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Music Perception (2018) 36 (1): 53–59.
Published: 01 September 2018
...Ronald S. Friedman A ccording to J uslin (2001), final ritardandi constitute part of the acoustic code employed by musicians to communicate two distinct emotional states: sadness and tenderness. To test this proposition, in two experiments, participants were exposed to a set of hymns that were...
Includes: Multimedia, Supplementary data
Music Perception (2012) 29 (3): 311–317.
Published: 01 February 2012
...Jonna K. Vuoskoski; William F. Thompson; Doris McIlwain; Tuomas Eerola although people generally avoid negative emotional experiences in general, they often enjoy sadness portrayed in music and other arts. The present study investigated what kinds of subjective emotional experiences are induced in...