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synchronization

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Journal Articles
Music Perception (2020) 37 (5): 403–422.
Published: 10 June 2020
...Andrea Schiavio; Jan Stupacher; Richard Parncutt; Renee Timmers In an experimental study, we investigated how well novices can learn from each other in situations of technology-aided musical skill acquisition, comparing joint and solo learning, and learning through imitation, synchronization, and...
Journal Articles
Music Perception (2020) 37 (3): 196–207.
Published: 01 February 2020
... the final event occurred in time with the sequence. In half the trials participants listened without moving, and in half they synchronized keystrokes while listening. Pianists and non-pianists were better able to identify the timing of the final tone after synchronizing keystrokes compared to...
Journal Articles
Music Perception (2020) 37 (4): 263–277.
Published: 11 March 2020
... with musical rhythmic patterns played at three different tempi. They synchronized with multiple metrical levels (half notes, quarter notes, eighth notes) of these patterns using a finger-tapping paradigm and listened without tapping. After each trial, stimulus duration was judged using a verbal...
Journal Articles
Music Perception (2018) 36 (1): 1–23.
Published: 01 September 2018
... of both generic constraints and selected cultural particularities in shaping rhythmic prototypes. We experimentally tested musicians’ synchronization (finger tapping) with simple periodic rhythms at two different tempi with participants in Mali, Bulgaria, and Germany. We found support both for the...
Includes: Supplementary data
Journal Articles
Music Perception (2016) 33 (5): 571–589.
Published: 01 June 2016
... UNDERLYING PERCEIVED GROOVE AND SENSORIMOTOR SYNCHRONIZATION IN MUSIC JAN STUPACHER University of Graz, Graz, Austria MICHAEL J. HOVE Harvard Medical School & Fitchburg State University PETR JANATA University of California, Davis THE EXPERIENCE OF GROOVE IS ASSOCIATED WITH the urge to move to a musical...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception (2011) 28 (5): 491–503.
Published: 01 June 2011
...Shinya Fujii; Masaya Hirashima; Kazutoshi Kudo; Tatsuyuki Ohtsuki; Yoshihiko Nakamura; Shingo Oda the present study examined the synchronization error (SE) of drum kit playing by professional drummers with an auditory metronome, focusing on the effects of motor effectors and tempi. Fifteen...
Journal Articles
Music Perception (2010) 28 (1): 15–26.
Published: 01 September 2010
...Michael J. Hove; Peter E. Keller This work investigates how spatial and temporal aspects of rhythmic movements are affected by spatial and temporal components of a visual pacing sequence. Participants synchronized finger taps with three visual pacing sequences ( Flash , High Finger , and Low Finger...
Journal Articles
Music Perception (2010) 27 (5): 389–397.
Published: 01 June 2010
...Bruno H. Repp SUBDIVISION BY COUNTING HAS BEEN SHOWN TO improve interval discrimination for durations exceeding 1.2 s (Grondin,Meilleur-Wells, & Lachance, 1999). The present study examined whether simple interval subdivision (bisection) reduces variability of synchronization with a slow...
Journal Articles
Music Perception (2009) 26 (5): 465–473.
Published: 01 June 2009
...Geoff Luck; John A. Sloboda THE ACCURACY WITH WHICH INDIVIDUALS ARE ABLE to synchronize with each other using vision alone is well documented. Less attention, however, has been given to the spatio-temporal characteristics of human movement that offer cues for such synchronization. The present study...
Journal Articles
Music Perception (2009) 26 (5): 415–425.
Published: 01 June 2009
...Janeen D. Loehr; Caroline Palmer THE CURRENT STUDY EXAMINED HOW AUDITORY AND kinematic information influenced pianists' ability to synchronize musical sequences with a metronome. Pianists performed melodies in which quarter-note beats were subdivided by intervening eighth notes that resulted from...
Journal Articles
Music Perception (2009) 26 (5): 427–438.
