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Music Perception (2021) 39 (2): 160–180.
Published: 01 December 2021
..., Department of Psychology, Elmhurst University, Elmhurst, IL, 60126. E-mail: email@example.com 30 7 2020 27 7 2021 © 2021 by The Regents of the University of California 2021 American Sign Language signed songs gesture emotion perception Can humans perceive music...
Music Perception (2021) 39 (1): 41–62.
Published: 01 September 2021
... 2021 expectation computational models corpus perception pitch Figure 1. A) Average participant ratings for each target in Experiment 1; B) average ratings for each progression. Figure 2. Average participant ratings for each target in Experiment 1, divided by progression type...
Music Perception (2021) 39 (1): 21–40.
Published: 01 September 2021
... reported here investigates factors that may contribute to this perception. Participants were junior/senior music majors, freshman music majors, and people from the general population recruited on Prolific.co. In each trial, four Shepard-tone sounds in the key of C were presented: 1) the tonic note, 2) one...
Music Perception (2021) 38 (3): 282–292.
Published: 01 February 2021
... signal and perception of TV, suggesting that more research is needed in TV perception. Andre Almeida, School of Physics, UNSW, Sydney 2052, Australia. E-mail: firstname.lastname@example.org 6 2 2020 10 10 2020 © 2021 by The Regents of the University of California 2021 vibrato...
Music Perception (2020) 38 (1): 66–77.
Published: 09 September 2020
...-reported musical experience and objectively measured musical aptitude to a skill that is important in music perception: temporal resolution (or acuity). The Advanced Measures of Music Audiation (AMMA) test was used to objectively assess participant musical aptitude, and adaptive psychophysical measurements...
Music Perception (2020) 37 (3): 208–224.
Published: 01 February 2020
...Peter M. C. Harrison; Marcus T. Pearce Voice leading is a common task in Western music composition whose conventions are consistent with fundamental principles of auditory perception. Here we introduce a computational cognitive model of voice leading, intended both for analyzing voice-leading...
Music Perception (2019) 37 (2): 147–164.
Published: 01 December 2019
...Aviel Sulem; Ehud Bodner; Noam Amir E xpressive M usical T erms (EMTs) are commonly used by composers as verbal descriptions of musical expressiveness and characters that performers are requested to convey. We suggest a classification of 55 of these terms, based on the perception of professional...
Music Perception (2019) 37 (1): 66–91.
Published: 01 September 2019
..., ON, L8S 4K1, Canada. E-mail: email@example.com 10 8 2018 28 6 2019 © 2019 by The Regents of the University of California 2019 emotion perception applied music cognition valence arousal “Music can serve as a way of capturing feelings, knowledge of feelings...
Music Perception (2019) 36 (4): 390–405.
Published: 01 April 2019
..., University of Jyväskylä. E-mail: firstname.lastname@example.org 25 4 2018 30 1 2019 © 2019 by The Regents of the University of California 2019 entrainment dance interaction perception motion capture It may seem self-evident to say that we entrain with one another socially when we...
Music Perception (2018) 35 (5): 573–578.
Published: 01 June 2018
.... A second possibility is that it takes time to establish the precise pitch perception necessary for assigning each syllable a musical scale degree. Here we tested these hypotheses by asking participants to rate the musicality of spoken phrases and complex tones with matching pitch contours after each...
Includes: Multimedia, Supplementary data
Music Perception (2012) 30 (2): 147–159.
Published: 01 December 2012
... of California 2012 tuning pitch voice violin perception Vocal Generosity 147 Music Perception volume 30, issue 2, pp. 147 159. issn 0730-7829, electronic issn 1533-8312. © 2012 by the regents of the university of california all rights reserved. please direct all requests for permission to photocopy...
Music Perception (2012) 29 (5): 509–519.
Published: 01 June 2012
... and Duffin (2005) showed relatively spared perception and memory for music. Through the single case study of MD, we again address the question of whether early AD might leave these abilities intact. The first experiment examined her musical emotional judgments in relation to mode and tempo. Overall results...
Music Perception (2011) 28 (3): 315–320.
Published: 01 February 2011
... their perception of octave-ambiguous three-note melodies ending with tritones in two conditions: In the active condition, they saw a notated melody and played it on a keyboard to hear it, while in the passive condition they viewed the notation while the melody was played to them. Participants tended to report...
Music Perception (2009) 26 (4): 321–334.
Published: 01 April 2009
...Reinhard Kopiez; Friedrich Platz THIS EXPLORATIVE STUDY INVESTIGATES THE PERCEPTION of clash of keys in music. It is a replication and extension of an earlier study by Wolpert (2000) on the perception of a harmonic (bitonal) manipulation of a melody and accompaniment. We investigated (a) how...
Music Perception (2008) 26 (2): 145–155.
Published: 01 December 2008
... flatter than the fundamental frequency of an unmodulated tone. © 2008 By the Regents of the University of California vibrato pitch perception tuning range Range of Tuning for Vibrato Tones 145 RANGE OF TUNING FOR TONES WITH AND WITHOUT VIBRATO RACHEL M. VAN BESOUW University of Southampton...
Music Perception (2008) 25 (4): 345–355.
Published: 01 April 2008
...CLAIRE MCDONALD; LAUREN STEWART THE GOAL OF THIS STUDY WAS TO ASCERTAIN whether deficits in music perception impact upon music appreciation. Likert ratings were gathered from congenital amusics and matched controls concerning the degree to which individuals incorporate music in their everyday lives...
Music Perception (2007) 25 (2): 117–134.
Published: 01 December 2007
... about the expression of emotions through ornamentation. Rather the listeners were sensitive to a performer's specific use of ornamentation. © 2007 By the Regents of the University of California emotion ornamentation affects in Baroque music performance perception Emotional Ornamentation...
Music Perception (2006) 24 (1): 111–116.
Published: 01 September 2006
...Josh McDermott; Marc D. Hauser One year ago we published a review article in Music Perception surveying and summarizing the empirical literature relevant to the evolutionary origins of music. Seven pieces commenting on our review have appeared in the present issue. In this reply we discuss some...