1-19 of 19
Keywords: meter
Close
Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Music Perception (2019) 37 (2): 111–133.
Published: 01 December 2019
..., or meter, and demands cognitive effort. 2) Microtiming promotes a “groove” experience—a pleasant sense of wanting to move along with the music. Using professional jazz musicians and nonmusicians as participants, we hypothesized that microtiming asynchronies between bass and drums (varying from −80 to...
Journal Articles
Music Perception (2019) 36 (5): 480–487.
Published: 01 June 2019
..., Ontario, Canada, M5B 2K3. E-mail: paolo.ammirante@ryerson.ca rap rhyme meter formant masking References Alim, H. S. ( 2003 ). On some serious next millennium rap ishhh: Pharoahe Monch, hip hop poetics, and the internal rhymes of internal affairs . Journal of English Linguistics , 31...
Journal Articles
Music Perception (2016) 34 (1): 56–70.
Published: 01 September 2016
... Beat Alignment Test (cBAT) children were presented with two successive videos of puppets drumming to music with simple or complex meter. One puppet’s drumming was synchronized with the beat of the music while the other had either incorrect tempo or incorrect phase, and children were asked to select the...
Journal Articles
Music Perception (2016) 33 (4): 509–514.
Published: 01 April 2016
..., 201 MUSC, University of Arkansas, Fayetteville, AR 72701. E-mail: ehm@uark.edu repetition musicality aesthetic response looping meter REPETITION ENHANCES THE MUSICALITY OF RANDOMLY GENERATED TONE SEQUENCES ELIZABETH HELLMUTH MARGULIS & RHIMMON SIMCHY-GROSS University of Arkansas THIS...
Journal Articles
Music Perception (2015) 33 (1): 83–95.
Published: 01 September 2015
...Fred Lerdahl This paper undertakes a comparative study of concepts and visual representations of hierarchical aspects of musical structure. After consideration of the rhythmic components of grouping and meter, the discussion turns to pitch-event hierarchies and the tonal hierarchy (or pitch space...
Journal Articles
Music Perception (2014) 32 (2): 201–217.
Published: 01 December 2014
... University of California 2014 7 8 2013 5 4 2014 Maria Witek, Center of Functionally Integrative Neuroscience (CFIN), Aarhus University Hospital, 44 Noerrebrogade, Building 10G, 8000 Aarhus C, Denmark. E-mail: maria.witek@cfin.au.dk syncopation rhythm meter polyphony...
Journal Articles
Music Perception (2014) 31 (5): 444–469.
Published: 01 June 2014
.... Another factor is meter. It determines whether or not rhythms are members of the same family, where families depend only on three types of possibility for each metrical unit. If the beat is the relevant metrical unit, these three possibilities are: 1) a note starts on a beat and therefore reinforces the...
Journal Articles
Music Perception (2014) 31 (4): 372–386.
Published: 01 April 2014
... metrical encoding – in the form of reduced response bias when meter and motive matched – was found. Results support the metrical encoding hypothesis and suggest that the use of metrical encoding may develop with expertise. © 2014 by The Regents of the University of California 2014 6 10 2012...
Journal Articles
Music Perception (2014) 31 (3): 205–222.
Published: 01 February 2014
... supported for common time, strongly disconfirmed for 6/8, and weakly supported for the other meters encountered. It is argued that these results point toward caution regarding the use of Koch’s theories but not toward their outright rejection, and that unexpected statistical contrasts within the corpus...
Journal Articles
Music Perception (2014) 31 (3): 254–270.
Published: 01 February 2014
...Jon B. Prince; Mark A. Schmuckler Despite the plethora of research on the role of tonality and meter in music perception, there is little work on how these fundamental properties function together. The most basic question is whether the two hierarchical structures are correlated – that is, do...
Journal Articles
Music Perception (2011) 29 (1): 115–120.
Published: 01 September 2011
... Regents of the University of California 2011 08 September 2010 28 April 2011 meter rhythm variability nPVI hierarchy Rhythmic Refinements to the nPVI 115 Music Perception volume 29, issue 1, pp. 115 120. issn 0730-7829, electronic issn 1533-8312. © 2011 by the regents of the...
Journal Articles
Music Perception (2011) 29 (1): 51–63.
Published: 01 September 2011
... establishes a correlation between speech rhythms in languages and musical rhythms in the songs of those languages. © 2011 by The Regents of the University of California 2011 12 August 2010 01 March 2011 rhythm meter stress vocal music music-language connections The Scotch Snap 51...
Journal Articles
Music Perception (2011) 29 (1): 65–78.
Published: 01 September 2011
... between duple and triple meters since 1: n tapping can engender the subjective feel of different metric structures. © 2011 by The Regents of the University of California 2011 11 December 2009 31 March 2011 rhythm meter sensorimotor synchronization subdivision finger tapping...
Journal Articles
Music Perception (2011) 28 (5): 433–448.
Published: 01 June 2011
... no consistent subdivision), or (3) using a mixture of these two strategies based on inconsistent rhythmic activity at the musical surface. Music training correlated positively with the first of these strategies. Since individual listeners engage with musical meter in different ways, ambiguity of...
Journal Articles
Music Perception (2010) 28 (1): 59–70.
Published: 01 September 2010
... suggest that the metric structure of music is encoded in these movements. ©© 2010 By the Regents of the University of California music movement synchronization meter embodiment Music Perception volume 28, issue 1, pp. 59 70, issn 0730-7829, electronic issn 1533-8312 © 2010 by the regents of...
Journal Articles
Music Perception (2010) 27 (5): 355–376.
Published: 01 June 2010
... notes).When complexity (number of parameters) is also considered, it is argued that the Hierarchical Position Model is preferable overall. ©© 2010 By the Regents of the University of California rhythm meter music composition cross-entropy probabilistic modeling Music Perception VOLUME 27...
Journal Articles
Music Perception (2009) 27 (2): 103–120.
Published: 01 December 2009
...Justin London; Tommi Himberg; Ian Cross WHEN A MELODY BEGINS WITH AN ANACRUSIS, (i.e.,"pick up" notes), rhythm and meter are out of phase. Three experiments were conducted to investigate the interactions between structural (rhythm and pitch) and performance (articulation and tempo) factors on the...
Journal Articles
Music Perception (2009) 27 (2): 131–138.
Published: 01 December 2009
... generally. But this inductive leap is motivated by experimental and corpus evidence showing that, with regard to basic structures such as meter, listeners largely do hear things in the same way; and this assumption is confirmed in CBMS by corpus tests in which my analyses are compared to those of other...
Journal Articles
Music Perception (2006) 24 (2): 167–176.
Published: 01 December 2006
... information in the APM. The more complex approach explicitly searches through the phase and lag space of the APM to predict meter and tempo in parallel. We compare these approaches against standard autocorrelation for the task of tempo prediction on a relatively large database of annotated digital audio files...