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Music Perception (2012) 30 (1): 49–70.
Published: 01 September 2012
... role of timbre in the perception of affect dimensions in isolated musical sounds, by way of three behavioral experiments. In Experiment 1, participants evaluated perceived affects of 110 instrument sounds that were equal in duration, pitch, and dynamics using a three-dimensional affect model (valence...
Music Perception (2012) 29 (4): 359–375.
Published: 01 April 2012
...Freya Bailes; Roger T. Dean this study investigates the relationship between acoustic patterns in contemporary electroacoustic compositions, and listeners' real-time perceptions of their structure and affective content. Thirty-two participants varying in musical expertise (nonmusicians, classical...
Music Perception (2007) 25 (2): 169–170.
Published: 01 December 2007
...John Bispham IN THIS RESPONSE I LARGELY CONCUR WITH THE commentary offered by Graham and argue that a label such as that proposed by Graham could additionally be useful in drawing primary attention to crucial social and affective features of music-making that have at times been undervalued in...
Music Perception (2006) 24 (1): 89–94.
Published: 01 September 2006
... origins of music. We propose additional approaches for exploring theories based on exaptation. We discuss a view of music as a multimodal system of engaging with affect, enabled by capacities of symbolism and a theory of mind. © 2006 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED...