1-20 of 24 Search Results for

slider-box

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Music Perception (2014) 32 (2): 109–124.
Published: 01 December 2014
...-reported their affective states with manual slider boxes. Results indicated that: 1) the conductor’s heart rate variations were temporally aligned with structural patterns in the musical scores; and 2) these variations strongly correlated with the average emotional intensity measurement of the audience...
Journal Articles
Music Perception (2019) 36 (4): 390–405.
Published: 01 April 2019
Journal Articles
Music Perception (2018) 36 (1): 77–97.
Published: 01 September 2018
Includes: Supplementary data
Journal Articles
Music Perception (2018) 35 (3): 295–314.
Published: 01 February 2018
... to discern whether, for example, 1^ might be more stable relaxed solid etc., than 3^. Participants were asked to rate the qualia of each scale degree using a digital interface with sliders that could be dragged to one side or the other indicating that a given scale degree was heard as either...
Journal Articles
Music Perception (2017) 35 (1): 60–76.
Published: 01 September 2017
.... Another study used short excerpts from four short musical excerpts by Rameau, Haydn, Schumann, and Strauss, each played four times (Margulis, 2012). Partici- pants were asked to check a box on a computer terminal as soon as they heard some musical material repeated, which varied from a two-note gesture to...
Journal Articles
Music Perception (2017) 35 (1): 94–117.
Published: 01 September 2017
... performance (e.g., pitch accuracy and tempo appropriateness), we designed an evaluation form consisting of ten Likert rating scales and two open-text boxes. Nine of the rating scales consisted of sliders ranging from 0 to 100. The rating scales were provided to evaluate the following dimensions: (1) lik- ing...
Journal Articles
Music Perception (2016) 34 (1): 1–20.
Published: 01 September 2016
... computer screenmanipulated by amouse (Farbood, 2012; Schubert, 2004), and a handheld mechanical slider box (McAdams, 2 Meghan Goodchild, Bruno Gingras, & Stephen McAdams Vines, Viellard, Smith, & Reynolds, 2004), have been used successfully to measure perceived tension or emo- tion ratings in previous...
Journal Articles
Music Perception (2016) 33 (3): 306–318.
Published: 01 February 2016
... slider box to con- tinuously indicate whether they heard the top or the bot- tom voice/part as more prominent, or the two parts as exactly equally prominent. For visual purposes, the slider box was separated into three regions of contrasting colors that corresponded to prominence of the upper voice...
Journal Articles
Music Perception (2016) 33 (5): 571–589.
Published: 01 June 2016
... onsets) and event density (a measure of the variability in the event onset velocity signal) have been identified as the best predictors of perceived groove across a range of genres (Madison et al., 2011). However, when calculated using the Music Information Retrieval Toolbox (MIR Tool- box) for MATLAB...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception (2016) 33 (4): 432–445.
Published: 01 April 2016
... square demonstrates intended placement of emotions in the affective space, connected with a particular set of parameters (A J); see also Table 1. 436 Maciej Komosinski & Agnieszka Mensfelt slider. They were also asked to describe their emotion verbally, by filling in a text box, although this was not...
Journal Articles
Music Perception (2016) 33 (4): 493–508.
Published: 01 April 2016
... were presented on a screen with the two contrasting adjectives equidis- tant from the center. The descriptors unpleasant, unnat- ural, and unclear were positioned to the far left of the scale, with their opposites to the far right. The default starting position of the sliders for each scale were to the...
Journal Articles
Music Perception (2016) 33 (3): 367–393.
Published: 01 February 2016
... to control a slider on the computer monitor to indicate how well the probe tone fit with each ra¯gam at each moment in the excerpt. We organized the study into two experiments. In Experiment 1 we used the concurrent probe-tone tech- nique to produce baseline profiles of four selected ra¯gams in Carna...
Journal Articles
Music Perception (2016) 33 (3): 287–305.
Published: 01 February 2016
... measures, as Ligeti s barlines are dot- ted, and he specifically prohibits metric accent) in which a pitch appears in a meccanico pattern is represented by a black box, and any division in which a pitch is sustained is represented by a grey box. The thick, black sections of the graph in Figure 1 thus...
Journal Articles
Music Perception (2014) 32 (1): 51–66.
Published: 01 September 2014
...). The slider was fixed to a plastic box that inclined away from participants, so that movement upwards and away from them corresponded toan increase in loudness, andmovement downwards and towards them corresponded to a decrease in loudness. Participants wore Koss UR-20 headphones throughout the...
Journal Articles
Music Perception (2014) 31 (5): 444–469.
Published: 01 June 2014
... text box for them to take notes to help them with their judgments. A button labeled Next was at the bottom of the screen, and as soon as the participants touched it, the program presented the next trial. As the participants were told, the first two trials were for practice only. RESULTS The family...
Journal Articles
Music Perception (2013) 31 (2): 139–156.
Published: 01 December 2013
... emotions (depending on the rating condition) using the arousal and valence dimensions, plus felt empathy with the musicians, familiarity, and preference. The ratings were made by moving five sliders on five visual analog scales from negative (indicated by the minus sign) to positive (indicated by the plus...
Journal Articles
Music Perception (2012) 29 (3): 269–284.
Published: 01 February 2012
... the present study as a tool for recording participants liking ratings on a moment-by-moment basis while listening to the songs. This consisted of a slider secured in a box that could be moved by the par- ticipant from left to right. A slider also appeared on the computer monitor and tracked the...
Journal Articles
Music Perception (2010) 28 (1): 47–57.
Published: 01 September 2010
... (totalling 10 minutes) of two professional conductors were presented to participants who provided continuous ratings of perceived valence, activity, power, and overall expression using a virtual slider interface. Relationships between these ratings and 11 kinematic variables computationally extracted from...
Journal Articles
Music Perception (2007) 24 (5): 485–506.
Published: 01 June 2007
... using musical excerpts from commercially available recordings, and the other using simpler constructed excerpts, participants' reactions to silences were assessed. Participants pressed a button when they heard a period of silence begin and end, moved a slider to indicate perceived changes in musical...
Journal Articles
Music Perception (2004) 22 (2): 297–350.
Published: 01 December 2004
... trans- late that response into a position of the slider on the box, continuously through time. In the La Jolla concert, the explanation session took place an hour before the concert so that nonparticipants would not have to sit through this explanation. As such, the participants were able to practice...