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Keywords: communication
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Journal Articles
Music Perception (2021) 38 (5): 509–521.
Published: 01 June 2021
... culture communication There are many different ways to experience music (see Tuuri & Eerola, 2012 , for a proposed taxonomy, and Feld, 1984 , for a sensitive account of the relevant dimensions). A person might listen to a melody and respond kinesthetically by tapping their foot, or they might...
Journal Articles
Music Perception (2019) 37 (1): 1–25.
Published: 01 September 2019
... showed that performers communicated gesturally following held notes. Gesture patterns became more consistent as duos rehearsed, though consistency dropped again during a final performance given under no-visual-contact conditions. Movements were smoother and interperformer coordination was stronger during...
Journal Articles
Music Perception (2019) 36 (3): 289–299.
Published: 01 February 2019
... extensively studied; however, research is limited on the effects of physical separation on the subjective experience of musicians. This separation is likely to have an effect on interaction between musicians as usual channels of communication are interrupted. The impact of this physical separation...
Journal Articles
Music Perception (2015) 33 (1): 3–11.
Published: 01 September 2015
... 2015 © 2015 by The Regents of the University of California 2015 melody salience stability coherence communication LISTENING, IMAGINING, PERFORMING: MELODY AS A LIFE CYCLE OF MUSICAL THOUGHT CAROLINE PALMER McGill University, Montreal, Canada MELODY HAS BEEN DEFINED AS A DISTINCT...
Journal Articles
Music Perception (2013) 30 (5): 511–516.
Published: 01 June 2013
... of Neurology, Stephanstrasse 1A, 04103, Leipzig, Saxony, Germany. E-mail: [email protected] 4 1 2012 14 12 2012 © 2013 by The Regents of the University of California 2013 universal Mafa emotional expression cross-cultural communication THE DOCK-IN MODEL OF MUSIC CULTURE...
Journal Articles
Music Perception (2007) 25 (2): 169–170.
Published: 01 December 2007
... in interdisciplinary investigations into music. I suggest two changes to the label proposed by Graham arguing that "affective"—rather than emotional—and "communication"—rather than signal—more broadly and precisely describe the boundaries of relevance that should be applied to music. © 2007 By the Regents...
Journal Articles
Music Perception (2006) 24 (1): 79–82.
Published: 01 September 2006
... claims that can be made concerning its evolutionary roots. © 2006 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. 2006 music evolution communication archaeology ethnomusicology IAN CROSS Centre for Music & Science, University of Cambridge IT IS ARGUED THAT APPROACHES...