1-20 of 797 Search Results for

tonality

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Music Perception. 2020; 373225–239 doi: https://doi.org/10.1525/mp.2020.37.3.225
Published: 01 February 2020
...Rie Matsunaga; Pitoyo Hartono; Koichi Yokosawa; Jun-ichi Abe Tonal schemata are shaped by culture-specific music exposure. The acquisition process of tonal schemata has been delineated in Western mono-musical children, but cross-cultural variations have not been explored. We examined how Japanese...
Journal Articles
Music Perception. 2018; 362243–249 doi: https://doi.org/10.1525/mp.2018.36.2.243
Published: 01 December 2018
...Jeffrey Bostwick; George A. Seror; W. Trammell Neill I n most W estern music , notes in a melody relate not only to each other, but also to a “key”—a tonal center combined with an associated scale. Music is often classified as in a major or minor key, but within a scale that defines a major key...
Journal Articles
Music Perception. 2016; 334401–413 doi: https://doi.org/10.1525/mp.2016.33.4.401
Published: 01 April 2016
...Cunmei Jiang; Fang Liu; William Forde Thompson We examined explicit processing of musical syntax and tonality in a group of Han Chinese Mandarin speakers with congenital amusia, and the extent to which pitch discrimination impairments were associated with syntax and tonality processing. In...
Journal Articles
Music Perception. 2016; 333344–366 doi: https://doi.org/10.1525/mp.2016.33.3.344
Published: 01 February 2016
...Elaine Chew This article centers on the phenomenon of tipping points—a case of extreme pulse elasticity—in music performance, and the dynamic interplay between tonal structure and musical timing. The article presents the idea and principles of tipping points. Examples illustrate three types of...
Journal Articles
Music Perception. 2016; 333319–331 doi: https://doi.org/10.1525/mp.2016.33.3.319
Published: 01 February 2016
... structure. © 2016 by The Regents of the University of California 2016 5 12 2014 30 4 2015 Edward W. Large, Department of Psychology, University of Connecticut, 406 Babbidge Road, Unit 1020, Storrs, CT 06269-1020. E-mail: edward.large@uconn.edu tonality neurodynamics...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 2015; 324413–433 doi: https://doi.org/10.1525/mp.2015.32.4.413
Published: 01 April 2015
...J. Fernando Anta Two experiments investigated the role of pitch-related information in tonality induction. In both experiments, participants were asked to: 1) identify (sing) the tonic of either an original sequence of tones or a distorted version in which pitch class distribution was preserved but...
Journal Articles
Music Perception. 2015; 324364–393 doi: https://doi.org/10.1525/mp.2015.32.4.364
Published: 01 April 2015
... California 2015 30 1 2013 17 6 2014 Andrew J. Milne, MARCS Institute, University of Western Sydney, Locked Bag 1797, Penrith, 2751, NSW, Australia. E-mail: andymilne@tonalcentre.org tonal hierarchies probe tone data spectral pitch class similarity tonality microtonality A...
Journal Articles
Music Perception. 2017; 345569–584 doi: https://doi.org/10.1525/mp.2017.34.5.569
Published: 01 June 2017
...Zohar Eitan; Moshe Shay Ben-Haim; Elizabeth Hellmuth Margulis It is undisputed that the cognition of tonal music is primarily established by pitch relationships set within a tonal scheme such as a major or minor key. The corresponding notion—that absolute pitch and absolute key are largely...
Journal Articles
Music Perception. 2018; 355594–606 doi: https://doi.org/10.1525/mp.2018.35.5.594
Published: 01 June 2018
...Jung Nyo Kim; Edward W. Large; Yeongjin Gwon; Richard Ashley The importance of harmony perception in understanding tonal melodies has been extensively studied, but underlying processes of implied harmonic perception remain unexplored. This study explores how listeners perceive implied harmony in...
Journal Articles
Music Perception. 2017; 345541–556 doi: https://doi.org/10.1525/mp.2017.34.5.541
Published: 01 June 2017
...J. Fernando Anta The idea that listeners’ tonal/atonal sense represents a special case of multiple causation was examined, and the following hypothesis was tested: pitch dispersal (i.e., distance in pitch between successive tones) is a secondary determiner of tonality and atonality, the former...
