Skip Nav Destination
1-7 of 7
Music Perception (2020) 37 (4): 339–346.
Published: 11 March 2020
...Douglas A. Kowalewski; Taylor M. Kratzer; Ronald S. Friedman Integrating methods from experimental social psychology and music perception, we tested the hypothesis that when listeners personally like a musician, they will be more inclined to experience his or her music as both provoking movement...
Music Perception (2019) 37 (1): 1–25.
Published: 01 September 2019
... interact visually, particularly when the musical timing is irregular. This study investigated the performance conditions that encourage visual signaling and interaction between ensemble members. Piano and clarinet duos rehearsed a new piece as their body motion was recorded. Analyses of head movement...
Music Perception (2018) 35 (4): 437–453.
Published: 01 April 2018
...Madeline Huberth; Takako Fujioka Some movements that musicians make are non-essential to their instrumental playing, yet express their intentions and interpretations of music’s structures. One such potential interpretation is the choice to emphasize short melodic groupings or to integrate...
Music Perception (2016) 33 (5): 523–545.
Published: 01 June 2016
...Esther Coorevits; Dirk Moelants Growing interest in studies on the relationship between music and movement has given rise to many paradigms and theories, including embodied approaches that provide interesting methodologies in studies on music and dance. Insight into the relation between dance...
Music Perception (2013) 30 (5): 497–510.
Published: 01 June 2013
...Matthew Davies; Guy Madison; Pedro Silva; Fabien Gouyon Groove is a sensation of movement or wanting to move when we listen to certain types of music; it is central to the appreciation of many styles such as Jazz, Funk, Latin, and many more. To better understand the mechanisms that lead...
Music Perception (2010) 28 (1): 59–70.
Published: 01 September 2010
...Petri Toiviainen; Geoff Luck; Marc R. Thompson Listening to music often is associated with spontaneous body movements frequently synchronized with its periodic structure. The notion of embodied cognition assumes that intelligent behavior does not emerge from mere passive perception, but requires...
Music Perception (2006) 24 (2): 201–208.
Published: 01 December 2006
..., groove, having swing, and flowing. Considering the wide range of music examples used, these factors are interpreted as reflecting psychological dimensions independent of musical genre and style. © 2006 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. 2006 movement dance...