1-20 of 72 Search Results for

sensory-roughness

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
Music Perception (2020) 37 (4): 298–322.
Published: 11 March 2020
... was correlated with higher tension. Pressnitzer et al. (2000) showed that this effect also applies to atonal harmony. Roughness is a sensation that occurs when pairs of sinusoids are close enough in frequency such that listeners experience a beating sensation. It is closely related with sensory...
Journal Articles
Music Perception (2020) 37 (3): 208–224.
Published: 01 February 2020
... Harrison , P. M. C. , & Pearce , M. T. ( 2018 a). Dissociating sensory and cognitive theories of harmony perception through computational modeling . In R. Parncutt & S. Sattmann (Eds.), Proceedings of ICMPC15/ESCOM10 . Graz, Austria : ICMPC . DOI: 10.31234/osf.io/wgjyv...
Journal Articles
Music Perception (2019) 37 (2): 95–110.
Published: 01 December 2019
..., appreciation for metal may depend on the inhibition by cortical circuits of a normal low-order response to auditory threat. In a series of three experiments, we show here that, at a sensory level, metal fans actually react equally negatively, equally fast, and even more accurately to cues of auditory threat in...
Journal Articles
Music Perception (2019) 37 (1): 42–56.
Published: 01 September 2019
... below which 85% of the total energy is contained in the signal; (4) spectral roughness : estimation of the sensory dissonance; (5) brightness : measure of the amount of energy above 1500 Hz; (6) spectral entropy : measure of the relative Shannon entropy of the signal which indicates whether the...
Journal Articles
Music Perception (2019) 36 (5): 448–456.
Published: 01 June 2019
... consonance in single chord perception . I-Perception , 7 , 1 – 21 . DOI: 10.1177/2041669516655812 Liew, K. , Lindborg, P. , Rodrigues, R. , & Styles, S. J. ( 2018 ). Cross-modal perception of noise-in-music: Audiences generate spiky shapes in response to auditory roughness in a novel...
Journal Articles
Music Perception (2019) 36 (4): 335–352.
Published: 01 April 2019
... consonance and pleasantness. In their review of major-minor and consonance-dissonance duality, Virtala and Tervaniemi (2017 , p. 394) concluded that only a “rough distinction can be made between harmony in a musical context and sensory-consonance vs. dissonance in simultaneous sounds, e.g., in chords.” As...
Journal Articles
Music Perception (2019) 36 (4): 406–430.
Published: 01 April 2019
.... , Reisinger, D. , Fuchs, A. , & Kaiser, F. ( 2018 ). Consonance and prevalence of sonorities in western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity . Journal of New Music Research , 48 ( 1 ), 1 – 20 . Patel, A. D. , Gibson, E. , Ratner, J. , Besson, M...
Journal Articles
Music Perception (2018) 36 (2): 175–200.
Published: 01 December 2018
... Time 1 1 Total loop time 0.31 0.14 .02 2 1 Total loop time 0.43 0.06 < .0001 2 Roughness 0.01 0.002 .01 3 1 Brightness –11.36 2.50 < .0001 2 Tonal self-similarity (tau = 2s) –10.83 3.68 .004 Enjoyment 1 1 Tonal self-similarity (tau = 2s) –1.01...
Journal Articles
Music Perception (2018) 36 (1): 40–52.
Published: 01 September 2018
... and on acquired, music-specific factors ( Terhardt, 1984 ). Sensory consonance of a chord played in isolation originates from the signal itself, like the roughness that may rise from the interaction of components of the tones ( Johnson-Laird, Kang, & Leong, 2012 ; Plomp & Levelt, 1965...
Journal Articles
Music Perception (2018) 36 (1): 129–131.
Published: 01 September 2018
... extend his perspective from psychoacoustics to cognitive psychology. He was also interested in timbre and its musical significance, focusing mainly on roughness and sensory/musical dissonance. He extended his research on timbre to applied areas and advised the manufacturers of musical instruments...
Journal Articles
Music Perception (2018) 36 (1): 24–39.
Published: 01 September 2018
... processing in musicians . Neuroscience Letters , 405 ( 3 ), 164 – 167 . Collins, T. , Tillmann, B. , Barrett, F. S. , DelbÉ, C. , & Janata, P. ( 2014 ). A combined model of sensory and cognitive representations underlying tonal expectations in music: From audio signals to behavior...
Journal Articles
Music Perception (2018) 36 (1): 1–23.
Published: 01 September 2018
Includes: Supplementary data
Journal Articles
Music Perception (2018) 35 (4): 475–501.
Published: 01 April 2018
.... In any case it is not the ratio itself that is causing the phenomenon it is famil- iarity with the harmonic series and/or a culture-specific (or non-universal) aversion to beats and roughness, as opposed to preferences for rough seconds in Lithuanian Sutartines (Ambrazevic ius & Wis´niewska, 2009...
Journal Articles
Music Perception (2018) 35 (3): 332–363.
Published: 01 February 2018
... unit of time (Lartillot & Toiviainen, 2007) RO Roughness Sensory dissonance averaged through time (Sethares, 1998; Vassilakis, 2005) TABLE 2. Inter-acoustic Correlation Matrix for Isolated Timbres HF SC IN SF ZC Spectral centroid (SC) .61* Inharmonicity (IN) .57* .70** Spectral flatness (SF) .37 .94...
Includes: Supplementary data
Journal Articles
Music Perception (2017) 35 (2): 127–143.
Published: 01 December 2017
... factors. Some studies have shown that roughness correlates with sensory dissonance and unpleasantness (Plomp & Levelt, 1965; Vassilakis, 2005). On the other hand, in a study involving a large number of listeners, McDer- mott, Lehr and Oxenham (2010) did not find a corre- lation between roughness and...
Journal Articles
Music Perception (2017) 35 (2): 211–234.
Published: 01 December 2017
... only consonant intervals, given a user-defined consonance-dissonance classification of intervals that reflects sensory and/or culturally dependent notions of consonance/dissonance. This maximal subset forms the base upon which the chord type is built, while the lowest note of the base is the root of...
Journal Articles
Music Perception (2017) 35 (1): 118–121.
Published: 01 September 2017
... dan tranh. Music Perception, 8, 449-468. KODA, H., BASILE, M., OLIVIER, M., REMEUF, K., NAGUMO, S., BLOIS-HEULIN, C., & LEMASSON, A. (2013). Validation of an auditory sensory reinforcement paradigm: Campbell s mon- keys (Cercopithecus campbelli) do not prefer consonant over dissonant sounds. Journal...
Journal Articles
Music Perception (2017) 34 (5): 605–623.
Published: 01 June 2017
... refers to music that accompanies a scene but is external to the fictional world, such as dissonant orchestral chords sounding as a figure appears in a deserted alley or throbbing music punctuating a car chase. Nondiegetic music is not part of the sensory world that film characters are assumed to be able...
Journal Articles
Music Perception (2017) 34 (4): 387–404.
Published: 01 April 2017
... component harmony prevails Thus, a rough distinction can be made between harmony in a musical context and sensory consonance vs. dissonance in simultaneous sounds, e.g., in chords. While both conceptions are of interest for the neuroscience of music, the latter concept of sen- sory consonance can be...
Journal Articles
Music Perception (2016) 34 (2): 152–166.
Published: 01 December 2016
... (Knill & Pouget, 2004) by minimizing free energy a measure of the distance from the joint distri- bution of the sensory input and its environmental causes to the brain s estimate of this distribution. Fris- ton et al. (2006) demonstrated that free energy could be minimized by a hierarchical neural...