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Keywords: absolute pitchClose
Music Perception (2018) 36 (2): 135–155.
Published: 01 December 2018
... absolute pitch relative pitch cross-cultural tonality music education References Bachem, A. ( 1937 ). Various types of absolute pitch . Journal of the Acoustical Society of America , 9 , 146 – 151 . Bachem, A. ( 1940 ). The genesis of absolute pitch . Journal of the Acoustical...
Music Perception (2017) 34 (5): 569–584.
Published: 01 June 2017
...Zohar Eitan; Moshe Shay Ben-Haim; Elizabeth Hellmuth Margulis It is undisputed that the cognition of tonal music is primarily established by pitch relationships set within a tonal scheme such as a major or minor key. The corresponding notion—that absolute pitch and absolute key are largely...
Music Perception (2015) 32 (5): 493–506.
Published: 01 June 2015
...Katrin Bittrich; Kathrin Schlemmer; Sven Blankenberger The present study investigated the impact of simple pair-association mechanisms for the acquisition of absolute pitch. At intervals of two weeks, participants ( N = 20 adult nonmusicians) completed three tone identification tests (pre, post...
Music Perception (2015) 32 (4): 344–354.
Published: 01 April 2015
...Stefanie A. Hutka; Claude Alain Absolute pitch (AP) is the rare ability to identify or produce a specific pitch without a reference pitch, which appears to be more prevalent in tone-language speakers than non-tone-language speakers. Numerous studies support a close relationship between AP, music...
Music Perception (2015) 32 (3): 254–265.
Published: 01 February 2015
... model makes a unique prediction that musicians with absolute pitch (AP) should be biased towards compensating for objectively mistuned notes in a single note imitation task. In this paper, we tested this prediction by asking musicians with and without AP to imitate vocal notes that are either well-tuned...
Music Perception (2014) 32 (2): 186–200.
Published: 01 December 2014
...Christopher Aruffo; Robert L. Goldstone; David J. D. Earn When a musical tone is sounded, most listeners are unable to identify its pitch by name. Those listeners who can identify pitches are said to have absolute pitch perception (AP). A limited subset of musicians possesses AP, and it has been...
Music Perception (2014) 31 (4): 359–371.
Published: 01 April 2014
...Anders Dohn; Eduardo A. Garza-Villarreal; Lars Riisgaard Ribe; Mikkel Wallentin; Peter Vuust Absolute pitch (AP) is the ability to identify or produce pitches of musical tones without an external reference. Active AP (i.e., pitch production or pitch adjustment) and passive AP (i.e., pitch...
Music Perception (2012) 29 (3): 285–296.
Published: 01 February 2012
...Sarah J. Wilson; Dean Lusher; Catherine L. Martin; Genevieve Rayner; Neil McLachlan the skill of absolute pitch (ap) has been proposed as an ideal paradigm for investigating the complex relationships that exist between the genome and its expression at a cognitive and behavioral level (the phenotype...
Music Perception (2009) 27 (2): 89–101.
Published: 01 December 2009
...Patrick Bermudez; Robert J. Zatorre BEHAVIORAL ASSESSMENT OF ABSOLUTE PITCH (AP) ability over the better part of the last century has strongly suggested that a variety of proficiency levels exists and can only be more comprehensively described with the use of rigorous testing providing precise and...
Music Perception (2008) 26 (2): 121–127.
Published: 01 December 2008
... interference tones for infants, and 15 interference tones for adults. This indicates that although there may be a developmental increase with age in the length of time a memory can be held, for both 6-month-old infants and adults, memory for the absolute pitch of isolated tones fades rapidly. ©© 2008 By the...
Music Perception (2008) 25 (3): 241–252.
Published: 01 February 2008
...E. Glenn Schellenberg; Sandra E. Trehub ABSOLUTE PITCH (AP) IS THE ABILITY TO IDENTIFY OR produce a musical note in isolation. As traditionally defined, AP requires accurate pitch memory as well as knowledge of note names. The incidence of AP is higher in Asia than it is in North America.We used a...
Music Perception (2008) 25 (3): 193–212.
Published: 01 February 2008
... distributional view is far from a complete explanation of human key identification. No difference was found between participants with regard to absolute pitch ability, either in the speed or accuracy of their key judgments. Several key-finding models were tested on the melodies to see which yielded the best...
Music Perception (2006) 24 (1): 63–78.
Published: 01 September 2006
... partial AP (greater accuracy for white-key notes) and a high prevalence of AP in Japan. © 2006 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. 2006 absolute pitch early learning critical period pitch naming music training KEN ICHI MIYAZAKI University of Niigata YOKO...