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Keywords: melody
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Journal Articles
Music Perception (2019) 36 (3): 253–272.
Published: 01 February 2019
...Miriam Rainsford; Matthew A. Palmer; James D. Sauer D istinctive stimuli are better recognized than typical stimuli in many domains (e.g., faces, words). Distinctiveness predicts the point of recognition of a melody ( Bailes, 2010 ), and the recognition of unique tones within a melody ( Vuvan...
Journal Articles
Music Perception (2018) 35 (5): 594–606.
Published: 01 June 2018
...Jung Nyo Kim; Edward W. Large; Yeongjin Gwon; Richard Ashley The importance of harmony perception in understanding tonal melodies has been extensively studied, but underlying processes of implied harmonic perception remain unexplored. This study explores how listeners perceive implied harmony in...
Journal Articles
Music Perception (2016) 34 (2): 152–166.
Published: 01 December 2016
...Ben Duane This study examines the difference between prominent and non-prominent lines (e.g., melodies and accompaniments). After reviewing research suggesting that lines with few repeating patterns would readily capture attention, the hypothesis that prominent lines tend to be less repetitive is...
Journal Articles
Music Perception (2015) 33 (1): 110–128.
Published: 01 September 2015
... (pitch proximity) were manipulated by conditioning listeners to large melodic leaps; preference for small intervals was reduced after a brief exposure. In Experiment 2, expectations for leaps to rise and steps to fall (step declination) were manipulated by exposing listeners to melodies comprising rising...
Journal Articles
Music Perception (2015) 33 (1): 3–11.
Published: 01 September 2015
...Caroline Palmer Melody has been defined as a distinct perceptual unit that exhibits stability and coherence to listeners and performers. These psychological processes (distinctiveness, stability, coherence) contribute to the foundations of three theories of music cognition (Bregman, 1990; Krumhansl...
Journal Articles
Music Perception (2015) 33 (1): 96–109.
Published: 01 September 2015
... expectancy (Narmour, 1990, 1992, 2000). Two measures of melodic processing difficulty were used to assess the influence of emergent-level structure: serial-reconstruction and cohesion ratings. In the serial-reconstruction experiment (Experiment 1), reconstruction was more efficient for melodies with simple...
Journal Articles
Music Perception (2014) 32 (1): 85–99.
Published: 01 September 2014
... model , the interval probability is a simple mathematical function of the size of the note’s melodic interval and its position in relation to the range of the melody. In both models, this interval probability is then multiplied by the probability of the note’s scale degree to yield its actual...
Journal Articles
Music Perception (2013) 31 (1): 19–31.
Published: 01 September 2013
..., School of Music, 1866 College Road, Ohio State University, Columbus, OH 43210. broze.3@osu.edu musical speed musical voices corpus study pitch height melody IS HIGHER MUSIC FASTER? PITCH SPEED RELATIONSHIPS IN WESTERN COMPOSITIONS YURI BROZE & DAVID HURON Ohio State University WE CONDUCTED...
Journal Articles
Music Perception (2012) 29 (5): 479–491.
Published: 01 June 2012
...Lola L. Cuddy; Jacalyn M. Duffin; Sudeep S. Gill; Cassandra L. Brown; Ritu Sikka; Ashley D. Vanstone this research addressed the question: is musical memory preserved in dementia, specifically, dementia of the Alzheimer type (AD)? Six tests involving different aspects of melody and language...
Journal Articles
Music Perception (2009) 27 (1): 17–24.
Published: 01 September 2009
...Tara Vongpaisal; Sandra E. Trehub; E. Glenn Schellenberg INTRINSIC PITCH PROCESSING LIMITATIONS OF cochlear implants constrain the perception of music, particularly melodies. We tested child implant users' ability to recognize music on the basis of incidental exposure.Using a closed-set task...
Journal Articles
Music Perception (2009) 26 (3): 211–221.
Published: 01 February 2009
... showing that priming effects are not limited to pairs of tonal degrees including the tonic. This finding emphasizes the subtlety of nonexpert listeners' tonal knowledge. ©© 2009 By the Regents of the University of California priming implicit knowledge nontonic events tonal stability melody...
Journal Articles
Music Perception (2008) 25 (4): 357–368.
Published: 01 April 2008
...ANIRUDDH D. PATEL; MEREDITH WONG; JESSICA FOXTON; ALIETTE LOCHY; ISABELLE PERETZ TO WHAT EXTENT DO MUSIC and language share neural mechanisms for processing pitch patterns? Musical tone-deafness (amusia) provides important evidence on this question. Amusics have problems with musical melody...