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Keywords: cross-cultural
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Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
... Trehub; Michael Veal; Melanie Wald-Fuhrmann Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require...
Journal Articles
Music Perception (2018) 36 (2): 135–155.
Published: 01 December 2018
... absolute pitch relative pitch cross-cultural tonality music education References Bachem, A. ( 1937 ). Various types of absolute pitch . Journal of the Acoustical Society of America , 9 , 146 – 151 . Bachem, A. ( 1940 ). The genesis of absolute pitch . Journal of the Acoustical...
Journal Articles
Music Perception (2018) 36 (1): 98–108.
Published: 01 September 2018
... 12 10 2017 21 3 2018 Anna Wolf, Institute for Systematic Musicology, University of Hamburg, Neue Rabenstraße 13, 20354 Hamburg Germany. E-mail: anna.wolf@uni-hamburg.de empirical aesthetics cross-cultural performance music evaluation Note 1. The MIDI sound files of the...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception (2017) 34 (3): 327–334.
Published: 01 February 2017
... than either was with the Essen contours. Our findings of broad cross-cultural and cross-species parallels support the motor constraint hypothesis for melodic contour. More generally, our findings demonstrate the importance of greater collaboration between ethnomusicology and music psychology...
Journal Articles
Music Perception (2016) 33 (3): 367–393.
Published: 01 February 2016
... 2015 Rachna Raman, School of Behavioral and Brain Sciences, The University of Texas at Dallas, Richardson, TX 75080-3021. E-mail: rachnaraman@hotmail.com concurrent probe-tone technique cross-cultural culture-specific cues modulation tone-distribution cues REAL-TIME PROBING OF...
Journal Articles
Music Perception (2013) 30 (5): 511–516.
Published: 01 June 2013
... the music in a given culture can “dock into” and “dock out of” cues that are universally perceived, shifting its potential for cross-cultural perception and interaction. While this model accounts for music ethnological evidence reviewed here, it also explains why universals of music perception cannot...
Journal Articles
Music Perception (2012) 29 (3): 297–310.
Published: 01 February 2012
...Vinoo Alluri; Petri Toiviainen polyphonic timbre perception was investigated in a cross-cultural context wherein Indian and Western nonmusicians rated short Indian and Western popular music excerpts (1.5 s, n = 200) on eight bipolar scales. Intrinsic dimensionality estimation revealed a higher...