Skip Nav Destination
1-13 of 13
Music Perception (2021) 38 (3): 293–312.
Published: 01 February 2021
...Jonas Vibell; Ahnate Lim; Scott Sinnett Considerable evidence converges on the plasticity of attention and the possibility that it can be modulated through regular training. Music training, for instance, has been correlated with modulations of early perceptual and attentional processes. However...
Music Perception (2020) 38 (1): 78–98.
Published: 09 September 2020
... mismatch negativity, MMN) and behavioral measurements (conscious discrimination). Furthermore, we wanted to see if focusing attention to the sounds modulated the neural processing. We used chords comprised of either highly consonant or highly dissonant intervals and further manipulated the degree...
Music Perception (2020) 37 (4): 263–277.
Published: 11 March 2020
... to be shorter. Thus, attending to different metrical levels in music, by deliberately directing attention and motor activity, affects time perception. David Hammerschmidt, Institute of Systematic Musicology, University of Hamburg, Neue Rabenstr. 13, 20354 Hamburg, Germany. E-mail: david.hammerschmidt@uni...
Music Perception (2018) 36 (2): 156–174.
Published: 01 December 2018
... University of Helsinki, Finland. E-mail: firstname.lastname@example.org 11 10 2016 2 5 2018 © 2018 by The Regents of the University of California 2018 ERP MMN and P3a informal singing and music instrument playing perception of speech in noise attention There is some evidence...
Music Perception (2016) 34 (2): 152–166.
Published: 01 December 2016
...Ben Duane This study examines the difference between prominent and non-prominent lines (e.g., melodies and accompaniments). After reviewing research suggesting that lines with few repeating patterns would readily capture attention, the hypothesis that prominent lines tend to be less repetitive...
Music Perception (2016) 33 (5): 561–570.
Published: 01 June 2016
...Martin Norgaard; Samantha N. Emerson; Kimberly Dawn; James D. Fidlon A growing body of research suggests that jazz musicians concatenate stored auditory and motor patterns during improvisation. We hypothesized that this mechanism allows musicians to focus attention more flexibly during...
Music Perception (2016) 33 (3): 306–318.
Published: 01 February 2016
... repetitive, probably facilitating listeners’ tendency to focus on and follow the melodic lines they support. With the aim of contributing to the unexplored area of the relationship between repetition and attention in polyphonic music listening, this paper presents an empirical investigation of the way...
Music Perception (2015) 33 (1): 70–82.
Published: 01 September 2015
...-mail: email@example.com 19 1 2015 30 4 2015 © 2015 by The Regents of the University of California 2015 attention streaming neuroimaging ERP cognition AUDITORY SCENE ANALYSIS: TALES FROM COGNITIVE NEUROSCIENCES CLAUDE ALAIN Rotman Research Institute...
Music Perception (2013) 30 (4): 369–390.
Published: 01 April 2013
... relationships, and participants (who were classically trained musicians) had to judge whether a probe fell on the beat in one or both rhythms. In a selective attention condition, they had to attend to one rhythm and to ignore the other, whereas in a divided attention condition, they had to attend to both...
Music Perception (2012) 29 (4): 377–385.
Published: 01 April 2012
... whenever they heard something from earlier in the piece repeat. Additional exposures facilitated repetition detection for long units, but impaired repetition detection for short ones, exposing an attentional shift toward larger temporal spans across multiple hearings. repetition repeated exposures...
Music Perception (2011) 29 (2): 133–146.
Published: 01 December 2011
...-related skills, such as reading and hearing speech in background noise, which are critical to academic progress, emotional health, and vocational success. 12 December 2010 21 July 2011 © 2011 by The Regents of the University of California 2011 musicians language attention memory...
Music Perception (2009) 26 (4): 321–334.
Published: 01 April 2009
... reliable results were, (b) how results would change if listeners' attention changed from nondirected (NDL) to directed listening (DL), and (c) whether the perception of clash of keys is influenced by the musical style of the particular composition. Participants included 101 expert listeners and 147...
Music Perception (2009) 26 (4): 377–386.
Published: 01 April 2009
... to music, adult listeners weight events within a measure in a hierarchical manner. We tested if listeners without advanced music training form such hierarchical representations for a rhythmical sound sequence under different attention conditions (Attend, Unattend, and Passive). Participants detected...