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Music Perception (2016) 33 (5): 561–570.
Published: 01 June 2016
...Martin Norgaard; Samantha N. Emerson; Kimberly Dawn; James D. Fidlon A growing body of research suggests that jazz musicians concatenate stored auditory and motor patterns during improvisation. We hypothesized that this mechanism allows musicians to focus attention more flexibly during...
Music Perception (2014) 31 (3): 271–287.
Published: 01 February 2014
...Martin Norgaard It is well known that jazz improvisations include repeated rhythmic and melodic patterns. What is less understood is how those patterns come to be. One theory posits that entire motor patterns are stored in procedural memory and inserted into an ongoing improvisation. An alternative...
Music Perception (2011) 29 (1): 109–114.
Published: 01 September 2011
... as they produced improvised jazz solos and rehearsed imitations of these solos. Results indicated that the entropy of keystroke intensity was reliably highest for improvisations. Corresponding effects for timing were less consistent. The effects observed for intensity may reflect irregularities in force control...
Music Perception (2006) 24 (1): 83–84.
Published: 01 September 2006
... altruism improvisation music sexual selection trust ROGER T. DEAN Sonic Communications Research Group, University of Canberra FREYA BAILES Sonic Communications Research Group, University of Canberra WE PROPOSE A CONTINUED EVALUATION of Darwin s suggestion that musical functioning is sexually...