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Keywords: groove
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Journal Articles
Music Perception (2024) 41 (3): 176–198.
Published: 01 February 2024
..., first, that future research should take into consideration a wider range of acoustic features involved in the production of groove-based microrhythm, and second, that the “correct” microrhythmic feel varies within and among styles and music cultures. Even though we might feel like “one nation under...
Journal Articles
Music Perception (2023) 40 (5): 353–372.
Published: 01 June 2023
...Toni A. Bechtold; Lorenz Kilchenmann; Ben Curry; Maria A. G. Witek Groove and catchiness are central properties of popular music that frequently appear together. Yet, a possible relationship has neither been postulated nor examined. In music psychology, groove is commonly understood...
Includes: Supplementary data
Journal Articles
Music Perception (2022) 39 (5): 503–531.
Published: 01 June 2022
...George Sioros; Guy Madison; Diogo Cocharro; Anne Danielsen; Fabien Gouyon Music often evokes a regular beat and a pleasurable sensation of wanting to move to that beat called groove. Recent studies show that a rhythmic pattern’s ability to evoke groove increases at moderate levels of syncopation...
Journal Articles
Music Perception (2021) 39 (1): 83–99.
Published: 01 September 2021
...Nina Düvel; Philippe Labonde; Toni Bechtold; Olivier Senn; Reinhard Kopiez In recent empirical research, the experience of groove (i.e., the pleasant sense of wanting to move along with the music) has come into focus. By developing the new Experience of Groove Questionnaire (EGQ), Senn et al. (2020...
Includes: Supplementary data
Journal Articles
Music Perception (2020) 38 (1): 46–65.
Published: 09 September 2020
..., this experience is commonly referred to as groove . This study presents the Experience of Groove Questionnaire , a newly developed self-report questionnaire that enables respondents to subjectively assess how strongly they feel an urge to move and pleasure while listening to music. The development...
Journal Articles
Journal Articles
Music Perception (2020) 37 (4): 339–346.
Published: 11 March 2020
... and as subjectively pleasurable, the two core features of perceived groove. In Experiment 1, participants were exposed to a set of moderately-syncopated, high-groove drum-breaks which they were led to believe were either produced by a relatively likable or unlikable musician. In line with predictions, participants...
Journal Articles
Music Perception (2019) 37 (2): 111–133.
Published: 01 December 2019
...Jo Fougner Skaansar; Bruno Laeng; Anne Danielsen T he present study tested two assumptions concerning the auditory processing of microtiming in musical grooves (i.e., repeating, movement-inducing rhythmic patterns): 1) Microtiming challenges the listener's internal framework of timing regularities...
Journal Articles
Music Perception (2016) 34 (2): 123–131.
Published: 01 December 2016
...Soyogu Matsushita; Shingo Nomura Groove is a pleasant feeling that compels people to move their bodies along with music. In the past, there was some consensus among both musicians and researchers that the main factor in inducing this feeling is onset asynchrony of sounds. However, recent studies...
Journal Articles
Music Perception (2015) 33 (2): 147–162.
Published: 01 December 2015
... is important for achieving certain preferred characteristics in a performance, such as hang , drive, or groove ; but this variability is also, to some extent, stochastic. In this paper, we present a method for quantifying the microtiming variability. First, we transcribed drum performance audio files...
Journal Articles
Music Perception (2013) 30 (5): 497–510.
Published: 01 June 2013
...Matthew Davies; Guy Madison; Pedro Silva; Fabien Gouyon Groove is a sensation of movement or wanting to move when we listen to certain types of music; it is central to the appreciation of many styles such as Jazz, Funk, Latin, and many more. To better understand the mechanisms that lead...
Journal Articles
Music Perception (2006) 24 (2): 201–208.
Published: 01 December 2006
... that ratings of groove, operationally defined as “wanting to move some part of the body in relation to some aspect of the sound pattern,” exhibited considerable interindividual consistency. Covariance patterns among the 14 rated words indicated four prominent factors, which could be labeled regular-irregular...