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Music Perception (2016) 34 (1): 104–117.
Published: 01 September 2016
...Roger T. Dean; Freya Bailes We investigate the roles of the acoustic parameters intensity and spectral flatness in the modeling of continuously measured perceptions of affect in nine diverse musical extracts. The extract sources range from Australian Aboriginal and Balinese music, to classical...
Music Perception (2014) 31 (3): 244–253.
Published: 01 February 2014
... the corpora. These findings show that the chronological distance between two musical corpora seems to predict compositional similarity and that chord-progression norms are connected to specific historical situations. In order to model how these changes might affect the cognition of musical key, a corpus...
Music Perception (2010) 27 (3): 223–242.
Published: 01 February 2010
... perceptual dimensions: Activity, Brightness, and Fullness. The present findings imply that there may be regularities and patterns in the way people perceive polyphonic timbre. Furthermore, the perceptual dimensions can be predicted relatively well by the regression models. Spectrotemporal modulations were...
Music Perception (2009) 26 (3): 205–209.
Published: 01 February 2009
...Érico Artioli Firmino; José Lino Oliveira Bueno; Emmanuel Bigand SEVERAL MODELS OF TIME ESTIMATION HAVE BEEN developed in psychology; a few have been applied to music. In the present study, we assess the influence of the distances travelled through pitch space on retrospective time estimation...