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Journal Articles
Music Perception. 2017; 352127–143 doi: https://doi.org/10.1525/mp.2017.35.2.127
Published: 01 December 2017
...Václav Vencovský; František Rund This study is focused on the perceived roughness of two simultaneous harmonic complex tones with ratios between their fundamental frequencies set to create intervals on just-tempered (JT) and equal-tempered (ET) scales. According to roughness theories, ET intervals...
Journal Articles
Music Perception. 2015; 33132–69 doi: https://doi.org/10.1525/mp.2015.33.1.32
Published: 01 September 2015
...Eugene Narmour By extensively revising the I-R model of melody (Meyer, 1973; Narmour, 1984, 1989, 1990, 1991a, 1991b, 1992, 1996, 2000) we can explain the structural functions of many musical parameters. Here I will deal with melodic interval, registral direction, pitch height, scale-step (major...
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Microtiming asynchrony on subjective ratings (based on two rating <b>scales</b>, r...
Published: 01 December 2019
FIGURE 6. Microtiming asynchrony on subjective ratings (based on two rating scales, ranging 1-5) split by Musicianship. Error bars: ±1 standard errors. FIGURE 6. Microtiming asynchrony on subjective ratings (based on two rating scales, ranging 1-5) split by Musicianship. Error bars: ±1 standard FIGURE 6. Microtiming asynchrony on subjective ratings (based on two rating scales, ranging 1-5) split by Musicianship. Error bars: ±1 standard errors. FIGURE 6. Microtiming asynchrony on subjective ratings (based on two rating scales, ranging 1-5) split by Musicianship. Error bars: ±1 standard More
Journal Articles
Music Perception. 1994; 113289–305 doi: https://doi.org/10.2307/40285624
Published: 01 April 1994
...David Huron Pitch-class sets (such as scales) can be characterized according to the inventory of possible intervals that can be formed by pairing all pitches in the set. The frequency of occurrence of various interval classes in a given pitch-class set can be correlated with corresponding measures...
Journal Articles
Music Perception. 1991; 91121–131 doi: https://doi.org/10.2307/40286162
Published: 01 October 1991
...Michael P. Lynch; Rebecca E. Eilers The influence of musical experience on children's perception of culturally familiar (native) and culturally unfamiliar (nonnative) musical scales was studied. Western musician and nonmusician 10- to 13-year olds were tested in detection of mistunings in a melody...
Journal Articles
Music Perception. 1991; 84449–468 doi: https://doi.org/10.2307/40285522
Published: 01 July 1991
...Douglas H. Keefe; Edward M. Burns; Phong Nguyen The dan tranh is a Vietnamese 17-string zither tuned to pentatonic modal scales. Each modal scale, or dieu, encompasses a given tuning and a specific sentiment or modal nuance, and ornamentation using pitch bends is an important embellishment. The dan...
Journal Articles
Music Perception. 2020; 373225–239 doi: https://doi.org/10.1525/mp.2020.37.3.225
Published: 01 February 2020
... children acquire tonal schemata in a bi-musical culture characterized by the simultaneous, and unbalanced, appearances of Western (dominant) music along with traditional Japanese (non-dominant) music. Progress of this acquisition was indexed by gauging children’s sensitivities to musical scale membership...
Journal Articles
Music Perception. 2018; 353295–314 doi: https://doi.org/10.1525/mp.2018.35.3.295
Published: 01 February 2018
...Claire Arthur A perceptual study investigated the ability of scale degrees to evoke qualia, and the impact of harmonic context in shaping a scale degree’s qualia. In addition, the following questions were addressed: What role does music training have in shaping qualia? Are listeners consistent in...
Journal Articles
Music Perception. 2017; 345515–530 doi: https://doi.org/10.1525/mp.2017.34.5.515
Published: 01 June 2017
...Niels J. Verosky Scales from divergent musical cultures tend to have both intuitive structural similarities and one common functional property: within a given scale, each note takes on a unique shade of meaning in the context of the scale as a whole. It may be that certain structural traits...
Journal Articles
Music Perception. 2016; 342192–217 doi: https://doi.org/10.1525/mp.2016.34.2.192
Published: 01 December 2016
... segmentations by musicians and nonmusicians from nine musical pieces. In a second experiment on non-real-time segmentation, musicians indicated boundaries and their strength for six examples. Kernel density estimation was used to develop multi-scale segmentation models. Contrary to previous research, no...
