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Keywords: synchronization
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Journal Articles
Music Perception (2024) 42 (1): 48–72.
Published: 01 September 2024
...): duo number and coordination strategy are delineated by the style and color of the marker. © 2024 by The Regents of the University of California 2024 6 10 2023 16 2 2024 joint action synchronization...
Includes: Supplementary data
Journal Articles
Music Perception (2024) 41 (3): 176–198.
Published: 01 February 2024
... enabled us to uncover the complexity of microrhythm perception and production in both laboratory and real-world musical contexts. © 2024 by The Regents of the University of California 2024 microrhythm groove beat perception synchronization interdisciplinarity Professor Anne Danielsen...
Journal Articles
Music Perception (2022) 39 (5): 423–442.
Published: 01 June 2022
...Tomas E. Matthews; Maria A. G. Witek; Joseph L. N. Thibodeau; Peter Vuust; Virginia B. Penhune The sensation of groove can be defined as the pleasurable urge to move to rhythmic music. When moving to the beat of a rhythm, both how well movements are synchronized to the beat, and the perceived...
Journal Articles
Music Perception (2020) 37 (5): 403–422.
Published: 10 June 2020
...Andrea Schiavio; Jan Stupacher; Richard Parncutt; Renee Timmers In an experimental study, we investigated how well novices can learn from each other in situations of technology-aided musical skill acquisition, comparing joint and solo learning, and learning through imitation, synchronization...
Journal Articles
Journal Articles
Music Perception (2018) 35 (4): 405–424.
Published: 01 April 2018
... of Psychology, 1007 West Harrison Street (M/C 285), Chicago, IL 60607-7137. E-mails: [email protected] or [email protected] 19 1 2017 22 11 2017 © 2018 by The Regents of the University of California 2018 synchronization entrainment postural sway music performance music...
Journal Articles
Music Perception (2013) 30 (3): 291–305.
Published: 01 February 2013
... in a rhythm containing just two interval durations. The present study examined whether highly trained musicians (including percussionists) are able to perform such rhythms accurately in a synchronization-continuation tapping paradigm. Eleven rhythms, a subset of those used by Fraisse, were presented...
Journal Articles
Music Perception (2012) 30 (2): 205–223.
Published: 01 December 2012
... in a synchronization task (Repp, London, & Keller, 2011) have suggested an upward-shifted AR (USAR) somewhat greater than 0.5. Three new experiments suggest that this shift is not due to synchronization versus continuation tapping, the range of interval ratios employed, unimanual versus bimanual tapping, intensity...
Journal Articles
Music Perception (2011) 28 (5): 433–448.
Published: 01 June 2011
... of the University of California 2011 beat induction meter synchronization tactus beat-finding Music Perception volume 28, issue 5, pp. 433 448, issn 0730-7829, electronic issn 1533-8312 © 2011 by the regents of the university of california. all rights reserved. please direct all requests for permission...
Journal Articles
Music Perception (2010) 28 (1): 15–26.
Published: 01 September 2010
...Michael J. Hove; Peter E. Keller This work investigates how spatial and temporal aspects of rhythmic movements are affected by spatial and temporal components of a visual pacing sequence. Participants synchronized finger taps with three visual pacing sequences ( Flash , High Finger , and Low Finger...
Journal Articles
Music Perception (2010) 28 (1): 59–70.
Published: 01 September 2010
...Petri Toiviainen; Geoff Luck; Marc R. Thompson Listening to music often is associated with spontaneous body movements frequently synchronized with its periodic structure. The notion of embodied cognition assumes that intelligent behavior does not emerge from mere passive perception, but requires...
Journal Articles
Music Perception (2010) 27 (5): 389–397.
Published: 01 June 2010
...Bruno H. Repp SUBDIVISION BY COUNTING HAS BEEN SHOWN TO improve interval discrimination for durations exceeding 1.2 s (Grondin,Meilleur-Wells, & Lachance, 1999). The present study examined whether simple interval subdivision (bisection) reduces variability of synchronization with a slow...
Journal Articles
Music Perception (2009) 26 (5): 427–438.
Published: 01 June 2009
...Werner Goebl; Caroline Palmer WE INVESTIGATED INFLUENCES OF AUDITORY FEEDBACK, musical role, and note ratio on synchronization in ensemble performance. Pianists performed duets on a piano keyboard; the pianist playing the upper part was designated the leader and the other pianist was the follower...
Journal Articles
Music Perception (2009) 26 (5): 439–449.
Published: 01 June 2009
...) information available at finger-key contact was extended to clarinetists' finger movements during key depressions and releases that, together with breathing, determine the timing of tone onsets. Skilled clarinetists performed melodies at different tempi in a synchronization task while their movements were...
Journal Articles
Music Perception (2009) 26 (5): 415–425.
Published: 01 June 2009
...Janeen D. Loehr; Caroline Palmer THE CURRENT STUDY EXAMINED HOW AUDITORY AND kinematic information influenced pianists' ability to synchronize musical sequences with a metronome. Pianists performed melodies in which quarter-note beats were subdivided by intervening eighth notes that resulted from...
Journal Articles
Music Perception (2009) 26 (5): 475–488.
Published: 01 June 2009
... epochs, implicating a role of facial expressions in the perception, planning, production, and post-production of emotional singing. © 2009 By the Regents of the University of California music cognition emotion singing facial expression synchronization Facial Expressions in Song 475 FACIAL...
Journal Articles
Music Perception (2008) 26 (2): 171–175.
Published: 01 December 2008
...Bruno H. Repp; Justin London; Peter E. Keller PHASE CORRECTION, WHICH IS NECESSARY for synchronization of movements with a rhythm, has been studied primarily with isochronous sequences.We used a phase perturbation method to examine phase correction in synchronization with nonisochronous sequences...
Journal Articles
Music Perception (2008) 26 (1): 19–39.
Published: 01 September 2008
... was slower when the pacing beat was subdivided than when it was not. Experiment 2 found the same effect when the subdivisions during synchronization were self-generated. The effect was neutralized, however, when subdivisions were tapped during continuation. In Experiment 3, an effect of subdivision was found...
Journal Articles
Music Perception (2008) 26 (1): 1–18.
Published: 01 September 2008
... instructed to tap in anti-phase with the beat. These results demonstrate that precise on-beat synchronization with different imposed beats can be achieved by locking into the metrical grid defined by a rhythm's basic pulse. The favored beat provides the most stable reference for off-beat tapping...
Journal Articles
Music Perception (2008) 25 (3): 225–239.
Published: 01 February 2008
...Geoff Luck; John Sloboda THE SPATIO-TEMPORAL PROPERTIES OF HUMAN movement that induce the percept of a visual beat were investigated in three experiments. Experiment 1, in which participants synchronized key presses with point-light representations of simple conducting gestures, showed that visual...