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swing

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Journal Articles
Music Perception. 2017; 343291–302 doi: https://doi.org/10.1525/mp.2017.34.3.291
Published: 01 February 2017
... to much of the hip-hop and other music produced in recent decades, there has been little scholarly investigation of their rhythmic features. To that end, this study examined 30 classic drum breaks from the “breakbeat canon,” focusing primarily on sixteenth-note swing (a systematic delay of even...
Journal Articles
Music Perception. 2008; 255471–476 doi: https://doi.org/10.1525/mp.2008.25.5.471
Published: 01 June 2008
...Henkjan Honing; W. Bas de Haas Swing refers to a characteristic long-short subdivision of the beat that is generally considered a crucial aspect that contributes to the quality of a jazz or pop performance. The current study measures this pattern (referred to as the 'swing ratio') at different...
Journal Articles
Music Perception. 2002; 193333–349 doi: https://doi.org/10.1525/mp.2002.19.3.333
Published: 01 March 2002
...Anders Friberg; Andreas Sundströöm The timing in jazz ensemble performances was investigated in order to approach the question of what makes the music "swing." One well-known aspect of swing is that consecutive eighth notes are performed as long-short patterns. The exact duration ratio (the swing...
Journal Articles
Music Perception. 2002; 193443–461 doi: https://doi.org/10.1525/mp.2002.19.3.443
Published: 01 March 2002
... representative of the swing style. The "groove quantize" software procedure was used to measure performance deviations from mechanical regularity for (a) note placements (timings), (b) note durations (articulations), and (c) note velocities (dynamics) contained in 281 measures from 33 performances by three...
Journal Articles
Music Perception. 2002; 193463–483 doi: https://doi.org/10.1525/mp.2002.19.3.463
Published: 01 March 2002
...Geoffrey L. Collier; James Lincoln Collier For years musicians and critics have made statements about the nature of swing in jazz in general and the playing of Louis Armstrong in particular, based on the evidence of their ears. In order to quantify these issues, precise timing analyses of two mid...
Journal Articles
Music Perception. 2010; 273157–176 doi: https://doi.org/10.1525/mp.2010.27.3.157
Published: 01 February 2010
...Matthew Butterfield A POPULAR THEORY HOLDS THAT "SWING" STEMS specifically from asynchronous timing between bass and drums in their shared articulation of the beat, a phenomenon Charles Keil has dubbed "participatory discrepancies" (PDs; Keil, 1987). The "push and pull" between these instruments...
Images
Published: 01 February 2019
FIGURE 1. Illustration of rhythmic patterns with different degrees of agogic alternation (“lilt” or “swing”), and their corresponding nPVIs. FIGURE 1. Illustration of rhythmic patterns with different degrees of agogic alternation (“lilt” or “swing”), and their corresponding nPVIs.
Journal Articles
Music Perception. 2019; 372111–133 doi: https://doi.org/10.1525/mp.2019.37.2.111
Published: 01 December 2019
Journal Articles
Music Perception. 2019; 37126–41 doi: https://doi.org/10.1525/mp.2019.37.1.26
Published: 01 September 2019
... commensurate across the different BPM levels. 1 All stimuli were in simple duple meter (i.e., 4/4) with a light amount of ‘‘swing’’ (i.e., no overt triplet subdivision), and all are well established members of the American 1960's R&B canon, as indicated by their chart positions. 2 To assess how...
Journal Articles
Music Perception. 2019; 3711–25 doi: https://doi.org/10.1525/mp.2019.37.1.1
Published: 01 September 2019
... track than when they improvised over a swing backing track, suggesting increased interaction during the more open-ended performance condition. Thus, interaction at the level of body movement can be tapped by analyses that identify instances of coordination in performed gestures, and analyses that...
Journal Articles
Music Perception. 2011; 285449–460 doi: https://doi.org/10.1525/mp.2011.28.5.449
Published: 01 June 2011
...Dirk Moelants notes inégales is a common practice in the performance of French baroque music. It indicates that the first of a pair of equally notated notes is played longer, similar to the use of swing eighths in jazz. The performance of that inequality is an ongoing source of debate, but the...
