... to a nuanced understanding of music-to-language transfer. To this end, we investigated whether pitched musicians had a unique musical advantage in lexical tone perception relative to unpitched musicians and nonmusicians. Specifically, we compared Cantonese pitched musicians, unpitched musicians...

... 12 2023 © 2024 by The Regents of the University of California 2024 music therapy perception emotion individual differences musicology Music can produce a deep emotional experience along with intense cognitive, sensory, and motor involvement ( Vuilleumier & Trost, 2015...

... and adult pitch perception advantages, tone-language-speaking children did not show greater weighting of pitch information than non-tone-language speaking children. This suggests a slow developmental course for pitch reweighting, contrasting with apparent early emergence of pitch sensitivity. Sarah C...

... in their interpretations, with those of Deaf performers, who tend to be more influenced by ASL prosody in their performances. American Sign Language signed songs gesture emotion perception Can humans perceive music without sound? Is musicality defined exclusively in relation to sound or does it apply...

... 2021 expectation computational models corpus perception pitch Emily Schwitzgebel, Bienen School of Music, 70 Arts Cir Dr, Evanston, IL 60208, E-mail: [email protected] 19 8 2020 4 5 2021 Participants heard each of these progressions with four...

... reported here investigates factors that may contribute to this perception. Participants were junior/senior music majors, freshman music majors, and people from the general population recruited on Prolific.co. In each trial, four Shepard-tone sounds in the key of C were presented: 1) the tonic note, 2) one...

... signal and perception of TV, suggesting that more research is needed in TV perception. In vibrato, periodic loudness, pitch, and timbre variations often occur together. In musical instruments, for example, nonlinear effects in the bow-string interaction or the reed or lips of a player have the result...

...-reported musical experience and objectively measured musical aptitude to a skill that is important in music perception: temporal resolution (or acuity). The Advanced Measures of Music Audiation (AMMA) test was used to objectively assess participant musical aptitude, and adaptive psychophysical measurements...

...Peter M. C. Harrison; Marcus T. Pearce Voice leading is a common task in Western music composition whose conventions are consistent with fundamental principles of auditory perception. Here we introduce a computational cognitive model of voice leading, intended both for analyzing voice-leading...

...Aviel Sulem; Ehud Bodner; Noam Amir E xpressive M usical T erms (EMTs) are commonly used by composers as verbal descriptions of musical expressiveness and characters that performers are requested to convey. We suggest a classification of 55 of these terms, based on the perception of professional...

...” instead of “intensity” showed similar results to Experiment 1 . We discuss how these results complement and extend previous findings of studies with tightly controlled stimuli, providing additional perspective on complex issues of interpersonal communication. emotion perception applied music...

... dance interaction perception motion capture M oving in synchrony to music with others feels good ( Solberg & Jensenius, 2017 ), promotes well-being ( Quiroga Murcia, Kreutz, Clift, & Bongard, 2010 ), may increase pro-social behavior ( Rabinowitch & Meltzoff, 2017 ) and group...

.... A second possibility is that it takes time to establish the precise pitch perception necessary for assigning each syllable a musical scale degree. Here we tested these hypotheses by asking participants to rate the musicality of spoken phrases and complex tones with matching pitch contours after each...

... of California 2012 tuning pitch voice violin perception Vocal Generosity 147 Music Perception volume 30, issue 2, pp. 147 159. issn 0730-7829, electronic issn 1533-8312. © 2012 by the regents of the university of california all rights reserved. please direct all requests for permission to photocopy...

... and Duffin (2005) showed relatively spared perception and memory for music. Through the single case study of MD, we again address the question of whether early AD might leave these abilities intact. The first experiment examined her musical emotional judgments in relation to mode and tempo. Overall results...

... their perception of octave-ambiguous three-note melodies ending with tritones in two conditions: In the active condition, they saw a notated melody and played it on a keyboard to hear it, while in the passive condition they viewed the notation while the melody was played to them. Participants tended to report...

...Reinhard Kopiez; Friedrich Platz THIS EXPLORATIVE STUDY INVESTIGATES THE PERCEPTION of clash of keys in music. It is a replication and extension of an earlier study by Wolpert (2000) on the perception of a harmonic (bitonal) manipulation of a melody and accompaniment. We investigated (a) how...

... flatter than the fundamental frequency of an unmodulated tone. © 2008 By the Regents of the University of California vibrato pitch perception tuning range Range of Tuning for Vibrato Tones 145 RANGE OF TUNING FOR TONES WITH AND WITHOUT VIBRATO RACHEL M. VAN BESOUW University of Southampton...

...CLAIRE MCDONALD; LAUREN STEWART THE GOAL OF THIS STUDY WAS TO ASCERTAIN whether deficits in music perception impact upon music appreciation. Likert ratings were gathered from congenital amusics and matched controls concerning the degree to which individuals incorporate music in their everyday lives...

... about the expression of emotions through ornamentation. Rather the listeners were sensitive to a performer's specific use of ornamentation. © 2007 By the Regents of the University of California emotion ornamentation affects in Baroque music performance perception Emotional Ornamentation...