1-20 of 739 Search Results for

timing-variability

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Music Perception. 2015; 332147–162 doi: https://doi.org/10.1525/mp.2015.33.2.147
Published: 01 December 2015
...Kahl Hellmer; Guy Madison Human performers introduce temporal variability in their performance of music. The variability consists of both long-range tempo changes and microtiming variability that are note-to-note level deviations from the nominal beat time. In many contexts, microtiming is...
Journal Articles
Music Perception. 2007; 245455–472 doi: https://doi.org/10.1525/mp.2007.24.5.455
Published: 01 June 2007
... between repeated performances, they IT IS DIFFERENT EACH TIME I PLAY : VARIABILITY IN HIGHLY PREPARED MUSICAL PERFORMANCE Music Perception VOLUME 24, ISSUE 5, PP. 455 472, ISSN 0730-7829, ELECTRONIC ISSN 1533-8312 © 2007 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. PLEASE DIRECT...
Journal Articles
Music Perception. 2018; 362175–200 doi: https://doi.org/10.1525/mp.2018.36.2.175
Published: 01 December 2018
... Experiment 1, all instruments entered simultaneously. In Experiment 2, instrument entrances were also offset in time. In Experiment 3, we composed core multi-instrument loops and manipulated them to further minimize harmonic variability, minimize rhythmic variability, introduce spatialization, or change...
Journal Articles
Music Perception. 2020; 373196–207 doi: https://doi.org/10.1525/mp.2020.37.3.196
Published: 01 February 2020
... a closed-loop or memory model of timing . Experimental Brain Research , 193 , 519 – 527 . Madison , G. , Karampela , O. , Ullén , F. , & Holm , L. ( 2013 ). Effects of practice on variability in an isochronous serial interval production task: Asymptotical levels of...
Journal Articles
Music Perception. 2017; 344482–488 doi: https://doi.org/10.1525/mp.2017.34.4.482
Published: 01 April 2017
...Josef Hanson Recently, researchers have investigated the influence of composers’ native speech prosody on the variability of rhythmic patterns found in their music. The normalized pairwise variability index (nPVI) provides a relative criterion for comparing the contrastiveness of successive...
Journal Articles
Music Perception. 2017; 345501–514 doi: https://doi.org/10.1525/mp.2017.34.5.501
Published: 01 June 2017
... the interaction of variables that produce various emotional outcomes. Data were collected from 195 participants using the MuPsych app: a mobile ESM designed for the real-time and ecologically valid measurement of personal music listening. Multilevel structural equation modelling was utilized to...
Journal Articles
Music Perception. 2016; 335571–589 doi: https://doi.org/10.1525/mp.2016.33.5.571
Published: 01 June 2016
... clips that manipulated the frequency of bass and bass drum (low vs. high) and attack time (short vs. long). Groove ratings and tapping velocities tended to be higher and tapping variability tended to be lower when the bass instruments had lower frequencies. The present findings emphasize the...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 2015; 323293–302 doi: https://doi.org/10.1525/mp.2015.32.3.293
Published: 01 February 2015
... appears singing accuracy may be related to variables involving singing experience rather than general development, and singing skill could decline over time if not maintained through engagement. A secondary purpose was to explore the efficacy of acoustic scoring for some singing tasks and how well it...
Journal Articles
Music Perception. 2020; 375392–402 doi: https://doi.org/10.1525/mp.2020.37.5.392
Published: 10 June 2020
... perceptual variables of seeing (e.g., “view,” “saw”), hearing (e.g., “listen,” “hearing”), and feeling (e.g., “feels,” “touch”). Finally, since autobiographical memory is related to future thinking, we included three time-orientation variables: focus on the past (e.g., “ago,” “did”), focus on the present...
Journal Articles
Music Perception. 2020; 375373–391 doi: https://doi.org/10.1525/mp.2020.37.5.373
Published: 10 June 2020
... examined features that they used to make their judgements. Two variables significantly improved the null model to predict rondo ratings. For both groups of participants, Time to PAC was a significant improver of the model: pieces with lower Time to PAC were more likely to be classed as rondos. Additionally...
