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Keywords: meter
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Journal Articles
Music Perception (2022) 39 (5): 503–531.
Published: 01 June 2022
...) the counter-meter figures formed by the syncopating notes, and 3) the number of pickup notes. On this basis, we form four concrete hypotheses about the function of syncopation in groove, to be tested in future experiments. Here we present two studies that investigate the relation between groove...
Journal Articles
Music Perception (2020) 38 (2): 106–135.
Published: 25 November 2020
...Sarah C. Creel What factors influence listeners’ perception of meter in a musical piece or a musical style? Many cues are available in the musical “surface,” i.e., the pattern of sounds physically present during listening. Models of meter processing focus on the musical surface. However, percepts...
Journal Articles
Music Perception (2019) 37 (2): 111–133.
Published: 01 December 2019
..., or meter, and demands cognitive effort. 2) Microtiming promotes a “groove” experience—a pleasant sense of wanting to move along with the music. Using professional jazz musicians and nonmusicians as participants, we hypothesized that microtiming asynchronies between bass and drums (varying from −80 to 80 ms...
Journal Articles
Music Perception (2019) 36 (5): 480–487.
Published: 01 June 2019
... words between stress/meter congruence and the avoidance of masking. For example, consider the two-syllable word “moving.” Prioritizing stress/meter congruence predicts that the stressed syllable “mov-” is more likely to fall on the beat. In fact, some evidence suggests that lyrics are more intelligible...
Journal Articles
Music Perception (2016) 34 (1): 56–70.
Published: 01 September 2016
... Beat Alignment Test (cBAT) children were presented with two successive videos of puppets drumming to music with simple or complex meter. One puppet’s drumming was synchronized with the beat of the music while the other had either incorrect tempo or incorrect phase, and children were asked to select...
Journal Articles
Music Perception (2016) 33 (4): 509–514.
Published: 01 April 2016
... 3 2015 © 2016 by The Regents of the University of California 2016 repetition musicality aesthetic response looping meter REPETITION ENHANCES THE MUSICALITY OF RANDOMLY GENERATED TONE SEQUENCES ELIZABETH HELLMUTH MARGULIS & RHIMMON SIMCHY-GROSS University of Arkansas THIS STUDY...
Journal Articles
Music Perception (2015) 33 (1): 83–95.
Published: 01 September 2015
...Fred Lerdahl This paper undertakes a comparative study of concepts and visual representations of hierarchical aspects of musical structure. After consideration of the rhythmic components of grouping and meter, the discussion turns to pitch-event hierarchies and the tonal hierarchy (or pitch space...
Journal Articles
Music Perception (2014) 32 (2): 201–217.
Published: 01 December 2014
..., and timbral differentiation. Received: August 7, 2013, accepted April 5, 2014. Key words: syncopation, rhythm, meter, polyphony, instrumentation D ESPITE WIDESPREAD ADVANCES IN UNDER-standing the cognitive mechanisms that under-pin music perception, rhythm perception remains a field in which...
Journal Articles
Music Perception (2014) 31 (5): 444–469.
Published: 01 June 2014
.... Another factor is meter. It determines whether or not rhythms are members of the same family, where families depend only on three types of possibility for each metrical unit. If the beat is the relevant metrical unit, these three possibilities are: 1) a note starts on a beat and therefore reinforces...
Journal Articles
Music Perception (2014) 31 (4): 372–386.
Published: 01 April 2014
... for metrical encoding – in the form of reduced response bias when meter and motive matched – was found. Results support the metrical encoding hypothesis and suggest that the use of metrical encoding may develop with expertise. Stefanie Acevedo, 51 Clark Street, Apt. 1, New Haven, CT 06511. E...
Journal Articles
Music Perception (2014) 31 (3): 205–222.
Published: 01 February 2014
... the need for a fine-grained approach to meter in music of the later 18th century. John Paul Ito, School of Music, Carnegie Mellon University, 5000 Forbes Avenue, Pittsburgh, PA 15213. E-mail: itojp@cmu.edu 24 10 2012 5 6 2013 © 2014 by The Regents of the University of California 2014...
Journal Articles
Music Perception (2014) 31 (3): 254–270.
Published: 01 February 2014
...Jon B. Prince; Mark A. Schmuckler Despite the plethora of research on the role of tonality and meter in music perception, there is little work on how these fundamental properties function together. The most basic question is whether the two hierarchical structures are correlated – that is, do...
Journal Articles
Music Perception (2011) 29 (1): 115–120.
Published: 01 September 2011
... 28 April 2011 © 2011 by The Regents of the University of California 2011 meter rhythm variability nPVI hierarchy Rhythmic Refinements to the nPVI 115 Music Perception volume 29, issue 1, pp. 115 120. issn 0730-7829, electronic issn 1533-8312. © 2011 by the regents...
Journal Articles
Music Perception (2011) 29 (1): 51–63.
Published: 01 September 2011
... between speech rhythms in languages and musical rhythms in the songs of those languages. 12 August 2010 01 March 2011 © 2011 by The Regents of the University of California 2011 rhythm meter stress vocal music music-language connections The Scotch Snap 51 Music Perception...
Journal Articles
Music Perception (2011) 29 (1): 65–78.
Published: 01 September 2011
... distinction between duple and triple meters since 1:n tapping can engender the subjective feel of different metric structures. Received December 11, 2009, accepted March 31, 2011. Key words: rhythm, meter, sensorimotor synchroniza- tion, subdivision, finger tapping In music, rhythm refers to the temporal...
Journal Articles
Music Perception (2011) 28 (5): 433–448.
Published: 01 June 2011
... subdivision), or (3) using a mixture of these two strategies based on inconsistent rhythmic activity at the musical surface. Music training correlated positively with the first of these strategies. Since individual listeners engage with musical meter in different ways, ambiguity of tactus should...
Journal Articles
Music Perception (2010) 28 (1): 59–70.
Published: 01 September 2010
... suggest that the metric structure of music is encoded in these movements. © 2010 By the Regents of the University of California music movement synchronization meter embodiment Embodied Meter: Hierarchical Eigenmodes in Music-Induced Movement 59 Embodied Meter: Hierarchical Eigenmodes...
Journal Articles
Music Perception (2010) 27 (5): 355–376.
Published: 01 June 2010
... complexity (number of parameters) is also considered, it is argued that the Hierarchical Position Model is preferable overall. © 2010 By the Regents of the University of California rhythm meter music composition cross-entropy probabilistic modeling Modeling Common-Practice Rhythm 355 MODELING...
Journal Articles
Music Perception (2009) 27 (2): 103–120.
Published: 01 December 2009
...Justin London; Tommi Himberg; Ian Cross WHEN A MELODY BEGINS WITH AN ANACRUSIS, (i.e.,"pick up" notes), rhythm and meter are out of phase. Three experiments were conducted to investigate the interactions between structural (rhythm and pitch) and performance (articulation and tempo) factors...
Journal Articles
Music Perception (2009) 27 (2): 131–138.
Published: 01 December 2009
... generally. But this inductive leap is motivated by experimental and corpus evidence showing that, with regard to basic structures such as meter, listeners largely do hear things in the same way; and this assumption is confirmed in CBMS by corpus tests in which my analyses are compared to those of other...