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Music Perception (2018) 35 (4): 502–517.
Published: 01 April 2018
...Antje Bullack; Niklas Büdenbender; Ingo Roden; Gunter Kreutz Lundqvist, Carlsson, Hilmersson, and Juslin (2009) presented evidence of differential autonomic emotional responses to “happy” and “sad” music in healthy adult listeners. The present study sought to replicate and extend these findings...
Music Perception (2016) 33 (4): 432–445.
Published: 01 April 2016
...Maciej Komosinski; Agnieszka Mensfelt This paper explores perceived and experienced emotions elicited by computer-generated music. During the experiments, 30 participants listened to 20 excerpts. Each of the excerpts lasted for about 16 seconds and was generated in real-time by specifically...
Music Perception (2009) 26 (4): 355–364.
Published: 01 April 2009
...Justin Pierre Bachorik; Marc Bangert; Psyche Loui; Kevin Larke; Jeff Berger; Robert Rowe; Gottfried Schlaug MUSIC ELICITS PROFOUND EMOTIONS; HOWEVER, THE time-course of these emotional responses during listening sessions is unclear. We investigated the length of time required for participants...
Music Perception (2009) 26 (3): 257–261.
Published: 01 February 2009
...Filippo Bonini Baraldi THE STUDY OF MUSICAL EMOTIONS IS A CHALLENGE for psychology and neuroscience, but the ethnomusicological account is often excluded from the debate. The present article focuses on types of performances that differ from the model of Western classical music: weddings...