1-2 of 2
Music Perception (2018) 36 (2): 243–249.
Published: 01 December 2018
.... A “mode” was established by a continuous drone note lower than the melody. Subjects rated mood (happy versus sad) and tension of each pseudo-melody. Consistent with Temperley and Tan (2013) —in which multiple structural cues were present—different modes produced reliable differences in judged mood...
Music Perception (2012) 29 (5): 533–541.
Published: 01 June 2012
... weeks after the end of the intervention. We repeatedly evaluated the emotional state of both groups before, during, and after the intervention periods by analyzing discourse content and facial expressions from short filmed interviews as well as caregivers' judgments of mood. The results reveal short...