articles
Music Perception (2019) 37 (1): 57–65.
Published: 01 September 2019
... A. Russo, Department of Psychology, Ryerson University, Toronto, Canada, M5B 2K3. E-mail: russo@ryerson.ca 7 5 2018 30 5 2019 © 2019 by The Regents of the University of California 2019 singing vowels timbre relative pitch psychoacoustics A number of factors extraneous...
Journal Articles
Music Perception (2017) 35 (2): 144–164.
Published: 01 December 2017
...Sven-Amin Lembke; Scott Levine; Stephen McAdams Achieving a blended timbre between two instruments is a common aim of orchestration. It relates to the auditory fusion of simultaneous sounds and can be linked to several acoustic factors (e.g., temporal synchrony, harmonicity, spectral relationships...
Journal Articles
Music Perception (2017) 34 (3): 313–318.
Published: 01 February 2017
... lower). In an exposure phase, 90 participants ( M = 4.1 years training, SD = 3.9) rated their liking of 24 melodies—6 each in voice, piano, banjo, and marimba. After a short break, they heard the same melodies plus 24 timbre-matched foils (6 per timbre) and rated their recognition of each melody...
Journal Articles
Music Perception (2016) 33 (4): 446–456.
Published: 01 April 2016
..., Piazza dell’Ateneo Nuovo 1, U6, 20126 Milan, Italy. E-mail: mado.proverbio@unimib.it 27 9 2014 10 2 2015 © 2016 by The Regents of the University of California 2016 ERPs expertise music timbre cortex INSTRUMENT-SPECIFIC EFFECTS OF MUSICAL EXPERTISE ON AUDIOVISUAL...
Journal Articles
Music Perception (2014) 31 (3): 288–296.
Published: 01 February 2014
... 4 2013 © 2014 by The Regents of the University of California 2014 amplitude envelope temporal structure auditory stimulus timbre tone envelope SURVEYING THE TEMPORAL STRUCTURE OF SOUNDS USED IN MUSIC PERCEPTION MICHAEL SCHUTZ & JONATHAN M. VAISBERG McMaster Institute for Music...
Journal Articles
Journal Articles
Music Perception (2011) 28 (3): 265–278.
Published: 01 February 2011
...Mathieu Barthet; Philippe Depalle; Richard Kronland-Martinet; Sølvi Ystad In a Previous Study, Mechanical and Expressive clarinet performances of Bach's Suite No. II and Mozart's Quintet for Clarinet and Strings were analyzed to determine whether some acoustical correlates of timbre (e.g., spectral...
Journal Articles
Music Perception (2010) 28 (2): 135–154.
Published: 01 December 2010
... and Strings were recorded. Timbre, timing, dynamics, and pitch descriptors were extracted from the recorded performances. The data were processed using a two-way analysis of variance, where the musician's expressive intentions and the note factors were defined as the independent variables. In both musical...
Journal Articles
Music Perception (2008) 25 (3): 253–255.
Published: 01 February 2008
... scrutiny revealed a conspicuous amount of labeling errors, intonation inaccuracies, and the absence of an integrated database. These errors are identified and catalogued, and revisions are implemented in a form of an installer. Received November 13, 2007, accepted November 28, 2007. Key words: timbre...