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rhythm-production

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Journal Articles
Music Perception (2017) 34 (3): 303–312.
Published: 01 February 2017
...Scott Barton; Laura Getz; Michael Kubovy We investigated the effect of tempo on the production of the syncopated 3-2 son clave rhythm. We recorded eleven experienced percussionists performing the clave pattern at tempi ranging from 70 bpm to 210 bpm. As tempo increased, percussionists shortened the...
Journal Articles
Music Perception (1998) 15 (4): 357–389.
Published: 01 July 1998
... degree of musicality and engagement with musical stimuli in many individuals with Williams syndrome. In the present study, rhythm production was assessed for eight subjects with Williams syndrome and eight subjects in a comparison group by using an echo clapping task. Despite serious deficits in other...
Journal Articles
Music Perception (2017) 34 (5): 557–568.
Published: 01 June 2017
... geometrical shapes in phase space plots. I argue that research on music perception and systematic musicology stands to benefit from this descriptive tool, particularly in comparative analyses of rhythm production. Phase space plots can be employed as an initial assumption-free diagnostic to find higher order...
Journal Articles
Music Perception (2006) 23 (3): 269–288.
Published: 01 February 2006
... the rhythmic categories. Thus we can relate the two kinds of informa- tion and predict perception data from production data. In this approach, the contrast between rhythm percep- tion and production data, taken from different studies in the literature, was shown almost to disappear, assem- bling...
Journal Articles
Music Perception (2005) 22 (3): 365–369.
Published: 01 March 2005
... reproduce article content to University of California Press s Rights and Permissions website, at www.ucpress.edu/journals/rights.htm. Music Perception Spring 2005, Vol. 22, No. 3, 365 369 Editorial: New Research in Rhythm Perception and Production THIS special issue of Music Perception communicates research...
Journal Articles
Music Perception (2012) 30 (2): 205–223.
Published: 01 December 2012
... differences between taps, or mental subdivision of the long interval, although some of these factors may affect its size. The new results also show that the USAR is found more consistently in musicians than in nonmusicians and seems to arise in rhythm production, not in perception. While the exact causes of...
Journal Articles
Music Perception (2007) 25 (1): 43–58.
Published: 01 September 2007
... complex rhythms were more robustly encoded than more complex syncopated rhythms in the delayed memory task. Syncopated rhythms provide a useful tool for future explorations of human rhythmic competence. ©© 2007 By the Regents of the University of California rhythm perception rhythm production...
Journal Articles
Music Perception (2005) 23 (1): 61–78.
Published: 01 September 2005
...BRUNO H. REPP; JUSTIN LONDON; PETER E. KELLER THIS STUDY EXAMINED PRODUCTION and synchronization of eight uneven rhythms (set A: 2+3, 3+2; set B: 2+2+3, 2+3+2, 3+2+2; set C: 2+3+3, 3+2+3, 3+3+2) at rates that made it difficult to subdivide the component intervals into elementary metrical pulses...
Journal Articles
Music Perception (2017) 34 (4): 452–481.
Published: 01 April 2017
... production of musical rhythms and text setting, we investigated possible musical consequences of this development. We hypothesized that the lower vocalic durational variability in MLE and (putatively) less salient stress distinctions would go along with a preference by MLE speakers for lower melodic...
Journal Articles
Music Perception (2016) 34 (1): 94–103.
Published: 01 September 2016
... their speech has a lower nPVI. Thus, our results show that English- speaking musicians whose dialects differ in terms of their linguistic rhythms produce instrumental music with similarly different rhythms, even when the instru- mental productions are very different in style. Given that riddims are...
Journal Articles
Music Perception (2020) 37 (5): 403–422.
Published: 10 June 2020
... . Bowling , D. L. , Herbst , C. T. , & Fitch , W. T. ( 2013 ). Social origins of rhythm? Synchrony and temporal regularity in human vocalization . PLoS ONE , 8 , e80402 10.1371/journal.pone.0080402 Bowman , W. ( 2004 ). Cognition and the body: Perspectives from music...
Journal Articles
Music Perception (2020) 37 (5): 373–391.
Published: 10 June 2020
... level, these movement types might be compared with minuets, which have distinctive metrical and phrase-structural features—but also a typical compound-ternary form and a typical location in the middle of a multi-movement work. Extending the current project to other movement types would productively...
Journal Articles
Music Perception (2020) 37 (4): 363–365.
Published: 11 March 2020
... musings concern song-like pitch in vocal production, but what about music per se ? Musical patterning—through rhythm, melody, and harmony (and whether sung or otherwise)—capture the ear and the imagination like no spoken utterance can. The roles of such musical elements in joint speech are alluded to by...
Journal Articles
Music Perception (2020) 37 (4): 263–277.
Published: 11 March 2020
... participant. Table 1 lists psychoacoustical features of the patterns that are particularly relevant for rhythm and tempo perception. Using the MIRtoolbox for Matlab ( Lartillot, Toiviainen, & Eerola, 2008 ), the degree of spectral flux for sub-bands 100–200 Hz and...
Journal Articles
Music Perception (2020) 37 (4): 347–358.
Published: 11 March 2020
... practices of ritual, protest, and the enactment of identity that span the range from speech to song and allows consideration of the manner in which such activities serve to ground collectives. We consider how the musical elements in joint speech such as rhythm, melody, and instrumentation are related to the...
Journal Articles
Music Perception (2020) 37 (4): 323–338.
Published: 11 March 2020
... , M. , Torppa , R. , Salmela , V. , Vainio , M. , & Särkämö , T. ( 2013 ). Music and speech prosody: A common rhythm . Frontiers in Psychology , 4 ( 566 ). DOI: 10.3389/fpsyg.2013.00566 Hauser , M. D. , & McDermott , J. ( 2003 ). The evolution of the...
Journal Articles
Music Perception (2020) 37 (3): 196–207.
Published: 01 February 2020
... , M. , & Wing , A. M. ( 2007 ). Timing and trajectory in rhythm production . Journal of Experimental Psychology: Human Perception and Performance , 33 , 442 – 455 . Dounskaia , N. , & Wang , W. ( 2014 ). A preferred pattern of joint coordination during arm movements...
Journal Articles
Music Perception (2020) 37 (3): 183–184.
Published: 01 February 2020
..., & Stambaugh, 2008 ). Finding that neither factor mitigated what he coined an “enculturation effect”—the cognitive privilege enjoyed by the music rule system in which one grew up—he went on to gather evidence that pointed to patterns of pitch interval and rhythm as the primary sources of culture-based...
Journal Articles
Music Perception (2020) 37 (3): 185–195.
Published: 01 February 2020
.... For example, while isochronous meters predominate in music around the world ( Savage et al., 2015 ), Malian dance drumming features non-isochronous metric beat subdivisions. This case challenges our theoretical understanding of the mechanisms that support rhythm perception and production (see further...
Journal Articles
Music Perception (2020) 37 (3): 208–224.
Published: 01 February 2020
... multiple vertical sonorities, for example through arpeggiation or through the introduction of passing notes. It would be interesting to model this process explicitly. One approach would be to use the original model to generate block chords at the level of the harmonic rhythm, and then to post-process these...