Journal Articles
Music Perception. 2020; 375423–434 doi: https://doi.org/10.1525/mp.2020.37.5.423
Published: 10 June 2020
... the musicians and the nonmusicians across the vowel, level tone and contour tone contexts. ** p < .01. Figure 1. The fundamental frequency time graph of the six Cantonese tones, embedded in /ta/, naturally produced by a male Cantonese speaker. HL = high level; HR = high rising; ML...
Journal Articles
Music Perception. 2020; 375403–422 doi: https://doi.org/10.1525/mp.2020.37.5.403
Published: 10 June 2020
... with the video, 2) take turns with the video, or 3) imitate the video. Participants from the duo group engaged in the same learning trials, but with a partner. Novices in both groups performed more accurately in pitch and time when learning in synchrony and turn-taking than in imitation. No differences...
Journal Articles
Music Perception. 1999; 163327–363 doi: https://doi.org/10.2307/40285796
Published: 01 April 1999
... independent variables, including musical training, monophonic and stereo presentation, and long versus short signal durations. The first dimension of the classical multidimensional scaling (CMDS) solutions mapped onto long- time- average spectral centroid. The second dimension mapped onto a measure of...
Journal Articles
Music Perception. 2010; 282135–154 doi: https://doi.org/10.1525/mp.2010.28.2.135
Published: 01 December 2010
... Strings were recorded. Timbre, timing, dynamics, and pitch descriptors were extracted from the recorded performances. The data were processed using a two-way analysis of variance, where the musician's expressive intentions and the note factors were defined as the independent variables. In both musical...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
... the more difficult it is to synchronize with a musical rhythm, the fewer attentional resources are available for time estimation. Since tapping performance of the participants was generally successful (very few reactive taps), more extreme tempi could lead to more variability in tapping performance...
Journal Articles
Music Perception. 2020; 374278–297 doi: https://doi.org/10.1525/mp.2020.37.4.278
Published: 11 March 2020
... guidelines . New York : John Wiley & Sons . Arnett , J. J. ( 2008 ). The neglected 95%: Why American psychology needs to become less American . American Psychologist , 63 , 602 – 614 . Arom , S. ( 1989 ). Time structure in the music of Central Africa: Periodicity, meter...
Journal Articles
Music Perception. 2020; 374298–322 doi: https://doi.org/10.1525/mp.2020.37.4.298
Published: 11 March 2020
... 4.15 1.26 3.28 .001 Dissonance 4.91 1.18 4.16 < .001 Low register −7.00 1.38 −5.05 < .001 Proprioceptive device −5.33 3.70 −1.44 .15 Table 1. Spearman Correlations Between the Dependent Variables and Covariates Tension Movement Roughness Valence...
Journal Articles
Music Perception. 2020; 374347–358 doi: https://doi.org/10.1525/mp.2020.37.4.347
Published: 11 March 2020
...Fred Cummins Speech and song have frequently been treated as contrasting categories. We here observe a variety of collective activities in which multiple participants utter the same thing at the same time, a behavior we call joint speech. This simple empirical definition serves to single out...
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
... subsequently indicated whether they also felt the emotion they had perceived. Measures of accuracy and reaction time were collected from the emotion recognition judgements, while yes/no responses were collected as indication of felt emotions. Musicians were more accurate than nonmusicians at recognizing...
Journal Articles
Music Perception. 2020; 373183–184 doi: https://doi.org/10.1525/mp.2020.37.3.183
Published: 01 February 2020
... ( Demorest, Nichols, & Pfordresher, 2017 ) and adults ( Demorest & Pfordresher, 2015 ). He found that cognitive aspects of singing, like many learned abilities, were not stable but declined over time if not maintained, thus documenting that singing experience represented a central factor in singing...