Journal Articles
Music Perception. 2016; 34171–93 doi: https://doi.org/10.1525/mp.2016.34.1.71
Published: 01 September 2016
...Morwaread M. Farbood This study examines how long the percept of a tonal center is retained in memory following a modulation to a new key, and how harmonic context in the new key area affects recall of the original key. In Experiment 1, musically trained listeners ( N = 50) were asked to rate...
Journal Articles
Music Perception. 2016; 34121–32 doi: https://doi.org/10.1525/mp.2016.34.1.21
Published: 01 September 2016
...Andrea Schiavio; Renee Timmers The present study investigated the role of motor and audiovisual learning in the memorization of four tonally ambiguous melodies for piano. A total of one hundred and twenty participants divided into three groups — pianists, other musicians (i.e., not pianists), and...
Journal Articles
Music Perception. 2001; 191127–138 doi: https://doi.org/10.1525/mp.2001.19.1.127
Published: 01 September 2001
...: sansptom@aol.com) ISSN: 0730-7829. Send requests for permission to reprint to Rights and Permissions, University of California Press, 2000 Center St., Ste. 303, Berkeley, CA 94704-1223. Notes &Comment Deductions Concerning Inductions of Tonality W I L L I A M T H O M S O N University of Southern California...
Journal Articles
Music Perception. 2016; 335601–612 doi: https://doi.org/10.1525/mp.2016.33.5.601
Published: 01 June 2016
...Matthew A. Rosenthal; Erin E. Hannon Musical expectations may arise from short-term sensitivity to the statistics of the immediate context and from long-term knowledge acquired through previous listening experiences. Here we investigate the influence of two statistical structures on tonal...
Journal Articles
Music Perception. 2016; 335613–630 doi: https://doi.org/10.1525/mp.2016.33.5.613
Published: 01 June 2016
... symphony, inserting complexity in all its elements. The contextual-change model explains these data, predicting longer time reproduction for a greater amount of information. Thereafter, we found synthetic tonal modulations eliciting time reproductions in an inverse function of interkey distances, with...
Journal Articles
Music Perception. 2000; 174401–402 doi: https://doi.org/10.2307/40285825
Published: 01 July 2000
...Piet G. Vos; Marc Leman Music Perception © 2000 by the regents of the university of California Summer 2000, Vol. 17, No. 4, 401-402 all rights reserved. Guest Editorial: Tonality Induction Cross-fertilization between musicology and cognitive sciences has re- ulted during the past decades in an...
Journal Articles
Music Perception. 2000; 174403–416 doi: https://doi.org/10.2307/40285826
Published: 01 July 2000
...Piet G. Vos Fundamental problems and dilemmas for the study of tonality induction are reviewed. I focus on two different, although related types of research impediments. The first is the fuzziness of the key notion "tonality" itself, which leads to divergent conceptualizations of tonality induction...
Journal Articles
Music Perception. 2000; 174437–459 doi: https://doi.org/10.2307/40285828
Published: 01 July 2000
...Annabel J. Cohen Tonality induction is the natural outcome of acoustic redundancies in music and the predisposition of the brain to represent these redundancies. In the simplest case, tonality induction relies on frequency resolution and a memory accumulator. A review of the literature suggests...
Journal Articles
Music Perception. 2000; 174417–436 doi: https://doi.org/10.2307/40285827
Published: 01 July 2000
...Wolfgang Auhagen; Piet G. Vos A critical and comparative review of the various methods currently used in experimental studies of tonality induction is presented. First, we deal with pitfalls in the selection of subjects, specifically focusing on the issue of contrasting more-experienced and less...
Journal Articles
Music Perception. 2000; 174461–479 doi: https://doi.org/10.2307/40285829
Published: 01 July 2000
...Carol L. Krumhansl Sensitivity to tone distributions has been proposed as a mechanism underlying tonality induction. This sensitivity is considered in a cross-cultural context using two styles of music, Finnish spiritual folk hymns and North Sami yoiks. Previous research on melodic continuation...