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Music Perception (2018) 36 (2): 175–200.
Published: 01 December 2018
... 2017 2 6 2018 © 2018 by The Regents of the University of California 2018 listening time aesthetics habituation repetition enjoyment personality Rather than examining the effect of multiple exposures separated by time and intervening stimuli, as is typical of most studies...
Music Perception (2016) 33 (4): 509–514.
Published: 01 April 2016
...Elizabeth Hellmuth Margulis; Rhimmon Simchy-Gross This study investigated the role of repetition on listener response. It tested the hypothesis that repetition, in the form of looping during an exposure phase, would make random sequences of tones sound more musical when rated later during a test...
Music Perception (2016) 33 (3): 306–318.
Published: 01 February 2016
...Cecilia Taher; René Rusch; Stephen McAdams Repetition and novelty are essential components of tonal music. Previous research suggests that the degree of repetitiveness of a line can determine its relative melodicity within a musical texture. Concordantly, musical accompaniments tend to be highly...
Music Perception (2012) 29 (4): 377–385.
Published: 01 April 2012
...Elizabeth Hellmuth Margulis although music's repetitiveness has been a perennial topic of theoretical and philosophical interest, we know surprisingly little about the psychological processes underlying it. As one step in the larger enterprise of examining the psychology of musical repetition...
Music Perception (2010) 27 (3): 177–182.
Published: 01 February 2010
... made highly familiar through en masse repetitions (Experiment 3) rather than through interspersed repetitions (Experiment 1). In addition, intensity ratings were higher when participants were asked to judge the emotion conveyed by the music than when they were asked to judge the emotion elicited...