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voice

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Images
Published: 01 February 2020
Figure 2. Example voice leadings for J. S. Bach’s chorale Aus meines Herzens Grunde (BWV 269), chords 1–10. A) Bach’s original voice leading. B) Heuristic voice leading. C) New algorithm. D) New algorithm with prespecified melody. Figure 2. Example voice leadings for J. S. Bach’s chorale Aus
Images
Published: 01 February 2020
Figure 3. Example voice leadings for the first 10 chords of James Brown’s I don’t mind . A) Heuristic voice leading. B) New algorithm. Figure 3. Example voice leadings for the first 10 chords of James Brown’s I don’t mind. A) Heuristic voice leading. B) New algorithm.
Images
Published: 01 February 2020
Figure 4. Example voice leadings for the first 10 chords of John Coltrane’s 26-2 . A) Heuristic voice leading. B) New algorithm. Figure 4. Example voice leadings for the first 10 chords of John Coltrane’s 26-2. A) Heuristic voice leading. B) New algorithm.
Images
Published: 01 December 2019
FIGURE 1. Middle voice (A), with each of the following modifications: A instead of F in the third beat of bar 1 (B), C♯ instead of C in the second half of the downbeat of bar 2 (C), and E♭ instead of F in the third beat of bar 1 (D). FIGURE 1. Middle voice (A), with each of the following
Journal Articles
Music Perception. 2020; 373208–224 doi: https://doi.org/10.1525/mp.2020.37.3.208
Published: 01 February 2020
...Figure 2. Example voice leadings for J. S. Bach’s chorale Aus meines Herzens Grunde (BWV 269), chords 1–10. A) Bach’s original voice leading. B) Heuristic voice leading. C) New algorithm. D) New algorithm with prespecified melody. Figure 2. Example voice leadings for J. S. Bach’s chorale Aus...
Journal Articles
Music Perception. 2019; 365468–479 doi: https://doi.org/10.1525/mp.2019.36.5.468
Published: 01 June 2019
...Ana Isabel Pereira; Helena Rodrigues T he purpose of this study was to investigate the relationship between Portuguese children's use of singing voice and their singing accuracy on the pitches belonging to the Singing Voice Development Measure (SVDM) criterion patterns ( Rutkowski, 2015 ), as well...
Images
Journal Articles
Music Perception. 2008; 26175–94 doi: https://doi.org/10.1525/mp.2008.26.1.75
Published: 01 September 2008
...Emilios Cambouropoulos LISTENERS ARE THOUGHT TO BE CAPABLE of perceiving multiple voices in music. This paper presents different views of what 'voice' means and how the problem of voice separation can be systematically described, with a view to understanding the problem better and developing a...
Journal Articles
Music Perception. 2001; 1911–64 doi: https://doi.org/10.1525/mp.2001.19.1.1
Published: 01 September 2001
...David Huron The traditional rules of voice-leading in Western music are explicated using experimentally established perceptual principles. Six core principles are shown to account for the majority of voice-leading rules given in historical and contemporary music theory tracts. These principles are...
Journal Articles
Music Perception. 2015; 323283–292 doi: https://doi.org/10.1525/mp.2015.32.3.283
Published: 01 February 2015
...Joanne Rutkowski The purpose of this study was to investigate the nature of the relationship between children’s use of singing voice (vocal register) and singing accuracy. In previous studies recorded examples of kindergartners’ ( n = 37) and first graders’ ( n = 38) singing were assessed with the...
Journal Articles
Music Perception. 2014; 322143–159 doi: https://doi.org/10.1525/mp.2014.32.2.143
Published: 01 December 2014
...Yuri Broze; Brandon T. Paul; Erin T. Allen; Kathleen M. Guarna Three experimental studies suggest that music with more musical voices (higher voice multiplicity ) tends to be perceived more positively. In the first experiment, participants heard brief extracts from polyphonic keyboard works...
Images
Published: 01 December 2019
FIGURE 2. The mean information content (IC) of the outer voices plotted for each of the 24 stimuli by type of manipulation (melody, rhythm, harmony). IC for melodic complexity levels is illustrated in panel A, where melodic IC (circles) increases with level. IC for rhythmic complexity levels is
Journal Articles
Music Perception. 2019; 372134–146 doi: https://doi.org/10.1525/mp.2019.37.2.134
Published: 01 December 2019
... voice. Results showed a larger P3 and a larger left anterior distributed LPC in response to affectively incongruent versus congruent trials in the voice version. For the flute version, however, only the LPC effect was found, which was distributed over centro-parietal electrodes. Unlike the voice and...
Journal Articles
Music Perception. 2017; 344489–495 doi: https://doi.org/10.1525/mp.2017.34.4.489
Published: 01 April 2017
... of music expertise in evaluating operatic singing voices, listeners without music training were compared with the music experts examined in a recent study (Larrouy-Maestri, Magis, & Morsomme, 2014a) and their ratings were modeled with regard to underlying acoustic variables of pitch accuracy. As...
Journal Articles
Music Perception. 2005; 23187–90 doi: https://doi.org/10.1525/mp.2005.23.1.87
Published: 01 September 2005
... Voice and Mind: The Connections between Intonation, Emotion, Cognition, and Consciousness By COOK NORMAN D John Benjamins , Amsterdam : 2002 Tone of Voice and Mind: The Connections between Intonation, Emotion, Cognition, and Consciousness By NORMAN D. COOK Amsterdam: John Benjamins, 2002...
Journal Articles
Music Perception. 2005; 224613–627 doi: https://doi.org/10.1525/mp.2005.22.4.613
Published: 01 April 2005
...Bénédicte Poulin-Charronnat; Emmanuel Bigand; François Madurell The present study investigates the potential influence of voice leading on harmonic priming effects. Eight-chord sequences were presented to the participants, who had to perform a fast reaction task on a target chord ending the...
Journal Articles
Music Perception. 2014; 3211–10 doi: https://doi.org/10.1525/mp.2014.32.1.1
Published: 01 September 2014
...Pauline Larrouy-Maestri; David Magis; Dominique Morsomme The objective analysis of Western operatic singing voices indicates that professional singers can be particularly “out of tune.” This study aims to better understand the evaluation of operatic voices, which have particularly complex...
Journal Articles
Music Perception. 2020; 374347–358 doi: https://doi.org/10.1525/mp.2020.37.4.347
Published: 11 March 2020
... their identity. The absence of joint speech from the scientific treatment of language has made language appear as an abstract intellectual and highly individualized activity. Joint speech may act as a corrective to draw our attention back to the voice in context, and the manner in which collective...
Journal Articles
Music Perception. 2020; 374363–365 doi: https://doi.org/10.1525/mp.2020.37.4.363
Published: 11 March 2020
...: jdayocon@skidmore.edu music and language singing voice social processes pleasure References Agawu , K. ( 2016 ). The African imagination in music . New York , Oxford University Press . Blacking , J. ( 1974 ). How musical is man? Seattle, WA : University of...
Journal Articles
Music Perception. 1994; 122227–255 doi: https://doi.org/10.2307/40285653
Published: 01 December 1994
...Bruno H. Repp Deutsch and coworkers (Deutsch, 1991; Deutsch, North, & Ray, 1990) have proposed that individual differences in the perception of the "tritone paradox" derive from listeners' reference to a mental pitch template, acquired through experience with the pitch range of their own voice...