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Music Perception (2022) 39 (5): 503–531.
Published: 01 June 2022
...George Sioros; Guy Madison; Diogo Cocharro; Anne Danielsen; Fabien Gouyon Music often evokes a regular beat and a pleasurable sensation of wanting to move to that beat called groove. Recent studies show that a rhythmic pattern’s ability to evoke groove increases at moderate levels of syncopation...
Music Perception (2021) 39 (1): 83–99.
Published: 01 September 2021
...Nina Düvel; Philippe Labonde; Toni Bechtold; Olivier Senn; Reinhard Kopiez In recent empirical research, the experience of groove (i.e., the pleasant sense of wanting to move along with the music) has come into focus. By developing the new Experience of Groove Questionnaire (EGQ), Senn et al. (2020...
Includes: Supplementary data
Music Perception (2020) 38 (1): 46–65.
Published: 09 September 2020
..., this experience is commonly referred to as groove . This study presents the Experience of Groove Questionnaire , a newly developed self-report questionnaire that enables respondents to subjectively assess how strongly they feel an urge to move and pleasure while listening to music. The development...
Music Perception (2020) 37 (4): 339–346.
Published: 11 March 2020
... and as subjectively pleasurable, the two core features of perceived groove. In Experiment 1, participants were exposed to a set of moderately-syncopated, high-groove drum-breaks which they were led to believe were either produced by a relatively likable or unlikable musician. In line with predictions, participants...
Music Perception (2020) 37 (4): 278–297.
Published: 11 March 2020
...Maria A. G. Witek; Jingyi Liu; John Kuubertzie; Appiah Poku Yankyera; Senyo Adzei; Peter Vuust The pleasurable desire to move to a beat is known as groove and is partly explained by rhythmic syncopation. While many contemporary groove-directed genres originated in the African diaspora, groove music...
Music Perception (2019) 37 (2): 111–133.
Published: 01 December 2019
...Jo Fougner Skaansar; Bruno Laeng; Anne Danielsen T he present study tested two assumptions concerning the auditory processing of microtiming in musical grooves (i.e., repeating, movement-inducing rhythmic patterns): 1) Microtiming challenges the listener's internal framework of timing regularities...
Music Perception (2016) 34 (2): 123–131.
Published: 01 December 2016
...Soyogu Matsushita; Shingo Nomura Groove is a pleasant feeling that compels people to move their bodies along with music. In the past, there was some consensus among both musicians and researchers that the main factor in inducing this feeling is onset asynchrony of sounds. However, recent studies...
Music Perception (2015) 33 (2): 147–162.
Published: 01 December 2015
... is important for achieving certain preferred characteristics in a performance, such as hang , drive, or groove ; but this variability is also, to some extent, stochastic. In this paper, we present a method for quantifying the microtiming variability. First, we transcribed drum performance audio files...
Music Perception (2013) 30 (5): 497–510.
Published: 01 June 2013
...Matthew Davies; Guy Madison; Pedro Silva; Fabien Gouyon Groove is a sensation of movement or wanting to move when we listen to certain types of music; it is central to the appreciation of many styles such as Jazz, Funk, Latin, and many more. To better understand the mechanisms that lead...
Music Perception (2006) 24 (2): 201–208.
Published: 01 December 2006
... that ratings of groove, operationally defined as “wanting to move some part of the body in relation to some aspect of the sound pattern,” exhibited considerable interindividual consistency. Covariance patterns among the 14 rated words indicated four prominent factors, which could be labeled regular-irregular...