Journal Articles
Music Perception. 2019; 364353–370 doi: https://doi.org/10.1525/mp.2019.36.4.353
Published: 01 April 2019
... International Society for Music Information Retrieval Conference . Miami, FL : ISMIR . Condit-Schultz, N. ( 2016 ). MCFlow: A digital corpus of rap transcriptions . Empirical Musicology Review , 11 ( 2 ). De Clercq, T. ( 2017 ). Swing, shuffle, half-time, double: Beyond traditional time...
Journal Articles
Music Perception. 2019; 363300–313 doi: https://doi.org/10.1525/mp.2019.36.3.300
Published: 01 February 2019
...FIGURE 1. Illustration of rhythmic patterns with different degrees of agogic alternation (“lilt” or “swing”), and their corresponding nPVIs. FIGURE 1. Illustration of rhythmic patterns with different degrees of agogic alternation (“lilt” or “swing”), and their corresponding nPVIs. ...
Journal Articles
Music Perception. 2018; 362175–200 doi: https://doi.org/10.1525/mp.2018.36.2.175
Published: 01 December 2018
.... , Tillmann, B. , & Bharucha, J. J. ( 2002 ). The cortical topography of tonal structures underlying Western music . Science , 298 ( 5601 ), 2167 – 2170 . Janata, P. , & Grafton, S. T. ( 2003 ). Swinging in the brain: Shared neural substrates for behaviors related to sequencing and...
Journal Articles
Music Perception. 2018; 3611–23 doi: https://doi.org/10.1525/mp.2018.36.1.1
Published: 01 September 2018
... Butterfield, M. W. ( 2011 ). Why do jazz musicians swing their eighth notes? Music Theory Spectrum , 33 , 3 – 26 . DOI: 10.1525/mts.2011.33.1.3 Cameron, D. J. , Bentley, J. , & Grahn, J. A. ( 2015 ). Cross-cultural influences on rhythm processing: Reproduction, dis-crimination, and beat...
Includes: Supplementary data
Journal Articles
Music Perception. 2018; 355527–539 doi: https://doi.org/10.1525/mp.2018.35.5.527
Published: 01 June 2018
..., & Sestir, 2006; Carnagey, Anderson, & Bushman, 2007; Gentile, Swing, Anderson, Rinker, & Thomas, 2016; Ivarsson, Anderson, Åkerstedt, & Lindblad, 2013). Quite possibly, an optimal level of desensitisation to the aggres- sive high-arousal/negative-valenced characteristics of growling vocalizations...
Includes: Supplementary data
Journal Articles
Music Perception. 2006; 242201–208 doi: https://doi.org/10.1525/mp.2006.24.2.201
Published: 01 December 2006
...-irregular, groove, having swing, and flowing. Considering the wide range of music examples used, these factors are interpreted as reflecting psychological dimensions independent of musical genre and style. © 2006 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. 2006 movement...
Journal Articles
Music Perception. 2018; 354405–424 doi: https://doi.org/10.1525/mp.2018.35.4.405
Published: 01 April 2018
...) another person, and have examined the synchronization of simple, repetitive movements such as tapping, pendulum swinging, or walking (for reviews, see Schmidt, Fitzpatrick, Caron, & Mergeche, 2011; Repp & Su, 2013). The entrainment that we looked for was both less direct and more com- plex. We looked for...
Journal Articles
Music Perception. 2004; 213313–337 doi: https://doi.org/10.1525/mp.2004.21.3.313
Published: 01 March 2004
... swing tempo and the higher degree of syncopation in jazz as opposed to ragtime; and the greater variety of chord-tones and lower tolerance for chordal inversion in jazz as opposed to common-practice music. ©© 2004 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. 2004 Address...
Journal Articles
Music Perception. 2017; 345557–568 doi: https://doi.org/10.1525/mp.2017.34.5.557
Published: 01 June 2017
...? Evidence from multiple-interval timing tasks. Journal of Neurophysiology, 99, 939-949. MERKER, B. (2014). Groove or swing as distributed rhythmic consonance: Introducing the groove matrix. Frontiers in Human Neuroscience, 8(454), 1-4. MERKER, B., MADISON, G., & ECKERDAL, P. (2009). On the role and origin...