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timing-pattern

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Journal Articles
Music Perception. 1998; 153265–289 doi: https://doi.org/10.2307/40285768
Published: 01 April 1998
...Bruno H. Repp In three experiments, musically trained listeners tried to detect local deviations from a typical pattern of expressive timing in the initial measures of Chopin's Etude in E Major. The goal of the experiments was to neutralize structurally based perceptual biases ("timing expectations...
Journal Articles
Music Perception. 2017; 344438–451 doi: https://doi.org/10.1525/mp.2017.34.4.438
Published: 01 April 2017
... production and perception swing ratio timing Malian drumming non-Western music PERCEPTION AND EVALUATION OF TIMING PATTERNS IN DRUM ENSEMBLE MUSIC FROM MALI HANS NEUHOFF & RAINER POLAK Cologne University of Music and Dance, Cologne, Germany TIMO FISCHINGER Max Planck Institute for Empirical Aesthetics...
Journal Articles
Music Perception. 1999; 172197–221 doi: https://doi.org/10.2307/40285891
Published: 01 December 1999
...Patrik N. Juslin; Guy Madison The purpose of this study was to explore whether listeners can use timing patterns to decode the intended emotional expression of musical performances. We gradually removed different acoustic cues (tempo, dynamics, timing, articulation) from piano performances rendered...
Journal Articles
Music Perception. 2000; 182173–211 doi: https://doi.org/10.2307/40285908
Published: 01 December 2000
... required pianists first to play a musical excerpt spontaneously and then to imitate model performances instantiating different patterns of expressive timing or dynamics, with the other dimension held constant at a typical pattern. The typical expressive pattern for a given musical passage seems to function...
Journal Articles
Music Perception. 2002; 193333–349 doi: https://doi.org/10.1525/mp.2002.19.3.333
Published: 01 March 2002
...Anders Friberg; Andreas Sundströöm The timing in jazz ensemble performances was investigated in order to approach the question of what makes the music "swing." One well-known aspect of swing is that consecutive eighth notes are performed as long-short patterns. The exact duration ratio (the swing...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
...David Hammerschmidt; Clemens Wöllner The aim of the present study was to investigate if the perception of time is affected by actively attending to different metrical levels in musical rhythmic patterns. In an experiment with a repeated-measures design, musicians and nonmusicians were presented...
Journal Articles
Music Perception. 1997; 144419–444 doi: https://doi.org/10.2307/40285732
Published: 01 July 1997
... judged second lowest in individuality. In Experiment 2, pianists judged 30 performances of the beginning of Chopin's Etude in E major, synthesized so as to vary only in expressive timing and tempo. The timing patterns were derived from expert pianists' recordings and from casual student performances, and...
Journal Articles
Music Perception. 1992; 102221–241 doi: https://doi.org/10.2307/40285608
Published: 01 December 1992
... validity of this apparent constraint on local performance timing was investigated in a perceptual experiment. Listeners judged a variety of timing patterns (original parabolic, shifted parabolic, and nonparabolic) imposed on the same melodic gesture, produced on an electronic piano under control of a...
Journal Articles
Music Perception. 2014; 313271–287 doi: https://doi.org/10.1525/mp.2014.31.3.271
Published: 01 February 2014
... and rhythm patterns. The mean number of times the 4-interval pattern on each note position is repeated in the solos analyzed was 26.3 and patterns up to 49-intervals in length were identified. The sheer ubiquity of patterns and the pairing of pitch and rhythm patterns support the theory that pre...
Journal Articles
Music Perception. 2019; 37142–56 doi: https://doi.org/10.1525/mp.2019.37.1.42
Published: 01 September 2019
...Estela Ribeiro; Carlos Eduardo Thomaz T he neural activation patterns provoked in response to music listening can reveal whether a subject did or did not receive music training. In the current exploratory study, we have approached this two-group (musicians and nonmusicians) classification problem...
