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Keywords: attention
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Journal Articles
Music Perception (2021) 38 (3): 293–312.
Published: 01 February 2021
...Jonas Vibell; Ahnate Lim; Scott Sinnett Considerable evidence converges on the plasticity of attention and the possibility that it can be modulated through regular training. Music training, for instance, has been correlated with modulations of early perceptual and attentional processes. However...
Journal Articles
Music Perception (2020) 38 (1): 78–98.
Published: 09 September 2020
... mismatch negativity, MMN) and behavioral measurements (conscious discrimination). Furthermore, we wanted to see if focusing attention to the sounds modulated the neural processing. We used chords comprised of either highly consonant or highly dissonant intervals and further manipulated the degree...
Journal Articles
Music Perception (2020) 37 (4): 263–277.
Published: 11 March 2020
... to be shorter. Thus, attending to different metrical levels in music, by deliberately directing attention and motor activity, affects time perception. The present study investigates how time estimations are affected by attending to different metrical levels when listening to music using a motor task...
Journal Articles
Journal Articles
Music Perception (2016) 34 (2): 152–166.
Published: 01 December 2016
...Ben Duane This study examines the difference between prominent and non-prominent lines (e.g., melodies and accompaniments). After reviewing research suggesting that lines with few repeating patterns would readily capture attention, the hypothesis that prominent lines tend to be less repetitive...
Journal Articles
Journal Articles
Music Perception (2016) 33 (3): 306–318.
Published: 01 February 2016
... repetitive, probably facilitating listeners’ tendency to focus on and follow the melodic lines they support. With the aim of contributing to the unexplored area of the relationship between repetition and attention in polyphonic music listening, this paper presents an empirical investigation of the way...
Journal Articles
Music Perception (2015) 33 (1): 70–82.
Published: 01 September 2015
...-mail: [email protected] 19 1 2015 30 4 2015 © 2015 by The Regents of the University of California 2015 attention streaming neuroimaging ERP cognition AUDITORY SCENE ANALYSIS: TALES FROM COGNITIVE NEUROSCIENCES CLAUDE ALAIN Rotman Research Institute at Baycrest Centre...
Journal Articles
Music Perception (2013) 30 (4): 369–390.
Published: 01 April 2013
... relationships, and participants (who were classically trained musicians) had to judge whether a probe fell on the beat in one or both rhythms. In a selective attention condition, they had to attend to one rhythm and to ignore the other, whereas in a divided attention condition, they had to attend to both...
Journal Articles
Music Perception (2012) 29 (4): 377–385.
Published: 01 April 2012
... whenever they heard something from earlier in the piece repeat. Additional exposures facilitated repetition detection for long units, but impaired repetition detection for short ones, exposing an attentional shift toward larger temporal spans across multiple hearings. repetition repeated exposures...
Journal Articles
Music Perception (2011) 29 (2): 133–146.
Published: 01 December 2011
...-related skills, such as reading and hearing speech in background noise, which are critical to academic progress, emotional health, and vocational success. 12 December 2010 21 July 2011 © 2011 by The Regents of the University of California 2011 musicians language attention memory...
Journal Articles
Music Perception (2009) 26 (4): 321–334.
Published: 01 April 2009
... reliable results were, (b) how results would change if listeners' attention changed from nondirected (NDL) to directed listening (DL), and (c) whether the perception of clash of keys is influenced by the musical style of the particular composition. Participants included 101 expert listeners and 147...
Journal Articles
Music Perception (2009) 26 (4): 377–386.
Published: 01 April 2009
..., adult listeners weight events within a measure in a hierarchical manner. We tested if listeners without advanced music training form such hierarchical representations for a rhythmical sound sequence under different attention conditions (Attend, Unattend, and Passive). Participants detected occasional...