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rhythmic-prototype

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Journal Articles
Music Perception. 2018; 3611–23 doi: https://doi.org/10.1525/mp.2018.36.1.1
Published: 01 September 2018
... of both generic constraints and selected cultural particularities in shaping rhythmic prototypes. We experimentally tested musicians’ synchronization (finger tapping) with simple periodic rhythms at two different tempi with participants in Mali, Bulgaria, and Germany. We found support both for the...
Includes: Supplementary data
Journal Articles
Music Perception. 2020; 374278–297 doi: https://doi.org/10.1525/mp.2020.37.4.278
Published: 11 March 2020
... and Performance , 16 , 728 – 741 . Platt , J. R. ( 1964 ). Strong inference . Science , 146 , 347 – 353 . Polak , R. , Jacoby , N. , Fischinger , T. , Goldberg , D. , Holzapfel , A. , & London , J. ( 2018 ). Rhythmic prototypes across cultures...
Journal Articles
Music Perception. 2020; 374263–277 doi: https://doi.org/10.1525/mp.2020.37.4.263
Published: 11 March 2020
...David Hammerschmidt; Clemens Wöllner The aim of the present study was to investigate if the perception of time is affected by actively attending to different metrical levels in musical rhythmic patterns. In an experiment with a repeated-measures design, musicians and nonmusicians were presented...
Journal Articles
Music Perception. 2020; 373185–195 doi: https://doi.org/10.1525/mp.2020.37.3.185
Published: 01 February 2020
.... , Holzapfel , A. , & London , J. ( 2018 ). Rhythmic prototypes across cultures: A comparative study of tapping synchronization . Music Perception , 36 , 1 – 23 . https://doi.org/10.1525/mp.2018.36.1.1 Polak , R. , Jacoby , N. , & London , J. ( 2016 ). Both isochronous...
Journal Articles
Music Perception. 2020; 374323–338 doi: https://doi.org/10.1525/mp.2020.37.4.323
Published: 11 March 2020
... auditory information, the translation of written notation into coordinated movements, and precise rhythmic timing. These skills develop through substantial training and practice; a complex and motivating multisensory experience that requires the integration of auditory and visual sensory information with...
Journal Articles
Music Perception. 2019; 3711–25 doi: https://doi.org/10.1525/mp.2019.37.1.1
Published: 01 September 2019
... prototypical motion: Synchronization is enhanced with quantitatively morphed gestures of musical conductors . Journal of Experimental Psychology: Human Perception and Performance , 38 , 1390 – 1403 . DOI: 10.1037/a0028130 Some research has shown that audiences discriminate instances of motor-based...
Journal Articles
Music Perception. 2019; 363273–288 doi: https://doi.org/10.1525/mp.2019.36.3.273
Published: 01 February 2019
... scale changes over 19 years in songs of humpback whales in Bermuda . Zeitschrift Für Tierpsychologie , 68 ( 2 ), 89 – 114 . Ravignani, A. , Delgado, T. , & Kirby, S. ( 2016 ). Musical evolution in the lab exhibits rhythmic universals . Nature Human Behaviour , 1 ( 1 ), s41562–016–0007...
Journal Articles
Music Perception. 2019; 363253–272 doi: https://doi.org/10.1525/mp.2019.36.3.253
Published: 01 February 2019
... containing unusual motifs. Further research is therefore needed using algorithms that are capable of computing first-and second-order features in isochronous as well as rhythmically complex stimuli, to build a complete model of melodic and rhythmic features that predict the perception of distinctiveness...
Journal Articles
Music Perception. 2018; 362217–242 doi: https://doi.org/10.1525/mp.2018.36.2.217
Published: 01 December 2018
... harmonic changes Tempo mirtempo Tempo based on periodicities from the onset detection curve Tempo Rhythm mirpulseclarity Rhythmic clarity, indicating the strength of the beats estimated by the mirtempo function Beat strength, beat induction mirfluctuation Rhythmic periodicity along...
Journal Articles
Music Perception. 2016; 335631–661 doi: https://doi.org/10.1525/mp.2016.33.5.631
Published: 01 June 2016
... Vincent significantly higher than all previously heard pitches. X11 appears as a complete contrast with the progres- sion installed by the three previous elements, in terms of rhythmic pattern, melodic pitch and shape, chord root and mode, musical and vocal information flow, . . . It can be denoted as an...