Journal Articles
Music Perception. 2018; 362201–216 doi: https://doi.org/10.1525/mp.2018.36.2.201
Published: 01 December 2018
... audio analyses of several clarinet performances of excerpts in the classical repertoire are presented and discussed in conjunction. The results show strong correlations between the recurrence pattern of clarinetists’ ancillary movements and expressive manipulations of timing, timbre, and loudness...
Journal Articles
Music Perception. 2019; 3711–25 doi: https://doi.org/10.1525/mp.2019.37.1.1
Published: 01 September 2019
... dynamic time warping, within-performance alignments were then made between the acceleration pattern of the cueing-in gesture and the acceleration pattern occurring at each subsequent (quarter note) “test” beat throughout the remainder of the performance. This analysis yielded a distance value for each...
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
...Jo Fougner Skaansar; Bruno Laeng; Anne Danielsen T he present study tested two assumptions concerning the auditory processing of microtiming in musical grooves (i.e., repeating, movement-inducing rhythmic patterns): 1) Microtiming challenges the listener's internal framework of timing regularities...
Journal Articles
Music Perception. 2002; 193285–310 doi: https://doi.org/10.1525/mp.2002.19.3.285
Published: 01 March 2002
... this. Black Atlantic rhythm is founded on the idea of groove or feel, which forms a kinetic framework for reliable prediction of events and time pattern communication, its power cemented by repetition and engendered movement. Overlaid on this are characteristic devices that include syncopation, overlay...
Journal Articles
Music Perception. 2017; 344482–488 doi: https://doi.org/10.1525/mp.2017.34.4.482
Published: 01 April 2017
...Josef Hanson Recently, researchers have investigated the influence of composers’ native speech prosody on the variability of rhythmic patterns found in their music. The normalized pairwise variability index (nPVI) provides a relative criterion for comparing the contrastiveness of successive...
Journal Articles
Music Perception. 2017; 35160–76 doi: https://doi.org/10.1525/mp.2017.35.1.60
Published: 01 September 2017
... themes repeating. One theme was especially well recognized when repeated. It was relatively short, slow, began and ended with a predictable pattern, occurred relatively early in the piece, and was interspersed with other themes. Another theme stood out in the interest ratings, which was relatively long...
Journal Articles
Music Perception. 2015; 332147–162 doi: https://doi.org/10.1525/mp.2015.33.2.147
Published: 01 December 2015
... professional drum recordings. The results from these data sets show that up to 65 percent of the total micro-timing variability can be explained by recurring and consistent patterns. © 2015 by The Regents of the University of California 2015 19 2 2013 22 11 2014 Kahl Hellmer and Guy...
Journal Articles
Music Perception. 2006; 2411–22 doi: https://doi.org/10.1525/mp.2006.24.1.1
Published: 01 September 2006
... temporal dimension. In the first experiment, participants judged the similarity between pairs of /t1/t2/ patterns (slashes denote short sound markers delimiting the empty time intervals t1 and t2). A cluster analysis and a scaling analysis showed that patterns liable to TS piled up in a 1:1 category. The...
Journal Articles
Music Perception. 2013; 305497–510 doi: https://doi.org/10.1525/mp.2013.30.5.497
Published: 01 June 2013
... grid, we retained only the mean deviations greater than a fixed threshold of 10 ms and set all timing deviations below this threshold to zero. The score notation for the Funk ME is shown in Figure 1, along with the microtiming pattern and 10 ms threshold in Figure 2. Note, the mean timing deviations...
Journal Articles
Music Perception. 2015; 332244–254 doi: https://doi.org/10.1525/mp.2015.33.2.244
Published: 01 December 2015
... ¼ .34, p ¼ .09, n ¼ 25) or timing error slope (r ¼ .02, p ¼ .91, n ¼ 25). Discussion Subjective rhythmization (SR) is the phenomenon whereby the sounds of a monotone metronome sequence are experienced as having different intensity, with the experienced intensity differences following a regular pattern...