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Keywords: harmony
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Journal Articles
Music Perception (2025) 42 (5): 467–480.
Published: 14 March 2025
... influence on key perception in popular music, challenging an inherited Western art music bias toward purely pitch-based understandings of musical key. [email protected] 11 10 2023 26 8 2024 © 2025 by The Regents of the University of California 2025 key key finding meter harmony...
Journal Articles
Music Perception (2025) 42 (5): 481–504.
Published: 14 March 2025
... 2024 © 2025 by The Regents of the University of California 2025 chord sequences harmony timbre goodness of fit sensory dissonance Timbre may affect listeners’ perceptions of how well certain chords go together. There is evidence that instrument-like timbres (hereafter, timbres) 1...
Journal Articles
Music Perception (2025) 42 (4): 345–361.
Published: 21 February 2025
... a significant contributor. A different outcome would imply that fast music, despite being consonant, could be considered rough. Such a hypothesis would contrast previous findings where cognitive attributes of Western harmony tend to affect listeners’ responses even in fast tempi ( Bigand et al., 2003...
Journal Articles
Music Perception (2024) 42 (1): 34–47.
Published: 01 September 2024
... tunings, empirically establishes harmonic dualism, negative harmony, and Barlow’s harmonicity as the key factors for the perception of the harmonic root and the origin of the major and minor triads, and proposes a model as a basis for a tuning-agnostic—trans-spatial—music theory. Table 1. Model...
Journal Articles
Music Perception (2022) 39 (4): 361–370.
Published: 01 April 2022
...Kathleen A. Corrigall; Barbara Tillmann; E. Glenn Schellenberg We used implicit and explicit tasks to measure knowledge of Western harmony in musically trained and untrained Canadian children. Younger children were 6–7 years of age; older children were 10–11. On each trial, participants heard...
Includes: Supplementary data
Journal Articles
Music Perception (2021) 39 (1): 21–40.
Published: 01 September 2021
... of pre-dominant harmonies: diatonic and chromatic. In textbook accounts, diatonic IV and ii triads (and, in some cases, their seventh chords) are the next chords introduced after I and V ( Aldwell & Schachter, 2003 ; Burstein & Straus, 2016 ; Caplin, 1998 , 2013 ; Forte, 1962 ; Gauldin, 2004...
Journal Articles
Journal Articles
Music Perception (2019) 36 (4): 406–430.
Published: 01 April 2019
...) incorporated the predicted salience of MFs at non-chord pitches in a model of pitch commonality , intended to account for harmonic relationships perceived between successive chords such as CEG (with MFs at D, F, and A) and DFA (with MFs at G and B♭). A theory of harmony based on the perception of harmonic...
Journal Articles
Music Perception (2018) 36 (1): 40–52.
Published: 01 September 2018
... on the manuscript. Dr. Martin Böckmann-Barthel, Department of Experimental Audiology, Otto von Guericke University Magdeburg, Leipziger Str. 44, D-39120 Magdeburg, Germany. E-mail: [email protected] © 2018 by The Regents of the University of California 2018 harmony consonance authentic...
Journal Articles
Music Perception (2018) 35 (5): 594–606.
Published: 01 June 2018
...Jung Nyo Kim; Edward W. Large; Yeongjin Gwon; Richard Ashley The importance of harmony perception in understanding tonal melodies has been extensively studied, but underlying processes of implied harmonic perception remain unexplored. This study explores how listeners perceive implied harmony...
Journal Articles
Music Perception (2018) 35 (3): 315–331.
Published: 01 February 2018
... when distortion was modified compared to when only harmony (triad vs. dyad) was modified between standards and deviants. The MMN responses were largest when distortion and harmony deviated simultaneously. Musicians demonstrated larger P3a responses than nonmusicians. The results suggest mostly...
Journal Articles
Music Perception (2017) 34 (4): 405–423.
Published: 01 April 2017
..., and hypothesis testing—to investigate the influence of harmony on melodic behavior. In this study a comparison is made between models that use only melodic information and models that consider the melodic information along with the underlying harmonic accompaniment to predict melodic continuations. A test...
Journal Articles
Music Perception (2012) 30 (1): 19–35.
Published: 01 September 2012
... on dissonant chords outside common musical practice. consonance dissonance harmony sensory roughness tonality Correspondence concerning this article should be addressed to Phil Johnson-Laird, Department of Psychology, Princeton University, Princeton, NJ 08540. e-mail: [email protected]...
Journal Articles
Music Perception (2010) 28 (2): 195–200.
Published: 01 December 2010
... membership (which notes belong in a key) and harmony (chords and chord progressions). Previous research suggests sensitivity to key membership by 4 or 5 years, but provides no behavioral evidence of harmony perception until 6 or 7. Thus, we examined knowledge of key membership and harmony in 4- and 5-year...