Search Results for rhythm-perception
1-20 of 734 Search Results for
Music Perception (2020) 37 (3): 196–207.
Published: 01 February 2020
... less variable (lower coefficient of variation) in pianists compared to non-pianists. Consistent with the idea that the benefits of synchronization on rhythm perception are constrained by motor effector kinematics, this work helps clarify previous findings in this paradigm. We discuss these outcomes in...
Music Perception (2006) 23 (3): 269–288.
Published: 01 February 2006
... the rhythmic categories. Thus we can relate the two kinds of informa- tion and predict perception data from production data. In this approach, the contrast between rhythm percep- tion and production data, taken from different studies in the literature, was shown almost to disappear, assem- bling...
Music Perception (2005) 22 (3): 365–369.
Published: 01 March 2005
... reproduce article content to University of California Press s Rights and Permissions website, at www.ucpress.edu/journals/rights.htm. Music Perception Spring 2005, Vol. 22, No. 3, 365 369 Editorial: New Research in Rhythm Perception and Production THIS special issue of Music Perception communicates research...
Music Perception (1998) 16 (2): 201–222.
Published: 01 December 1998
... of music (pp. 241-269). New York: Academic Press. Clarke, E. E (1985). Structure and expression in rhythmic performance. In P. Howell, I. Cross, & R. West (Eds.), Musical structure and cognition. London: Academic Press. Clarke, E. F. (1987). Categorical rhythm perception: An ecological...
Music Perception (1992) 9 (4): 439–454.
Published: 01 July 1992
... proposed and the (de) composition method is stated in a formalized, mathematical way. The resulting expectancy of complex temporal patterns can be used to model such diverse topics as categorical rhythm perception, clock and meter inducement, rhythmicity, and the similarity of temporal sequences. Besides...
Music Perception (2006) 24 (1): 1–22.
Published: 01 September 2006
... underestimated, gives rise to categorical perception on the temporal dimension (Sasaki, Nakajima, & ten Hoopen, 1998). In the present study, we first survey studies of categorical rhythm perception and then describe four experiments that provide further evidence that TS causes categorical perception on the...
Music Perception (2006) 24 (2): i–ii.
Published: 01 December 2006
... LEON VAN NOORDEN & DIRK MOELANTS Special Issue: Papers from the 10th Rhythm Perception and Production Workshop 123 JOHN BISPHAM Rhythm in Music: What is it? Who has it? And Why? 125 JOEL S. SNYDER, ERIN E. HANNON, EDWARD W. LARGE, & MORTEN H. CHRISTIANSEN Synchronization and Continuation...
Music Perception (1994) 11 (4): 465–502.
Published: 01 July 1994
... explains the function of interval hearing, certain statements of music theory, and some effects of rhythm perception. Applications to image processing and modeling of abstract thinking are also discussed. References Allen, P. E., & Dannenberg, R. B. Tracking musical beats in real time...
Music Perception (1998) 15 (4): 335–355.
Published: 01 July 1998
...). Abstraction of themes from melodic variations. Journal of Experi- mental Psychology: Human Perception and Performance, 8, 435-447. Perception of Mode, Rhythm, and Contour in Unfamiliar Melodies: Effects of Age and Experience Music Perception © 1998 by the regents of the Summer 1998, Vol. 15, No. 4, 335...
Music Perception (2005) 23 (1): 79–85.
Published: 01 September 2005
... simulations of a number of rhythm perception models show, however, a large effect of these structural and temporal factors. They are therefore proposed as a perception-based alternative to the kinematic approach. ©© 2005 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. ALL RIGHTS RESERVED. 2005 25...
Music Perception (2013) 30 (5): 497–510.
Published: 01 June 2013
... the effect of microtiming on the perception of groove we synthesized typical rhythm patterns for Jazz, Funk, and Samba with idiomatic microtiming deviation patterns for each style. The magnitude of the deviations was parametrically varied from nil to about double the natural level. In two experiments...
Music Perception (2006) 24 (1): 37–48.
Published: 01 September 2006
... temporal tasks. Superior temporal acuity for musicians compared to nonmusicians was shown for auditory fusion, rhythm perception, and three temporal discrimination tasks. The two groups did not differ, however, in terms of their performance on two tasks of temporal generalization. Musicians’superior...
Music Perception (1993) 11 (1): 15–38.
Published: 01 October 1993
...-shrinking" for this illusory phenomenon in our previous studies. Although we could relate our finding to some studies of rhythm perception, we were not able to explain the illusion. The present article presents our attempt to understand the mechanism that causes the time-shrinking. Four experiments are...
Music Perception (2007) 25 (1): 43–58.
Published: 01 September 2007
... complex rhythms were more robustly encoded than more complex syncopated rhythms in the delayed memory task. Syncopated rhythms provide a useful tool for future explorations of human rhythmic competence. ©© 2007 By the Regents of the University of California rhythm perception rhythm production...
Music Perception (1991) 8 (4): 431–448.
Published: 01 July 1991
... phenomenon may be called a new illusion. Such an illusion did not appear when the time interval to be judged was succeeded by another time interval. At present we cannot explain the illusion, but in the general discussion we attempt to relate it to some findings in rhythm perception. [Footnotes] 1...
Music Perception (2017) 34 (5): 557–568.
Published: 01 June 2017
... geometrical shapes in phase space plots. I argue that research on music perception and systematic musicology stands to benefit from this descriptive tool, particularly in comparative analyses of rhythm production. Phase space plots can be employed as an initial assumption-free diagnostic to find higher order...
Music Perception (2016) 33 (3): 287–305.
Published: 01 February 2016
... claim by Ligeti and others that the fusion into a continuous texture or sound mass occurs at ca. 20 attacks/s, hypothesizing that other factors such as pitch organization, emergent rhythm, timbre, and register would affect this value. A variety of factors were found to affect sound mass perception...
Music Perception (2009) 27 (2): 103–120.
Published: 01 December 2009
... 3 found that in a rhythmically impoverished context, pitch-based structural factors had only a weak effect on the perception of anacrusis. ©© 2009 By the Regents of the University of California meter rhythm accent tempo tapping Music Perception VOLUME 27, ISSUE 2, PP. 103 120, ISSN...
Music Perception (2016) 33 (5): 571–589.
Published: 01 June 2016
...Jan Stupacher; Michael J. Hove; Petr Janata The experience of groove is associated with the urge to move to a musical rhythm. Here we focus on the relevance of audio features, obtained using music information retrieval (MIR) tools, for explaining the perception of groove and music-related movement...
Includes: Multimedia, Supplementary data
Music Perception (2012) 30 (2): 205–223.
Published: 01 December 2012
... differences between taps, or mental subdivision of the long interval, although some of these factors may affect its size. The new results also show that the USAR is found more consistently in musicians than in nonmusicians and seems to arise in rhythm production, not in perception. While the exact causes of...