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valence

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Journal Articles
Music Perception. 2016; 341104–117 doi: https://doi.org/10.1525/mp.2016.34.1.104
Published: 01 September 2016
... music from Mozart to minimalism and Xenakis; and include jazz, ambient, drum n' bass and performance text. We particularly assess whether modeling perceptions of the valence expressed by the music, generally modeled less well than the affective dimension of arousal, can be enhanced by inclusion of...
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Published: 11 March 2020
Figure 11. Estimated marginal means and 95% confidence intervals for valence rating to each musical interval and noise.
Journal Articles
Music Perception. 2014; 315436–443 doi: https://doi.org/10.1525/mp.2014.31.5.436
Published: 01 June 2014
... investigated emotional recognition of nonsocial stimuli in this population. In this study, participants with ASD and a comparison group of typically developing (TD) control participants listened to song clips that varied in levels of pleasantness (valence) and arousal. Participants then rated emotions they...
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Published: 01 December 2019
FIGURE 6. Collective arousal versus collective valence directly computed from the participant ratings (magenta squares for Cluster 1, red + signs for Cluster 2, green triangles for Cluster 3 and blue circles for Cluster 4). FIGURE 6. Collective arousal versus collective valence directly
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Published: 01 December 2019
FIGURE 2. Effect of stimulus roughness on valence ratings ( Experiment 1 ), left: human vocalizations, right: musical instruments. Rough sounds were judged more negatively than original sounds, and metal fans did not report less negativity than non-metal fans for either rough vocal or musical
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Published: 01 September 2019
FIGURE 3. Unique and shared variance of valence ratings by musical cue. The unique and shared contributions of attack rate, and mode cues explained the vast majority of variance across three experiments. The three bars for each cue depict ratings made of both (1) 8 measure excerpts ( Experiment 1
Journal Articles
Music Perception. 2019; 37166–91 doi: https://doi.org/10.1525/mp.2019.37.1.66
Published: 01 September 2019
...FIGURE 3. Unique and shared variance of valence ratings by musical cue. The unique and shared contributions of attack rate, and mode cues explained the vast majority of variance across three experiments. The three bars for each cue depict ratings made of both (1) 8 measure excerpts ( Experiment 1...
Journal Articles
Music Perception. 2020; 374298–322 doi: https://doi.org/10.1525/mp.2020.37.4.298
Published: 11 March 2020
...Figure 7. Distributions of valence ratings in Experiments 2 and 3 (Visual analog scale). ...
Journal Articles
Music Perception. 2019; 372147–164 doi: https://doi.org/10.1525/mp.2019.37.2.147
Published: 01 December 2019
...FIGURE 6. Collective arousal versus collective valence directly computed from the participant ratings (magenta squares for Cluster 1, red + signs for Cluster 2, green triangles for Cluster 3 and blue circles for Cluster 4). FIGURE 6. Collective arousal versus collective valence directly...
Journal Articles
Music Perception. 2017; 35138–59 doi: https://doi.org/10.1525/mp.2017.35.1.38
Published: 01 September 2017
... instrumentation, musical form, style, and familiarity. We collected a wide range of subjective responses from 30 highly trained musicians to music varying along the affective dimensions of arousal and valence. Experiment 2 examined a set of psychophysiological correlates of emotion in 20 different musicians by...
Journal Articles
Music Perception. 2012; 294359–375 doi: https://doi.org/10.1525/mp.2012.29.4.359
Published: 01 April 2012
... musicians, expert computer musicians) continuously rated the affect (arousal and valence) and structure (change in sound) they perceived in four compositions of approximately three minutes duration. Time series analyses tested the hypotheses that sound intensity influences listener perceptions of structure...
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Published: 11 March 2020
Figure 12. Estimated marginal means and 95% confidence intervals for musical intervals valence ratings as a function of register.
Journal Articles
Music Perception. 2012; 30149–70 doi: https://doi.org/10.1525/mp.2012.30.1.49
Published: 01 September 2012
... role of timbre in the perception of affect dimensions in isolated musical sounds, by way of three behavioral experiments. In Experiment 1, participants evaluated perceived affects of 110 instrument sounds that were equal in duration, pitch, and dynamics using a three-dimensional affect model (valence...
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Published: 10 June 2020
Figure 3. Evaluative Lexicon (EL) data. Word count is the average number of words per memory; valence, extremity, and emotional ratings are the average ratings on each variable as denoted by the EL software, and the average word counts for positive and negative emotional words. Individual
Journal Articles
Music Perception. 2010; 275399–412 doi: https://doi.org/10.1525/mp.2010.27.5.399
Published: 01 June 2010
...Brian J. Lucas; Emery Schubert; Andrea R. Halpern WE STUDIED THE EMOTIONAL RESPONSES BY MUSICIANS to familiar classical music excerpts both when the music was sounded, and when it was imagined.We used continuous response methodology to record response profiles for the dimensions of valence and...
Journal Articles
Music Perception. 2004; 214561–585 doi: https://doi.org/10.1525/mp.2004.21.4.561
Published: 01 June 2004
... second on a two-dimensional emotion space (happy-sad valence and aroused-sleepy). Musical feature variables of loudness, tempo, melodic contour, texture, and spectral centroid (related to perceived timbral sharpness) were coded. Musical feature variables were differenced and used as predictors in two...
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Published: 01 September 2019
( Experiment 1 ) and (2) variable length musically resolved excerpts using valence and intensity ratings ( Experiment 2 ), as well as (3) 8 measure excerpts using valence and arousal ratings ( Experiment 3 ). FIGURE 4. Unique and shared variance of intensity/arousal ratings by musical cue. Attack rate's
Journal Articles
Music Perception. 2020; 375392–402 doi: https://doi.org/10.1525/mp.2020.37.5.392
Published: 10 June 2020
...Figure 3. Evaluative Lexicon (EL) data. Word count is the average number of words per memory; valence, extremity, and emotional ratings are the average ratings on each variable as denoted by the EL software, and the average word counts for positive and negative emotional words. Individual...