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Music Perception (2020) 38 (2): 106–135.
Published: 25 November 2020
... that match previous listening experiences in the lab, suggesting reactivation of those experiences. Previous studies suggested that timbre and brief rhythmic patterns may influence metrical restoration. However, variations in the magnitude of effects in different experiments suggest that other factors...
Music Perception (2019) 37 (2): 134–146.
Published: 01 December 2019
...Weixia Zhang; Fang Liu; Linshu Zhou; Wanqi Wang; Hanyuan Jiang; Cunmei Jiang T imbre is an important factor that affects the perception of emotion in music. To date, little is known about the effects of timbre on neural responses to musical emotion. To address this issue, we used ERPs to...
Music Perception (2019) 37 (1): 57–65.
Published: 01 September 2019
... Regents of the University of California 2019 singing vowels timbre relative pitch psychoacoustics A number of factors extraneous to fundamental frequency have influence over the perception of relative pitch. For example, the perception of relative pitch can be influenced by pitch...
Music Perception (2017) 35 (2): 144–164.
Published: 01 December 2017
...Sven-Amin Lembke; Scott Levine; Stephen McAdams Achieving a blended timbre between two instruments is a common aim of orchestration. It relates to the auditory fusion of simultaneous sounds and can be linked to several acoustic factors (e.g., temporal synchrony, harmonicity, spectral relationships...
Music Perception (2017) 34 (3): 313–318.
Published: 01 February 2017
... lower). In an exposure phase, 90 participants ( M = 4.1 years training, SD = 3.9) rated their liking of 24 melodies—6 each in voice, piano, banjo, and marimba. After a short break, they heard the same melodies plus 24 timbre-matched foils (6 per timbre) and rated their recognition of each melody...
Music Perception (2016) 33 (4): 446–456.
Published: 01 April 2016
..., Piazza dell’Ateneo Nuovo 1, U6, 20126 Milan, Italy. E-mail: email@example.com 27 9 2014 10 2 2015 © 2016 by The Regents of the University of California 2016 ERPs expertise music timbre cortex INSTRUMENT-SPECIFIC EFFECTS OF MUSICAL EXPERTISE ON AUDIOVISUAL...
Music Perception (2014) 31 (3): 288–296.
Published: 01 February 2014
... 30 4 2013 © 2014 by The Regents of the University of California 2014 amplitude envelope temporal structure auditory stimulus timbre tone envelope SURVEYING THE TEMPORAL STRUCTURE OF SOUNDS USED IN MUSIC PERCEPTION MICHAEL SCHUTZ & JONATHAN M. VAISBERG McMaster Institute for Music...
Music Perception (2012) 30 (1): 49–70.
Published: 01 September 2012
...Tuomas Eerola; Rafael Ferrer; Vinoo Alluri considerable effort has been made towards understanding how acoustic and structural features contribute to emotional expression in music, but relatively little attention has been paid to the role of timbre in this process. Our aim was to investigate the...
Music Perception (2011) 28 (3): 265–278.
Published: 01 February 2011
...Mathieu Barthet; Philippe Depalle; Richard Kronland-Martinet; Søølvi Ystad In a Previous Study, Mechanical and Expressive clarinet performances of Bach's Suite No. II and Mozart's Quintet for Clarinet and Strings were analyzed to determine whether some acoustical correlates of timbre (e.g...
Music Perception (2010) 28 (2): 135–154.
Published: 01 December 2010
... Strings were recorded. Timbre, timing, dynamics, and pitch descriptors were extracted from the recorded performances. The data were processed using a two-way analysis of variance, where the musician's expressive intentions and the note factors were defined as the independent variables. In both musical...
Music Perception (2008) 25 (3): 253–255.
Published: 01 February 2008
... identified and catalogued, and revisions are implemented in a form of an installer. ©© 2008 By the Regents of the University of California timbre audio sample musical instruments sound sample music database TUOMAS EEROLA AND RAFAEL FERRER University of Jyväskylä, Finland AN OVERVIEW OF THE MAIN...