Journal Articles
Music Perception. 2016; 334493–508 doi: https://doi.org/10.1525/mp.2016.33.4.493
Published: 01 April 2016
... and instrument combinations; 3) a drummachine with sam- ples of environmental sounds that could be looped and layered, enabling users to compose new rhythmic struc- tures, and 4) an audio and video player that enabled users to combine audio and video clips to explore how music contributes to the mood...
Journal Articles
Music Perception. 2016; 334432–445 doi: https://doi.org/10.1525/mp.2016.33.4.432
Published: 01 April 2016
...¨ll, & Lundqvist, 2010; Juslin & Va¨stfja¨ll, 2008) that now covers eight mechanisms besides a cognitive appraisal (Lazarus, 1991) of emo- tion induction by music: brain stem reflex, rhythmic entrainment, evaluative conditioning, emotional conta- gion, visual imagery, episodic memory, musical...
Journal Articles
Music Perception. 2016; 333344–366 doi: https://doi.org/10.1525/mp.2016.33.3.344
Published: 01 February 2016
..., timbre, pitch height, harmony, rhythmic den- sity, and tempo see review in Farbood (2012), which also sets forth a model for predicting musical tension based on these parameters. While tempo has been linked to perception of tension, interestingly, a study by Fredrickson and Johnson (1996) showed that...
Journal Articles
Music Perception. 2015; 332179–198 doi: https://doi.org/10.1525/mp.2015.33.2.179
Published: 01 December 2015
... musical dimensions, including aspects of pitch structure, rather than by rhythmic considerations alone. The experimental design presented here can be further applied to explore the effects of other musical parameters on tempo preferences. © 2015 by The Regents of the University of California 2015...
Journal Articles
Music Perception. 2015; 332255–265 doi: https://doi.org/10.1525/mp.2015.33.2.255
Published: 01 December 2015
...@tufts.edu ). Rhythm nPVI historical musicology musical rhythm quantitative musicology historical trends Stability and Change in Rhythmic Patterning Across a Composer s Lifetime: A Study of Four Famous Composers Using the nPVI Equation Joseph R. Daniele & Aniruddh D. Patel Figures 2, 3, and 4 of...
Journal Articles
Music Perception. 2015; 33120–31 doi: https://doi.org/10.1525/mp.2015.33.1.20
Published: 01 September 2015
... processes operate on metrical, harmonic, and rhythmic aspects of the music . . . and similar complexity may be found there as well I will return later to the issue of the interactions between these different aspects of music. The issue of hierarchical organization may perhaps become clearer when considering...
Journal Articles
Music Perception. 2015; 33196–109 doi: https://doi.org/10.1525/mp.2015.33.1.96
Published: 01 September 2015
... & Boltz, 1989). Inter- nal oscillators are presumed to entrain to levels of oscil- latory structure that are defined by rhythmic and melodic accents (Large & Jones, 1999). The joint accent structure hypothesis posits that melodic processing is facilitated when rhythmic and melodic accents are in phase...
Journal Articles
Music Perception. 2015; 325507–514 doi: https://doi.org/10.1525/mp.2015.32.5.507
Published: 01 June 2015
... four extracted factors were labelled as follows: 1) Energetic/Rhythmic (M¼ 4.03, SD ¼ 1.62, ac¼ .83); 2) Reflective/Complex (M ¼ 3.52, SD ¼ 1.34, ac ¼ .74); 3) Intense/Rebellious (M ¼ 3.76, SD ¼ 1.51, ac ¼ .81), and; 4) Upbeat/Conventional (M ¼ 4.18, SD ¼ 1.38, ac ¼ .68). A repeated-measures ANCOVAwith...
Journal Articles
Music Perception. 2014; 322170–185 doi: https://doi.org/10.1525/mp.2014.32.2.170
Published: 01 December 2014
...¨m, Va¨stfja¨ll, & Lundqvist, 2010) have also proposed a theoretical framework called the BRECVEMA (brain stem reflexes, rhythmic entrainment, evaluative conditioning, emo- tional contagion, visual imagery, episodic memory, musical expectancy, and aesthetic judgment). Like Scherer and Zentner, these...
Journal Articles
Music Perception. 2014; 322143–159 doi: https://doi.org/10.1525/mp.2014.32.2.143
Published: 01 December 2014
... interpretation of musical texture, accommodating many different intervallic, rhythmic, and melodic components. Other theorists, such as Smith Brindle (1966) and Rowell (1983) have focused on the global sound quality of the texture. Dimensional approaches have also appeared: Huron (1989a) describes monophony...