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Keywords: musical expertiseClose
Music Perception (2023) 41 (1): 15–35.
Published: 01 September 2023
... of arousal and mood. The impact of musical expertise, however, was mixed: individuals with higher expertise performed better in Study 1 but with no statistically significant difference in Study 2. Julia Vigl, PhD MSc. Department of Psychology, University of Innsbruck, Universitätsstraße 5-7, 6020...
Includes: Supplementary data
Music Perception (2023) 40 (4): 334–346.
Published: 01 April 2023
...Christin Arndt; Kathrin Schlemmer; Elke van der Meer The connections between musical expertise, working memory (WM), and intelligence have been examined repeatedly in recent years with, to some extent, conflicting evidence. For this reason, more studies are needed that can clarify this matter...
Music Perception (2017) 34 (3): 253–266.
Published: 01 February 2017
...Liila Taruffi; Rory Allen; John Downing; Pamela Heaton Previous music and emotion research suggests that individual differences in empathy, alexithymia, personality traits, and musical expertise might play a role in music-perceived emotions. In this study, we investigated the relationship between...
Music Perception (2014) 32 (2): 125–142.
Published: 01 December 2014
...São Luís Castro; César F. Lima We investigated how age and musical expertise influence emotion recognition in music. Musically trained and untrained participants from two age cohorts, young and middle-aged adults ( N = 80), were presented with music excerpts expressing happiness, peacefulness...
Music Perception (2014) 32 (1): 51–66.
Published: 01 September 2014
... even though information about whether these outcomes are realized is unavailable. Research also suggests that musical imagery ability improves with increasing musical expertise. This study tested the hypothesis that expert musicians’ superior imagery abilities enable reduced reliance on auditory...
Music Perception (2013) 31 (2): 97–117.
Published: 01 December 2013
... when it is present. This study tested the hypotheses that imagery 1) can occur concurrently with normal performance, 2) is strongest when auditory feedback is absent but motor feedback is present, and 3) improves with increasing musical expertise. Auditory and motor feedback conditions were manipulated...