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sex-differences

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Journal Articles
Music Perception. 1988; 62133–159 doi: https://doi.org/10.2307/40285422
Published: 01 December 1988
... EEG parameters could be elucidated for different musical tasks. Significant differences were also seen between the groups of musically trained and untrained subjects, both during listening and even in their EEGs at rest. In addition, considerable sex differences were observed. Part of these...
Journal Articles
Music Perception. 2018; 354502–517 doi: https://doi.org/10.1525/mp.2018.35.4.502
Published: 01 April 2018
... & Castro, 2011), music (Kantor- Martynuska, & Horabik, 2015), and even cardiorespira- tory changes induced by music listening (Bernardi et al., 2006). Following Lundqvist and colleagues (2009), we inves- tigated potential influences of sex differences on psy- chological and physiological responses to music...
Journal Articles
Music Perception. 2020; 373240–258 doi: https://doi.org/10.1525/mp.2020.37.3.240
Published: 01 February 2020
... continuous measurement of perceived emotions in music . Behavior Research Methods , 39 ( 2 ), 283 – 290 . Nater , U. M , Abbruzzese , E. , Krebs , M. , & Ehlert , U. ( 2006 ). Sex differences in emotional and psychophysiological responses to musical stimuli . International...
Journal Articles
Music Perception. 2020; 373185–195 doi: https://doi.org/10.1525/mp.2020.37.3.185
Published: 01 February 2020
... such as race, sex, and violence (e.g., Kuper & Marks, 2011 ). Ethnomusicology provides further examples of unintended negative consequences, such as unauthorized sampling of ethnomusicological recordings (e.g., Feld, 2000 ). This highlights the importance of considering implications beyond the...
Journal Articles
Music Perception. 2019; 372134–146 doi: https://doi.org/10.1525/mp.2019.37.2.134
Published: 01 December 2019
... investigate whether there are different neural responses to musical emotion when the same melodies are presented in different timbres. With a cross-modal affective priming paradigm, target faces were primed by affectively congruent or incongruent melodies without lyrics presented in the violin, flute, and...
Journal Articles
Music Perception. 2019; 37126–41 doi: https://doi.org/10.1525/mp.2019.37.1.26
Published: 01 September 2019
... & The Sex-O-Lettes 105 6.570 5.890 34  Stayin’ Alive The Bee Gees 6.170 5.683 222,446  Forget Me Nots Patrice Rushen 115 6.936 5.345 12,000  He's the Greatest Dancer Sister Sledge 9.624 7.980 23,033  Disco Nights (Rock-Freak) G. Q. 125 8.164 6.774 1,500  Cruisin...
Journal Articles
Music Perception. 2019; 365468–479 doi: https://doi.org/10.1525/mp.2019.36.5.468
Published: 01 June 2019
...: 10.1017/S0265051706006905 Moore, R. S. ( 1994 ). Effects of age, sex, and melodic/harmonic patterns on vocal pitch-matching skills of talented 8-11-yearolds . Journal for Research in Music Education , 42 , 5 – 32 . DOI: 10.2307/3345332 Nichols, B. E. ( 2015 ). Critical variables in...
Journal Articles
Music Perception. 2019; 364390–405 doi: https://doi.org/10.1525/mp.2019.36.4.390
Published: 01 April 2019
...-systemizing (E-S) theory . Annals of the New York Academy of Sciences , 1156 ( 1 ), 68 – 80 . Baron-Cohen, S. , & Wheelwright, S. ( 2004 ). The empathy quotient: An investigation of adults with Asperger syndrome or high functioning autism, and normal sex differences . Journal of Autism and...
Journal Articles
Music Perception. 2019; 364371–389 doi: https://doi.org/10.1525/mp.2019.36.4.371
Published: 01 April 2019
... age, sex and time of testing on skin conductance activity . Biological Psychology , 43 , 87 – 101 . Witek, M. A. G. ( 2013 ). ‘… and I feel good!’ The relationship between body-movement, pleasure and groove music (Doctoral dissertation). University of Oxford , Oxford, UK . Witek, M. A...
