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Music Perception (2009) 26 (5): 465–473.
Published: 01 June 2009
... investigated such cues in the context of conductor-musician synchronization. Twenty-four participants tapped in time with dynamic point-light representations of traditional conducting gestures, in which the clarity of the beat and overall tempo was manipulated. A series of nine linear regression analyses...
Music Perception (2008) 26 (2): 129–143.
Published: 01 December 2008
...Clemens Wööllner; Wolfgang Auhagen INSIGHTS INTO MUSICAL CONDUCTING are traditionally derived from educational manuals and from interviews with conductors about their intuitive knowledge. Conducting as a form of highly specialized nonverbal communication has scarcely been studied empirically up...
Music Perception (2008) 25 (3): 225–239.
Published: 01 February 2008
...Geoff Luck; John Sloboda THE SPATIO-TEMPORAL PROPERTIES OF HUMAN movement that induce the percept of a visual beat were investigated in three experiments. Experiment 1, in which participants synchronized key presses with point-light representations of simple conducting gestures, showed that visual...
Music Perception (2006) 24 (2): 189–200.
Published: 01 December 2006
... are based on studies that have presented participants with somewhat simple gestures, and in which participants have been required to simply tap in time with the beat. Thus, it is not clear how generalizable these findings are to real-world conducting situations, in which a conductor uses considerably more...