Skip Nav Destination
1-13 of 13
Keywords: music performanceClose
Music Perception (2018) 36 (2): 201–216.
Published: 01 December 2018
... California 2018 25 10 2017 2 6 2018 music performance movement recurrence musical expressiveness multimodal analysis clarinet players References Barbosa, A. , Dechaine, R. , Vatikiotis-Bateson, E. , & Yehia, H. ( 2012 ). Quantifying time-varying coordination of...
Music Perception (2018) 35 (4): 405–424.
Published: 01 April 2018
... University of California 2018 19 1 2017 22 11 2017 synchronization entrainment postural sway music performance music listening HOW MUSIC MOVES US: ENTRAINING TO MUSICIANS MOVEMENTS ALEXANDER P. DEMOS & ROGER CHAFFIN University of Connecticut WE MEASURED THE POSTURAL SWAY OF TWO...
Music Perception (2017) 35 (2): 144–164.
Published: 01 December 2017
... Lembke, currently at De Montfort University, Clephan Building, Room 00.07b, Leicester LE1 9BH, United Kingdom; email: email@example.com ensemble coordination music performance timbre blend spectrum BLENDING BETWEEN BASSOON AND HORN PLAYERS: AN ANALYSIS OF TIMBRAL ADJUSTMENTS DURING...
Music Perception (2017) 35 (1): 94–117.
Published: 01 September 2017
... phenomenon, investigating potentially related extrinsic and individual difference factors. Participants were told to listen to “different” musical performances of an original piece when in fact they were exposed to the same repeated recording. Each time, the recording was accompanied by a text suggesting a...
Music Perception (2016) 33 (3): 344–366.
Published: 01 February 2016
...Elaine Chew This article centers on the phenomenon of tipping points—a case of extreme pulse elasticity—in music performance, and the dynamic interplay between tonal structure and musical timing. The article presents the idea and principles of tipping points. Examples illustrate three types of...
Music Perception (2015) 33 (2): 179–198.
Published: 01 December 2015
...Hila Tamir-Ostrover; Zohar Eitan While determining an appropriate tempo is crucial to music performers, composers and listeners, few empirical studies have investigated the musical factors affecting tempo choices. In two experiments we examined how aspects of musical pitch affect tempo choice, by...
Nicolò Francesco Bernardi, Alexander Schories, Hans-Christian Jabusch, Barbara Colombo, Eckart Altenmüller
Music Perception (2013) 30 (3): 275–290.
Published: 01 February 2013
... Milano, Italy. E-mail: firstname.lastname@example.org mental practice mental imagery music memorization music performance musicians’ injuries MENTAL PRACTICE IN MUSIC MEMORIZATION: AN ECOLOGICAL-EMPIRICAL STUDY NICOLO` FRANCESCO BERNARDI University for Music, Theatre and Media, Hannover, Germany...
Music Perception (2011) 29 (1): 109–114.
Published: 01 September 2011
...Peter E. Keller; Andreas Weber; Annerose Engel while spontaneity is often a desirable quality in music performance, the objective musical features that characterize genuinely spontaneous performances are unclear. We addressed this issue by recording pianists’ keystroke intensity and timing as they...
Music Perception (2010) 28 (1): 27–46.
Published: 01 September 2010
... that simulate one's own and others' actions during ensemble performance. ©© 2010 By the Regents of the University of California ensemble coordination music performance auditory imagery movement kinematics individual differences Music Perception volume 28, issue 1, pp. 27 46, issn 0730...
Music Perception (2009) 26 (5): 401–413.
Published: 01 June 2009
...Summer K. Rankin; Edward W. Large; Philip W. Fink WE INVESTIGATED PEOPLES' ABILITY TO ADAPT TO THE fluctuating tempi of music performance. In Experiment 1, four pieces from different musical styles were chosen, and performances were recorded from a skilled pianist who was instructed to play with...
Music Perception (2009) 26 (5): 415–425.
Published: 01 June 2009
... between beats and indicated the influence of other fingers' motion. These findings demonstrate that synchronization accuracy in music performance is influenced by both the timing and modality of sensory information that occurs between beats. ©© 2009 By the Regents of the University of California...
Music Perception (2008) 26 (1): 57–73.
Published: 01 September 2008
... simplified unit weighting (SUW) scale was used to determine individual differences in music empathizing (ME) and music systemizing (MS). Significant effects of sex and of music performance experience were observed. A highly similar pattern of results emerged from a replicating survey ( N = 155) using a short...
Music Perception (2008) 25 (5): 471–476.
Published: 01 June 2008
... expressive timing generally does not scale with tempo. ©© 2008 By the Regents of the University of California music performance drumming jazz timing tempo Music Perception VOLUME 25, ISSUE 5, PP. 471 476, ISSN 0730-7829, ELECTRONIC ISSN 1533-8312 © 2008 BY THE REGENTS OF THE UNIVERSITY OF...