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Keywords: music
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Journal Articles
Music Perception (2023) 40 (4): 316–333.
Published: 01 April 2023
...Hugo Rodriguez; Pablo Arias Sarah; Clément Canonne In the psychological literature on musical humor, the emphasis on laughter-inducing music has naturally led researchers to focus on quite uncommon devices, such as stylistic deviations or formal incongruities that strongly violate listeners...
Includes: Supplementary data
Journal Articles
Music Perception (2023) 40 (3): 220–236.
Published: 01 February 2023
...Sara J. Philibotte; Stephen Spivack; Nathaniel H. Spilka; Ian Passman; Pascal Wallisch Music psychology has a long history, but the question of whether brief music excerpts are representative of whole songs has been largely unaddressed. Here, we explore whether preference and familiarity ratings...
Journal Articles
Music Perception (2022) 40 (1): 55–86.
Published: 01 September 2022
...Patrik N. Juslin; Laura S. Sakka; Gonçalo T. Barradas; Olivier Lartillot Emotions have been found to play a paramount role in both everyday music experiences and health applications of music, but the applicability of musical emotions depends on: 1) which emotions music can induce, 2) how it induces...
Journal Articles
Music Perception (2022) 39 (4): 361–370.
Published: 01 April 2022
...Kathleen A. Corrigall; Barbara Tillmann; E. Glenn Schellenberg We used implicit and explicit tasks to measure knowledge of Western harmony in musically trained and untrained Canadian children. Younger children were 6–7 years of age; older children were 10–11. On each trial, participants heard...
Includes: Supplementary data
Journal Articles
Music Perception (2022) 39 (3): 229–248.
Published: 01 February 2022
... and production capacity: 1) expertise : music or dance, 2) training style : percussive or nonpercussive, 3) stimulus modality : auditory or visual, and 4) movement type : finger-tap or whole-body bounce. Experiment 1 examined how expertise and training style influenced beat perception and production performance...
Journal Articles
Music Perception (2021) 39 (2): 145–159.
Published: 01 December 2021
...Laure-Hélène Canette; Philippe Lalitte; Barbara Tillmann; Emmanuel Bigand Conceptual priming studies have shown that listening to musical primes triggers semantic activation. The present study further investigated with a free semantic evocation task, 1) how rhythmic vs. textural structures affect...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception (2021) 38 (5): 509–521.
Published: 01 June 2021
...J. Devin McAuley; Patrick C. M. Wong; Lucas Bellaiche; Elizabeth Hellmuth Margulis Although people across multiple cultures have been shown to experience music narratively, it has proven difficult to disentangle whether narrative dimensions of music derive from learned extramusical associations...
Journal Articles
Music Perception (2021) 38 (3): 267–281.
Published: 01 February 2021
...Mathilde Cabon; Anais Le Fur-Bonnabesse; Steeve Genestet; Bertrand Quinio; Laurent Misery; Alain Woda; Céline Bodéré Passive music listening has shown its capacity to soothe pain in several clinical and experimental studies. This phenomenon—known as music-induced analgesia—could partly be explained...
Journal Articles
Music Perception (2020) 37 (5): 392–402.
Published: 10 June 2020
...Amy M. Belfi; Elena Bai; Ava Stroud The study of music-evoked autobiographical memories (MEAMs) has grown substantially in recent years. Prior work has used various methods to compare MEAMs to memories evoked by other cues (e.g., images, words). Here, we sought to identify which methods could...
Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
... Trehub; Michael Veal; Melanie Wald-Fuhrmann Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require...
Journal Articles
Music Perception (2020) 37 (3): 240–258.
Published: 01 February 2020
...Lindsay A. Warrenburg When designing a new study regarding how music can portray and elicit emotion, one of the most crucial design decisions involves choosing the best stimuli. Every researcher must find musical samples that are able to capture an emotional state, are appropriate lengths, and have...
Journal Articles
Journal Articles
Music Perception (2019) 36 (5): 448–456.
Published: 01 June 2019
...Douglas A. Kowalewski; Ronald S. Friedman; Stan Zavoyskiy; W. Trammell Neill I n a recent article , B onin , T rainor , B elyk , and Andrews (2016) proposed a novel way in which basic processes of auditory perception may influence affective responses to music. According to their source dilemma...
Journal Articles
Music Perception (2018) 36 (1): 53–59.
Published: 01 September 2018
... expressed by each variant of the hymns. In line with Juslin (2001) , results revealed that when final ritardandi were included, expressively sad music was perceived as conveying more sadness, whereas expressively tender music was perceived as conveying more tenderness. Inclusion of ritardandi did...
Includes: Multimedia, Supplementary data
Journal Articles
Journal Articles
Music Perception (2018) 35 (5): 561–572.
Published: 01 June 2018
...Andrea R. Halpern; Jennifer M. Talarico; Nura Gouda; Victoria J. Williamson We compared young adults’ autobiographical (AB) memories involving Music to memories concerning other specific categories and to Everyday AB memories with no specific cue. In all cases, participants reported both their most...
Journal Articles
Music Perception (2018) 35 (4): 454–474.
Published: 01 April 2018
...Amanda E. Krause; Jane W. Davidson; Adrian C. North A relationship between participation in musical activity and well-being has frequently been observed in recent research reports. Of these, some propose various well-being-related correlates of musical participation, but the varying samples...
Journal Articles
Music Perception (2018) 35 (4): 518–523.
Published: 01 April 2018
...Ronald S. Friedman; W. Trammell Neill; George A. Seror, III; Abigail L. Kleinsmith Prior research has amply documented that happy music tends to be faster, louder, higher in average pitch, more variable in pitch, and more staccato in articulation, whereas sad music tends to be slower, lower, less...
Journal Articles
Music Perception (2017) 34 (5): 501–514.
Published: 01 June 2017
...William M. Randall; Nikki S. Rickard Personal music listening on mobile phones is rapidly growing as a popular means of everyday engagement with music. This portable and flexible style of listening allows for the immediate selection of music to fulfil emotional needs, presenting it as a powerful...
Journal Articles