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Keywords: Rhythm
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Journal Articles
Music Perception (2020) 37 (4): 278–297.
Published: 11 March 2020
... Birmingham, Ashley Building, Edgbaston Campus, B15 2TT, Birmingham, UK. Email: m.a.g.witek@bham.ac.uk . groove syncopation synchronization rhythm cross-cultural research References Agawu , K. ( 2003 ). Representing African music: Postcolonial notes, queries, positions. New York...
Journal Articles
Music Perception (2019) 37 (1): 26–41.
Published: 01 September 2019
... 2019 rhythm beat salience tempo absolute versus relative tempo judgment perceptual sharpening Notes 1. Flux rates reported here differ from those reported in London et al. (2016) , as here the values were normalized according to their RMS volume to allow for comparison across...
Journal Articles
Music Perception (2019) 36 (3): 300–313.
Published: 01 February 2019
...Nathaniel Condit-Schultz T he normalized pairwise variability index (nPVI) is a measure originally used to compare the rhythms of languages. Patel and Daniele (2003a) introduced the nPVI to music research and it has since been used in a number of studies. In this paper, I present a methodological...
Journal Articles
Music Perception (2017) 35 (2): 193–199.
Published: 01 December 2017
... nations in speech rhythm, and in accord with previous studies of instrumental music. Surprisingly, there was no evidence of this pattern, and some evidence of the opposite pattern: nPVI is higher in French and Italian vocal music than in English and German vocal music. This casts doubt on the theory that...
Journal Articles
Music Perception (2017) 34 (5): 557–568.
Published: 01 June 2017
...Andrea Ravignani Structure in musical rhythm can be measured using a number of analytical techniques. While some techniques—like circular statistics or grammar induction—rely on strong top-down assumptions, assumption-free techniques can only provide limited insights on higher-order rhythmic...
Journal Articles
Music Perception (2016) 33 (4): 414–431.
Published: 01 April 2016
...Niels Chr. Hansen; Makiko Sadakata; Marcus Pearce Research has used the normalized pairwise variability index (nPVI) to examine relationships between musical rhythm and durational contrast in composers’ native languages. Applying this methodology, linearly increasing nPVI in Austro-German, but not...
Journal Articles
Music Perception (2015) 33 (2): 255–265.
Published: 01 December 2015
...Joseph R. Daniele; Aniruddh D. Patel Historical trends in the rhythm of Western European instrumental classical music between ∼1650 and 1950 have recently been studied using the nPVI equation. This equation measures the average degree of durational contrast between adjacent events in a sequence...
Journal Articles
Music Perception (2014) 32 (2): 170–185.
Published: 01 December 2014
..., Campus Biotech, CISA – University of Geneva, Case Postale 60, CH1211, Genève 20, Switzerland. E-mail: carolina.labbe@unige.ch music emotion rhythm entrainment questionnaire MUSICAL EMOTIONS PREDICTED BY FEELINGS OF ENTRAINMENT CAROLINA LABBE´ & DIDIER GRANDJEAN University of Geneva, Geneva...
Journal Articles
Music Perception (2014) 32 (2): 201–217.
Published: 01 December 2014
...Maria A. G. Witek; Eric F. Clarke; Morten L. Kringelbach; Peter Vuust In music, the rhythms of different instruments are often syncopated against each other to create tension. Existing perceptual theories of syncopation cannot adequately model such kinds of syncopation since they assume monophony...
Journal Articles
Music Perception (2014) 31 (5): 444–469.
Published: 01 June 2014
...Erica Cao; Max Lotstein; Philip N. Johnson-Laird What determines the similarity of musical rhythms? According to the “family” theory, which this paper presents, one factor is the temporal sequence of the onsets of notes: rhythms with the same pattern of interonset intervals tend to sound similar...
Journal Articles
Music Perception (2013) 30 (5): 497–510.
Published: 01 June 2013
... the effect of microtiming on the perception of groove we synthesized typical rhythm patterns for Jazz, Funk, and Samba with idiomatic microtiming deviation patterns for each style. The magnitude of the deviations was parametrically varied from nil to about double the natural level. In two experiments...
Journal Articles
Music Perception (2011) 29 (2): 157–163.
Published: 01 December 2011
... ignore the factor of music training. © 2011 by The Regents of the University of California 2011 30 November 2010 12 August 2011 music lessons pitch rhythm reading development phonological development Music Training and Reading 157 Music Perception volume 29, issue 2, pp. 157...
Journal Articles
Music Perception (2011) 29 (1): 115–120.
Published: 01 September 2011
... Regents of the University of California 2011 08 September 2010 28 April 2011 meter rhythm variability nPVI hierarchy Rhythmic Refinements to the nPVI 115 Music Perception volume 29, issue 1, pp. 115 120. issn 0730-7829, electronic issn 1533-8312. © 2011 by the regents of the...
Journal Articles
Music Perception (2011) 29 (1): 51–63.
Published: 01 September 2011
... establishes a correlation between speech rhythms in languages and musical rhythms in the songs of those languages. © 2011 by The Regents of the University of California 2011 12 August 2010 01 March 2011 rhythm meter stress vocal music music-language connections The Scotch Snap 51...
Journal Articles
Music Perception (2011) 29 (1): 65–78.
Published: 01 September 2011
... between duple and triple meters since 1: n tapping can engender the subjective feel of different metric structures. © 2011 by The Regents of the University of California 2011 11 December 2009 31 March 2011 rhythm meter sensorimotor synchronization subdivision finger tapping...
Journal Articles
Music Perception (2011) 29 (1): 79–91.
Published: 01 September 2011
... cognition. © 2011 by The Regents of the University of California 2011 05 June 2010 31 March 2011 Williams syndrome rhythm discrimination reproduction deficits Rythmic Abilities In WS 79 Music Perception volume 29, issue 1, pp. 79 91. issn 0730-7829, electronic issn 1533-8312...
Journal Articles
Music Perception (2011) 28 (5): 449–460.
Published: 01 June 2011
... University, Blandijnberg 2, 9000 Ghent, Belgium. e-mail: Dirk.Moelants@UGent.be rhythm tempo performance baroque music swing The Performance of Notes Inégales 449 Music Perception volume 28, issue 5, pp. 449 460, issn 0730-7829, electronic issn 1533-8312 © 2011 by the regents of the university...
Journal Articles
Music Perception (2010) 28 (1): 3–14.
Published: 01 September 2010
... coordination dance rhythm Music Perception volume 28, issue 1, pp. 3 14, issn 0730-7829, electronic issn 1533-8312 © 2010 by the regents of the university of california. all rights reserved. please direct all requests for permission to photocopy or reproduce article content through the university of...
Journal Articles
Music Perception (2010) 27 (5): 355–376.
Published: 01 June 2010
...David Temperley THIS STUDY EXPLORES WAYS OF MODELING the compositional processes involved in common-practice rhythm (as represented by European classical music and folk music). Six probabilistic models of rhythm were evaluated using the method of cross-entropy: according to this method, the best...
Journal Articles
Music Perception (2009) 27 (2): 103–120.
Published: 01 December 2009
...Justin London; Tommi Himberg; Ian Cross WHEN A MELODY BEGINS WITH AN ANACRUSIS, (i.e.,"pick up" notes), rhythm and meter are out of phase. Three experiments were conducted to investigate the interactions between structural (rhythm and pitch) and performance (articulation and tempo) factors on the...