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Keywords: syncopation
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Journal Articles
Music Perception (2020) 37 (4): 339–346.
Published: 11 March 2020
... and as subjectively pleasurable, the two core features of perceived groove. In Experiment 1, participants were exposed to a set of moderately-syncopated, high-groove drum-breaks which they were led to believe were either produced by a relatively likable or unlikable musician. In line with predictions, participants...
Journal Articles
Music Perception (2020) 37 (4): 278–297.
Published: 11 March 2020
...Maria A. G. Witek; Jingyi Liu; John Kuubertzie; Appiah Poku Yankyera; Senyo Adzei; Peter Vuust The pleasurable desire to move to a beat is known as groove and is partly explained by rhythmic syncopation. While many contemporary groove-directed genres originated in the African diaspora, groove music...
Journal Articles
Music Perception (2014) 32 (2): 201–217.
Published: 01 December 2014
...Maria A. G. Witek; Eric F. Clarke; Morten L. Kringelbach; Peter Vuust In music, the rhythms of different instruments are often syncopated against each other to create tension. Existing perceptual theories of syncopation cannot adequately model such kinds of syncopation since they assume monophony...
Journal Articles
Music Perception (2014) 31 (5): 444–469.
Published: 01 June 2014
... the meter, 2) a syncopation anticipates the beat and lasts through its onset and therefore disturbs the meter, and 3) all other events such as rests or ties that start on the beat provided no syncopation anticipates them. Two experiments showed that similarity between rhythms depends on both their temporal...
Journal Articles
Music Perception (2009) 26 (4): 377–386.
Published: 01 April 2009
... occasional weakly and strongly syncopated rhythmic patterns within the context of a strictly metrical rhythmical sound sequence. Detection performance was better and faster when syncopation occurred in a metrically strong as compared to a metrically weaker position. Compatible electrophysiological...
Journal Articles
Music Perception (2007) 25 (1): 43–58.
Published: 01 September 2007
...W. Tecumseh Fitch; Andrew J. Rosenfeld THE PROCESSING OF COMPLEX, METRICALLY ambiguous rhythmic patterns, of the sort found in much popular music, remains poorly understood. We investigated listeners' abilities to perceive, process and produce complex, syncopated rhythmic patterns. Rhythmic...