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Music Perception (2021) 38 (4): 360–371.
Published: 01 April 2021
... tapping memory recall In a sequence of musical notes, pitch variation combines with rhythm to create musical phrases ( Boltz, 1998 ; Jones, 1987 ; Krumhansl, 2000 ; Schellenberg, Krysciak, & Campbell, 2000 ). In music, as in speech ( Juslin & Laukka, 2003 ), many interesting perceptual...
Music Perception (2017) 34 (3): 313–318.
Published: 01 February 2017
...Michael W. Weiss; E. Glenn Schellenberg; Sandra E. Trehub Children and adults, with or without music training, exhibit better memory for vocal melodies (without lyrics) than for instrumental melodies (Weiss, Schellenberg, Trehub, & Dawber, 2015; Weiss, Trehub, & Schellenberg, 2012; Weiss...
Music Perception (2016) 34 (2): 167–182.
Published: 01 December 2016
...Laura Ferreri; Laura Verga A long-standing debate in cognitive neurosciences concerns the effect of music on verbal learning and memory. Research in this field has largely provided conflicting results in both clinical as well as non-clinical populations. Although several studies have shown...
Music Perception (2016) 34 (1): 71–93.
Published: 01 September 2016
...Morwaread M. Farbood This study examines how long the percept of a tonal center is retained in memory following a modulation to a new key, and how harmonic context in the new key area affects recall of the original key. In Experiment 1, musically trained listeners ( N = 50) were asked to rate...
Music Perception (2016) 33 (5): 613–630.
Published: 01 June 2016
... interkey distance time reproduction EDF Model Krumhansl’s modeling memory INTERKEY DISTANCES ALSO SHORTEN SUBJECTIVE TIME REPRODUCTIONS IN REAL MODULATING TONAL MUSIC E´RICO ARTIOLI FIRMINO & JOSE´ LINO OLIVEIRA BUENO University of Sa o Paulo at Ribeira o Preto, Ribeira o Preto, Sa o Paulo...
Music Perception (2015) 33 (1): 96–109.
Published: 01 September 2015
... structure memory cohesion expectancy EFFECTS OF EMERGENT-LEVEL STRUCTURE ON MELODIC PROCESSING DIFFICULTY FRANK A. RUSSO Ryerson University, Toronto, Canada WILLIAM FORDE THOMPSON Macquarie University, Sydney, Australia LOLA L. CUDDY Queen s University, Kingston, Canada FOUR EXPERIMENTS ASSESSED...
Music Perception (2014) 32 (1): 11–32.
Published: 01 September 2014
...W. Jay Dowling; Barbara Tillmann Previous research ( Music Perception , 2002, Issue 2) demonstrated improvement in recognition memory across delays increasing from 5 to 15 s while listening to novel music, attributable to a decline in false alarms to similar lures. We hypothesize...
Music Perception (2012) 29 (5): 493–500.
Published: 01 June 2012
...Séverine Samson; Amee Baird; Aline Moussard; Sylvain Clément the effect of pathological aging on explicit memory is very well documented, but relatively few studies have addressed this issue in the musical domain. To examine learning and consolidation of melodies, we designed a melodic recognition...
Music Perception (2012) 29 (5): 479–491.
Published: 01 June 2012
...Lola L. Cuddy; Jacalyn M. Duffin; Sudeep S. Gill; Cassandra L. Brown; Ritu Sikka; Ashley D. Vanstone this research addressed the question: is musical memory preserved in dementia, specifically, dementia of the Alzheimer type (AD)? Six tests involving different aspects of melody and language...
Music Perception (2011) 29 (2): 133–146.
Published: 01 December 2011
...-related skills, such as reading and hearing speech in background noise, which are critical to academic progress, emotional health, and vocational success. 12 December 2010 21 July 2011 © 2011 by The Regents of the University of California 2011 musicians language attention memory...
Music Perception (2011) 28 (5): 473–490.
Published: 01 June 2011
...Freya Bailes; Linda Barwick songs that are not notated but transmitted through live performance are of particular interest for the psychological study of the stability of tempo across multiple performances. While experimental research points to highly accurate memory for the tempi of well-known...
Music Perception (2009) 26 (5): 451–464.
Published: 01 June 2009
... material, lapsing rather than scaling accounted for timing variations. Automation of lapsing and scaling detection has application in the analysis of music and dance time series data. © 2009 By the Regents of the University of California time-keeping memory dynamic time warping uniform time...
Music Perception (2008) 26 (2): 121–127.
Published: 01 December 2008
...Judy Plantinga; Laurel J. Trainor IN MOST ADULTS, PITCH MEMORY FOR SINGLE tones is of short duration, and the presence of interference reduces performance in pitch matching tasks.We show that 6-month-old infants can remember the pitch of a tone for at least 2.5 s but that, like adults, their memory...
Music Perception (2008) 26 (1): 41–55.
Published: 01 September 2008
... verbal and visual memory. Participants included 15 highly trained pianists and 21 individuals with little or no formal music training. The groups were comparable in terms of age, gender distribution, and socioeconomic status. Musicians showed superior immediate and delayed recall of word lists...
Music Perception (2008) 25 (4): 325–330.
Published: 01 April 2008
...MICHAEL H. THAUT; DAVID A. PETERSON; KIMBERLY M. SENA; GERALD C. MCINTOSH THERE IS GROWING EVIDENCE that the temporal patterns in music and rhythm can be a mediating stimulus to enhance cognitive function.We investigated here whether a musical template would influence verbal learning and memory...