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Music Perception. 2019; 3711–25 doi: https://doi.org/10.1525/mp.2019.37.1.1
Published: 01 September 2019
... showed that performers communicated gesturally following held notes. Gesture patterns became more consistent as duos rehearsed, though consistency dropped again during a final performance given under no-visual-contact conditions. Movements were smoother and interperformer coordination was stronger during...
Music Perception. 2019; 363289–299 doi: https://doi.org/10.1525/mp.2019.36.3.289
Published: 01 February 2019
... extensively studied; however, research is limited on the effects of physical separation on the subjective experience of musicians. This separation is likely to have an effect on interaction between musicians as usual channels of communication are interrupted. The impact of this physical separation on the...
Music Perception. 2015; 3313–11 doi: https://doi.org/10.1525/mp.2015.33.1.3
Published: 01 September 2015
.... Penfield Avenue, Montreal, Canada H3A 1B1. E-mail: firstname.lastname@example.org melody salience stability coherence communication LISTENING, IMAGINING, PERFORMING: MELODY AS A LIFE CYCLE OF MUSICAL THOUGHT CAROLINE PALMER McGill University, Montreal, Canada MELODY HAS BEEN DEFINED AS A DISTINCT...
Music Perception. 2013; 305511–516 doi: https://doi.org/10.1525/mp.2013.30.5.511
Published: 01 June 2013
... 2012 14 12 2012 Dr. Tom Fritz, Max Planck Institute for Human Cognitive and Brain Sciences, Department of Neurology, Stephanstrasse 1A, 04103, Leipzig, Saxony, Germany. E-mail: email@example.com universal Mafa emotional expression cross-cultural communication THE DOCK-IN MODEL OF...
Music Perception. 2007; 252169–170 doi: https://doi.org/10.1525/mp.2007.25.2.169
Published: 01 December 2007
... interdisciplinary investigations into music. I suggest two changes to the label proposed by Graham arguing that "affective"——rather than emotional——and "communication"——rather than signal——more broadly and precisely describe the boundaries of relevance that should be applied to music. ©© 2007 By the Regents of...
Music Perception. 2006; 24179–82 doi: https://doi.org/10.1525/mp.2006.24.1.79
Published: 01 September 2006
... claims that can be made concerning its evolutionary roots. © 2006 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. 2006 music evolution communication archaeology ethnomusicology IAN CROSS Centre for Music & Science, University of Cambridge IT IS ARGUED THAT APPROACHES...