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Music Perception (2020) 37 (4): 363–365.
Published: 11 March 2020
... the unique character of singing and an insistence on the centrality of pleasure in musical experience. In any event, let us now return to Cummins’ second, more provocative criterion, which conflates speech and song under the rubric of “uttering.” Actually, Cummins himself displays some ambivalence...
Music Perception (2019) 37 (1): 57–65.
Published: 01 September 2019
...Frank A. Russo; Dominique T. Vuvan; William Forde Thompson N ote - to - note changes in brightness are able to influence the perception of interval size. Changes that are congruent with pitch tend to expand interval size, whereas changes that are incongruent tend to contract. In the case of singing...
Music Perception (2018) 35 (5): 573–578.
Published: 01 June 2018
...@bbk.ac.uk 4 8 2017 3 1 2018 © 2018 by The Regents of the University of California 2018 speech singing pitch perception language REPETITION ENHANCES THE MUSICALITY OF SPEECH AND TONE STIMULI TO SIMILAR DEGREES ADAM TIERNEY Birkbeck, University of London, London, United Kingdom...
Includes: Multimedia, Supplementary data
Music Perception (2017) 34 (5): 585–604.
Published: 01 June 2017
... of working memory. Emma Greenspon, Department of Psychology, University at Buffalo, SUNY, Buffalo, NY 14260. E-mail: email@example.com 29 12 2015 25 1 2017 © 2017 by The Regents of the University of California 2017 singing sensorimotor integration imagery working...
Music Perception (2016) 33 (5): 546–560.
Published: 01 June 2016
...Aysu Erdemir; John J. Rieser Singing is a universal form of music expression. However, the extent of skill in carrying a tune and maintaining correct timing varies across people. Differences have been reported between professional singers and non-singers; however, whether singing accuracy depends...
Music Perception (2015) 33 (2): 135–146.
Published: 01 December 2015
... West 168th Street, Room 501, New York, NY 10032. E-mail: firstname.lastname@example.org 4 2 2014 28 9 2014 © 2015 by The Regents of the University of California 2015 intonation music perception performance quality singing vibrato THE ACTUAL VS. PREDICTED EFFECTS OF INTONATION...
Music Perception (2015) 32 (5): 470–483.
Published: 01 June 2015
... Music, 1866 College Road, Ohio State University, Columbus, OH 43210. E-mail: email@example.com 4 12 2013 25 9 2014 © 2015 by The Regents of the University of California 2015 intelligibility lyrics singing music genre CATCHING THE LYRICS: INTELLIGIBILITY IN TWELVE SONG...
Music Perception (2015) 32 (3): 232–241.
Published: 01 February 2015
...Psyche Loui Singing requires effortless and efficient use of auditory and motor systems that center around the perception and production of the human voice. Although perception and production are usually tightly coupled functions, occasional mismatches between the two systems inform us of...
Music Perception (2015) 32 (3): 272–282.
Published: 01 February 2015
...Simone Dalla Bella Important individual differences characterize singing in adult nonmusicians. In spite of the fact that the majority can carry a tune, some occasional singers are particularly inaccurate or imprecise in producing or imitating pitch (poor-pitch singers). Poor-pitch singing can be...
Music Perception (2015) 32 (3): 254–265.
Published: 01 February 2015
... The Regents of the University of California 2015 absolute pitch singing tuning perception and production Linked Dual Representation model SYMBOLIC AND MOTOR CONTRIBUTIONS TO VOCAL IMITATION IN ABSOLUTE PITCH SEAN HUTCHINS The Royal Conservatory of Music, Toronto, Canada STEFANIE HUTKA...
Music Perception (2014) 32 (2): 160–169.
Published: 01 December 2014
...Eugenia Costa-Giomi Almost from birth, infants prefer to attend to human vocalizations associated with speech over many other sounds. However, studies that have focused on infants’ differential attention to speech and singing have failed to show a speech listening bias. The purpose of the study was...
Music Perception (2014) 32 (1): 1–10.
Published: 01 September 2014
...Pauline Larrouy-Maestri; David Magis; Dominique Morsomme The objective analysis of Western operatic singing voices indicates that professional singers can be particularly “out of tune.” This study aims to better understand the evaluation of operatic voices, which have particularly complex...
Music Perception (2012) 29 (5): 521–531.
Published: 01 June 2012
..., or a null effect of singing on verbal recall. Several factors can account for this limited aid of music. First, the familiarity of the melody might play a role. Second, successive learning sessions and long-term retention intervals may be necessary. These two factors are considered here in a case...
Music Perception (2010) 27 (4): 287–295.
Published: 01 April 2010
...Catherine Y. Wan; Theodor Rüüber; Anja Hohmann; Gottfried Schlaug MUSIC MAKING (PLAYING AN INSTRUMENT OR SINGING) is a multimodal activity that involves the integration of auditory and sensorimotor processes. The ability to sing in humans is evident from infancy, and does not depend on formal vocal...
Music Perception (2009) 26 (5): 475–488.
Published: 01 June 2009
... recorded with motion capture as they watched and imitated phrases of emotional singing. Four different participants were recorded using facial electromyography (EMG) while performing the same task. Participants saw and heard recordings of musical phrases sung with happy, sad, and neutral emotional...
Music Perception (2007) 25 (2): 95–115.
Published: 01 December 2007
...Peter Q. Pfordresher; Steven Brown THE TERM "TONE DEAFNESS," COMMONLY APPLIED TO poor-pitch singing, suggests that the cause lies in faulty perception. However, it is also plausible that problems lie in production, memory, and/or sensorimotor integration. We report the results of two experiments on...
Music Perception (2006) 24 (2): 147–154.
Published: 01 December 2006
... direction of pitch change in the target songs. For child implant users, the power and pleasure of music may arise primarily from its rhythm. © 2006 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. 2006 singing children deaf pitch timing cochlear implant TAKAYUKI NAKATA...