Journal Articles
Music Perception. 2008; 26157–73 doi: https://doi.org/10.1525/mp.2008.26.1.57
Published: 01 September 2008
... simplified unit weighting (SUW) scale was used to determine individual differences in music empathizing (ME) and music systemizing (MS). Significant effects of sex and of music performance experience were observed. A highly similar pattern of results emerged from a replicating survey ( N = 155) using a short...
Journal Articles
Music Perception. 2018; 362217–242 doi: https://doi.org/10.1525/mp.2018.36.2.217
Published: 01 December 2018
... differences in the Bayesian Information Criteria (BIC) between the final models with m = modal predictors, and p = perceptual predictors. A smaller BIC between two models indicates a better model fit. List of Musical Stimuli Musician/Composer Title Musical Style SP OffSet in dB...
Journal Articles
Music Perception. 2018; 36140–52 doi: https://doi.org/10.1525/mp.2018.36.1.40
Published: 01 September 2018
... Users Participating in the Present Study ID  Sex Age (years) Duration of CI use (years; months) Processing strategy Etiology Side of Implant Implant type Active electrodes SRT (dB) speech in quiet (%) CI1  m 64 12;8 FSP Blast trauma  Right C40+ 11 +6.9 75...
Journal Articles
Music Perception. 2018; 36198–108 doi: https://doi.org/10.1525/mp.2018.36.1.98
Published: 01 September 2018
... age, sex, level of education, and their musical sophistication according to the general factor of the Goldsmiths Musical Sophistication Index. They entered their preference for classical music in general and classical piano music. The next page consisted of a sound test to adjust the audio volume of...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 2018; 36160–76 doi: https://doi.org/10.1525/mp.2018.36.1.60
Published: 01 September 2018
... difference from the final score at 10-s intervals. Using a reverse simple contrast the Tarantelle showed no significant difference from the final score from 30 s onward, whereas the Caprice showed no significant difference from 90 s onward. Final time for the Caprice was at 152 s. Error bars show +/−1 SE...
Includes: Multimedia, Supplementary data
Journal Articles
Music Perception. 2018; 354405–424 doi: https://doi.org/10.1525/mp.2018.35.4.405
Published: 01 April 2018
...Alexander P. Demos; Roger Chaffin We measured the postural sway of two trombonists as they each recorded multiple performances of two solo pieces in each of three different expressive styles (normal, expressive, non-expressive). We then measured the postural sway of 29 non-trombonist listeners as...
Journal Articles
Music Perception. 2018; 353364–375 doi: https://doi.org/10.1525/mp.2018.35.3.364
Published: 01 February 2018
... created using Bristol Online Sur- vey. The survey collected information about the parti- cipants age, sex, and music training. The second section of the questionnaire contained a video of a performance and three, 7-point Likert-type scales (1 ¼ low, 7¼ high) upon which participants rated the performance...
Journal Articles
Music Perception. 2017; 35138–59 doi: https://doi.org/10.1525/mp.2017.35.1.38
Published: 01 September 2017
... instrumentation, musical form, style, and familiarity. We collected a wide range of subjective responses from 30 highly trained musicians to music varying along the affective dimensions of arousal and valence. Experiment 2 examined a set of psychophysiological correlates of emotion in 20 different musicians by...
Journal Articles
Music Perception. 1994; 12127–55 doi: https://doi.org/10.2307/40285754
Published: 01 October 1994
... the other consisting of different randomizations of the diatonic collection. This experiment was conducted on 285 children ranging between 6 and 11 years old, from two different single-sex schools. The results were further investigated in a gameplaying experiment—using chime bars— with children from...
Journal Articles
Music Perception. 2017; 345605–623 doi: https://doi.org/10.1525/mp.2017.34.5.605
Published: 01 June 2017
... female, and one who did not identify sex) were recruited from introductory psychology courses at two American institutions, a large, private university in the west and a Midwestern liberal arts college. The mean age was 20.25 years (SD ¼ 2.19) for males and 19.92 years (SD ¼ 4.20) for females. Sixty-two...
Journal Articles
Music Perception. 2017; 343253–266 doi: https://doi.org/10.1525/mp.2017.34.3.253
Published: 01 February 2017
..., Bouhuys and colleagues (1995) demonstrated that induced sad mood leads to an increased perception of sadness in ambiguous emotional expressions. Further- more, there is some evidence for sex differences, with female children and adults being more sensitive to non- verbal emotion cues than male children...