... frequency ( f 0 ), and intensity characteristics of Yorùbá vocalizations when used as a speech surrogate, and that this acoustic match systematically decreases for drumming modes in which more musical context is specified. Here we expand on that work with a two-by-two cross-cultural behavioral study...

... contour and provide new insights regarding the prevalent contour characteristics in Western music. 16 4 2023 7 6 2024 © 2025 by The Regents of the University of California 2025 melodic contour cross-cultural machine-learning clustering datasets Contour is an overall outline...

...Sarah A. Sauvé; Elizabeth Phillips; Wyatt Schiefelbein; Hideo Daikoku; Shantala Hegde; Sylvia Moore This paper presents a critical analysis of ethical and methodological issues within cross-cultural music science research, including issues around community based research, participation, and data...

... debates at the Congress of Cairo in 1932), is often implemented or at least serves as frame of reference. consonance-dissonance cadence cross-cultural Arab roughness In the last 10 years or so there has been a surge in cross-cultural studies in the field of music cognition ( Jacoby et al...

... of the art in measuring these processes, mostly from the perspective of action production, and in so doing present the first cross-cultural comparisons between interpersonal entrainment in natural musical performances, with an exploratory analysis that identifies factors that may influence interpersonal...

... Trehub; Michael Veal; Melanie Wald-Fuhrmann Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require...

... 10 12 2017 11 5 2018 © 2018 by The Regents of the University of California 2018 absolute pitch relative pitch cross-cultural tonality music education A bsolute pitch (AP)— an ability to name or produce a note of a given pitch in the absence of a reference note...

... by The Regents of the University of California 2018 empirical aesthetics cross-cultural performance music evaluation W hen L eonardo da V inci (1452-1519) was commissioned by the Duke of Milan in 1482 to manufacture an equestrian monument, he started with a series of systematic, anatomical...

... than either was with the Essen contours. Our findings of broad cross-cultural and cross-species parallels support the motor constraint hypothesis for melodic contour. More generally, our findings demonstrate the importance of greater collaboration between ethnomusicology and music psychology...

..., Richardson, TX 75080-3021. E-mail: [email protected] 30 11 2014 4 6 2015 © 2016 by The Regents of the University of California 2016 concurrent probe-tone technique cross-cultural culture-specific cues modulation tone-distribution cues REAL-TIME PROBING OF MODULATIONS...

... the music in a given culture can “dock into” and “dock out of” cues that are universally perceived, shifting its potential for cross-cultural perception and interaction. While this model accounts for music ethnological evidence reviewed here, it also explains why universals of music perception cannot simply...

...Vinoo Alluri; Petri Toiviainen polyphonic timbre perception was investigated in a cross-cultural context wherein Indian and Western nonmusicians rated short Indian and Western popular music excerpts (1.5 s, n = 200) on eight bipolar scales. Intrinsic dimensionality estimation revealed a higher...