Published: 01 June 2009
...Werner Goebl; Caroline Palmer WE INVESTIGATED INFLUENCES OF AUDITORY FEEDBACK, musical role, and note ratio on synchronization in ensemble performance. Pianists performed duets on a piano keyboard; the pianist playing the upper part was designated the leader and the other pianist was the follower...
Journal Articles
Music Perception (2009) 26 (5): 397–400.
Published: 01 June 2009
... PERMISSION TO PHOTOCOPY OR REPRODUCE ARTICLE CONTENT THROUGH THE UNIVERSITY OF CALIFORNIA PRESS S RIGHTS AND PERMISSIONS WEBSITE, HTTPWWW.UCPRESSJOURNALS.COM/REPRINTINFO.ASP. DOI:10.1525/MP.2009.26.5.397 EDITORIAL SPECIAL ISSUE MUSICAL MOVEMENT AND SYNCHRONIZATION Music and movement are inseparable. Human...
Journal Articles
Music Perception (2000) 18 (1): 1–23.
Published: 01 October 2000
...Carolyn Drake; Amandine Penel; Emmanuel Bigand We investigate how the presence of performance microstructure (small variations in timing, intensity, and articulation) influences listeners' perception of musical excerpts, by measuring the way in which listeners synchronize with the excerpts...
Journal Articles
Music Perception (2008) 26 (2): 171–175.
Published: 01 December 2008
...Bruno H. Repp; Justin London; Peter E. Keller PHASE CORRECTION, WHICH IS NECESSARY for synchronization of movements with a rhythm, has been studied primarily with isochronous sequences.We used a phase perturbation method to examine phase correction in synchronization with nonisochronous sequences...
Journal Articles
Music Perception (2008) 25 (3): 225–239.
Published: 01 February 2008
...Geoff Luck; John Sloboda THE SPATIO-TEMPORAL PROPERTIES OF HUMAN movement that induce the percept of a visual beat were investigated in three experiments. Experiment 1, in which participants synchronized key presses with point-light representations of simple conducting gestures, showed that visual...
Journal Articles
Music Perception (2006) 24 (2): 189–200.
Published: 01 December 2006
... complex gestures to direct an ensemble of musicians playing actual instruments. The aims of the present study were to examine the features of conductors’ gestures with which ensemble musicians synchronize their performance in an ecologically valid setting and to develop automatic feature extraction...
Journal Articles
Music Perception (2006) 24 (2): 135–146.
Published: 01 December 2006
...Joel S. Snyder; Erin E. Hannon; Edward W. Large; Morten H. Christiansen The goal of this study was to assess the ability of North American adults to synchronize and continue their tapping to complex meter patterns in the presence and absence of musical cues to meter.We asked participants to tap to...
Journal Articles
Music Perception (2005) 23 (1): 61–78.
Published: 01 September 2005
...BRUNO H. REPP; JUSTIN LONDON; PETER E. KELLER THIS STUDY EXAMINED PRODUCTION and synchronization of eight uneven rhythms (set A: 2+3, 3+2; set B: 2+2+3, 2+3+2, 3+2+2; set C: 2+3+3, 3+2+3, 3+3+2) at rates that made it difficult to subdivide the component intervals into elementary metrical pulses...
Journal Articles
Music Perception (2005) 22 (3): 441–459.
Published: 01 March 2005
...Guy Madison; Bj�rn Merker Musicians and nonmusicians synchronized drum-beating movements to sound sequences composed of 90 successive interonset intervals that increased or decreased continually by various amounts of time. After the end of a sequence, they continued to produce 30 beats without...
Journal Articles
Music Perception (2005) 22 (3): 531–547.
Published: 01 March 2005
... relative to tone onset, as well as some other features of the response, depended asymmetrically on the direction of the perturbation. The current results provide evidence for the synchronization of GBA during the perception of auditory rhythms, thus supporting the role of GBA in temporal expectancy...