...Nathan R. Carr; Kirk N. Olsen; William Forde Thompson Two experiments investigated perceptual and emotional consequences of note articulation in music by examining the degree to which participants perceived notes to be separated from each other in a musical phrase. Seven-note piano melodies were...

... Aarhus C, Denmark. E-mail: toma@clin.au.dk 5 3 2021 18 2 2022 © 2022 by The Regents of the University of California 2022 beat perception emotion rhythm and timing synchronization expectation The sensation of groove can be defined as the pleasurable urge to move to music...

...Heather Harden Mangelsdorf; Jason Listman; Anabel Maler This study investigated how signed performances express musical meaning and emotions. Deaf, Hard-of-Hearing (HoH), and hearing participants watched eight translated signed songs and eight signed lyrics with no influence of music...

... of “emotionality” captures the degree of emotionality of a text. For example, the adjective “amazing” has a higher emotionality rating than the adjective “flawless” (Rocklage et al., 2017). Higher emotionality ratings are associated with more “feeling” words (e.g., “I feel,” “emotional”), while lower emotionality...

...Lindsay A. Warrenburg When designing a new study regarding how music can portray and elicit emotion, one of the most crucial design decisions involves choosing the best stimuli. Every researcher must find musical samples that are able to capture an emotional state, are appropriate lengths, and have...

...Rosalie Ollivier; Louise Goupil; Marco Liuni; Jean-Julien Aucouturier T raditional neurobiological theories of musical emotions explain well why extreme music such as punk, hardcore, or metal—whose vocal and instrumental characteristics share much similarity with acoustic threat signals—should...

..., the dimensional model of emotion can offer more reliable measurement with emotionally ambiguous stimuli ( Eerola & Vuoskoski, 2010 ). For example, Russell's (1980) popular circumplex model organizes emotional responses into two dimensions: valence and arousal. In this framework, valence represents...

... diotically via headphones (Koss UR-20). music emotion source dilemma dissonance auditory scene analysis A ccording to the processing fluency theory of aesthetic pleasure ( Reber, Schwarz, & Winkielman, 2004 ), when an object is more quickly and/or accurately processed, this “ … elicit[s...

... and tension. Notably, modes with a major 3rd from the tonic (Ionian, Lydian, Mixolydian) were perceived as happier and less tense than modes with a minor 3rd (Dorian, Aeolian, Phrygian, Locrian). The results confirm that the perception of notes in a melody, and their consequent emotional connotation, depend...

...Ronald S. Friedman A ccording to J uslin (2001), final ritardandi constitute part of the acoustic code employed by musicians to communicate two distinct emotional states: sadness and tenderness. To test this proposition, in two experiments, participants were exposed to a set of hymns that were...

... and the benefits of expertise for decoding linguistic information in sub-optimum acoustic conditions. Received: June 11, 2017, accepted March 3, 2018. Key words: auditory perception, emotion, expertise, lyrics, perceptual learning I T HAS BEEN PROPOSED THAT EXPERT MUSICIANSexhibit enhanced auditory skills...

... memories had high emotional and vividness characteristics whereas Everyday memories elicited emotion and other heightened responses only in the “vivid” instruction condition. However, when we added two other specific AB categories (Dining and Holidays) in phase two, the Music memories were no longer unique...

... textures. Received: August 17, 2017, accepted February 11, 2018. Key words: emotion, music analysis, instrumental music, cognitive musicology, corpus C OMPARED WITH OTHER MUSICAL GENRES,orchestral music commonly assigns multipleinstruments to a single notated part. A single line may be performed by (say...

... height (F0) of a pitch gamut independently impacts the perceived emotional expression of melodies derived from the gamut. Study participants rated the perceived happiness/sadness of a set of isochronous and semi-random tone sequences derived from the Bohlen-Pierce scale, an unconventional scale based...

..., E. L., & RICKARD, N. S. (2015). Emotion response and regulation to happy and sad music stimuli: Partial syn- chronization of subjective and physiological responses. Musicae Scientiae, 20, 11-25. WITVLIET, C. V., & VRANA, S. R. (2007). Play it again Sam: Repeated exposure to emotionally...

...William M. Randall; Nikki S. Rickard Personal music listening on mobile phones is rapidly growing as a popular means of everyday engagement with music. This portable and flexible style of listening allows for the immediate selection of music to fulfil emotional needs, presenting it as a powerful...

... of loudness significantly altered viewers’ perceptions of many elements that are fundamental to the storyline, including inferences about the relationship, intentions, and emotions of the film characters, their romantic interest toward each other, and the overall perceived tension of the scene. Surprisingly...

...Eduardo Coutinho; Klaus R. Scherer The systematic study of music-induced emotions requires standardized measurement instruments to reliably assess the nature of affective reactions to music, which tend to go beyond garden-variety basic emotions. We describe the development and conceptual validation...

... alone, and (2) listeners with- out formal knowledge of diatonic modes are able to inter- nalize diatonic modal frameworks. Received: September 26, 2015, accepted June 27, 2016. Key words: familiarity, diatonic modes, scales, emotion, popular music I T IS WIDELY ASSUMED THAT THE PERCEPTION OFpitch...

... responsiveness experienced more intense chills from music. Moreover, the results showed that the experience of chills induced highly pleasurable emotions and psychophysiological arousal. The present study suggests that general reward sensitivity is a predictor of music-evoked chills. Although music is just...