Journal Articles
Music Perception. 2016; 335662–678 doi: https://doi.org/10.1525/mp.2016.33.5.662
Published: 01 June 2016
... precision through the analysis of rating scale category structure across a set of raters and items within the context of large-group music performance assessment using a Multifaceted Rasch Partial Credit (MFR-PC) Measurement Model. Allowing for separate parameterization estimation of the rating scale for...
Images
Mean <b>scaled</b> correlation coefficients at lag 0, across piece sections and pe...
Published: 01 September 2019
FIGURE 7. Mean scaled correlation coefficients at lag 0, across piece sections and performances, for gesture acceleration. Error bars indicate standard error. FIGURE 7. Mean scaled correlation coefficients at lag 0, across piece sections and performances, for gesture acceleration. Error bars FIGURE 7. Mean scaled correlation coefficients at lag 0, across piece sections and performances, for gesture acceleration. Error bars indicate standard error. FIGURE 7. Mean scaled correlation coefficients at lag 0, across piece sections and performances, for gesture acceleration. Error bars More
Journal Articles
Music Perception. 2020; 374298–322 doi: https://doi.org/10.1525/mp.2020.37.4.298
Published: 11 March 2020
... which tension and movement were rated: proprioceptive device or visual analog scale. Valence was evaluated in both studies with the visual analog scale. In a preliminary study, the proprioceptive device was calibrated with a psychophysical procedure. Roughness of the stimuli was included as covariate...
Images
Heat map of <b>scaled</b> ratings with respect to groups of emotion rating tendenc...
Published: 01 December 2018
FIGURE 3. Heat map of scaled ratings with respect to groups of emotion rating tendencies. For an explanation of variable names, see Table 3 . The grey shading in each square corresponds to mean value of z-transformed ratings. FIGURE 3. Heat map of scaled ratings with respect to groups of FIGURE 3. Heat map of scaled ratings with respect to groups of emotion rating tendencies. For an explanation of variable names, see Table 3 . The grey shading in each square corresponds to mean value of z-transformed ratings. FIGURE 3. Heat map of scaled ratings with respect to groups of More
Journal Articles
Music Perception. 2012; 30197–105 doi: https://doi.org/10.1525/mp.2012.30.1.97
Published: 01 September 2012
...Suvi Saarikallio mood regulation has been shown to be among of the most important reasons for musical engagement, but there has been a lack of a concise measurement instrument for this behavior. The current study focused on developing and testing the Brief Music in Mood Regulation scale (B-MMR), a...
Journal Articles
Music Perception. 2010; 275377–388 doi: https://doi.org/10.1525/mp.2010.27.5.377
Published: 01 June 2010
... preferences for music remains unknown. The present study shows that humans rapidly develop knowledge and preferences when given limited exposure to a new musical system. Using a nontraditional, unfamiliar musical scale (Bohlen-Pierce scale), we created finite-state musical grammars from which we composed sets...
Journal Articles
Music Perception. 2018; 362243–249 doi: https://doi.org/10.1525/mp.2018.36.2.243
Published: 01 December 2018
...Jeffrey Bostwick; George A. Seror; W. Trammell Neill I n most W estern music , notes in a melody relate not only to each other, but also to a “key”—a tonal center combined with an associated scale. Music is often classified as in a major or minor key, but within a scale that defines a major key...
Journal Articles
Music Perception. 2019; 37166–91 doi: https://doi.org/10.1525/mp.2019.37.1.66
Published: 01 September 2019
... (attack rate, mode, and pitch height) work together to convey emotion in Bach's Well Tempered-Clavier (WTC) . In three experiments, we explore responses to (1) eight-measure excerpts and (2) musically “resolved” excerpts, and (3) investigate the role of different standard dimensional scales of emotion. In...
Journal Articles
Music Perception. 2009; 265451–464 doi: https://doi.org/10.1525/mp.2009.26.5.451
Published: 01 June 2009
...Catherine J. Stevens; Emery Schubert; Shuai Wang; Christian Kroos; Shaun Halovic TIME-KEEPING AMONG DANCERS WAS INVESTIGATED by measuring a dancer's movement in the presence and absence of music. If an internal clock was at work, then change from the ideal would manifest as scaling---consistently...
Journal Articles
Music Perception. 2018; 354518–523 doi: https://doi.org/10.1525/mp.2018.35.4.518
Published: 01 April 2018
... height (F0) of a pitch gamut independently impacts the perceived emotional expression of melodies derived from the gamut. Study participants rated the perceived happiness/sadness of a set of isochronous and semi-random tone sequences derived from the Bohlen-Pierce scale, an unconventional scale based on...