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professional-musician

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Journal Articles
Music Perception (2017) 35 (2): 200–209.
Published: 01 December 2017
... child who, at a very young age (typically before 10) performs at an adult professional level (Feldman & Goldsmith, 1986). We tested this definition by asking musicians and nonmusicians to (1) judge whether audio clips were played by a prodigy or a professional, and (2) identify which of two clips of...
Journal Articles
Music Perception (2018) 36 (1): 109–128.
Published: 01 September 2018
... auditory feedback on the timing accuracy and judgments of instrument quality for two groups of participants: professional percussionists and non-percussionist amateur musicians. The amounts of delay tested in this study are relatively small in comparison to similar studies of auditory delays in a musical...
Journal Articles
Music Perception (2012) 29 (4): 339–357.
Published: 01 April 2012
...' (female and male) served as stimuli. Effort-shape analyses and interjudge reliability thereof were assessed through three different tasks: 1) verification task, 2) independent analysis task, 3) signal detection yes/no task. Professional musicians — two percussionists, a violinist, and a French hornist...
Journal Articles
Music Perception (2013) 30 (5): 517–533.
Published: 01 June 2013
... results show similarities to movements of professional musicians and dancers, and to emotion-specific nonverbal behavior in general, and could furthermore be linked to notions of embodied music cognition. The valence and arousal ratings were subsequently projected onto polar coordinates to further...
Journal Articles
Music Perception (2003) 20 (4): 383–410.
Published: 01 June 2003
...Reinhard Kopiez This study examines the deviation in the intonation of simultaneously sounding tones under the condition of an embedded melody task. Two professional musicians (trumpet players) were chosen as subjects to play the missing upper voice of a four-part audio example, while listening via...
Journal Articles
Music Perception (1991) 9 (1): 71–91.
Published: 01 October 1991
... described. In Experiment 1, the musicians' and nonmusicians' sensitivities to expressive deviations generated by seven performance rules are compared. The musicians showed a clearly greater sensitivity. In Experiment 2, professional musicians adjusted to their satisfaction the quantity by which six rules...
Journal Articles
Music Perception (2019) 37 (2): 111–133.
Published: 01 December 2019
..., or meter, and demands cognitive effort. 2) Microtiming promotes a “groove” experience—a pleasant sense of wanting to move along with the music. Using professional jazz musicians and nonmusicians as participants, we hypothesized that microtiming asynchronies between bass and drums (varying from −80 to...
Journal Articles
Music Perception (1990) 7 (3): 259–272.
Published: 01 April 1990
...A. M. Fasanaro; D. L. A. Spitaleri; R. Valiani; D. Grossi Previous works have postulated a similarity between music reading and text reading. Therefore it is interesting to evaluate both of these functions in an alexic subject. The patient investigated is a professional musician who had an ischemic...
Journal Articles
Music Perception (2018) 35 (3): 364–375.
Published: 01 February 2018
... terms professional and amateur in the sense of skill level with the terms cor- responding to musicians performing at an elite and sub- elite standard respectively. As well as two clips that were created using congruent audio and visual material, two incongruent clips were created where audio and...
Journal Articles
Music Perception (2016) 33 (4): 446–456.
Published: 01 April 2016
... brain processing of audiovisual information. In this study the effect of musical expertise was investigated in professional clarinetists and violinists. One hundred and eighty videos showing fragments of musical performances played on a violin or a clarinet were presented to musicians of G. Verdi Milan...
Journal Articles
Music Perception (2020) 37 (4): 323–338.
Published: 11 March 2020
... Research , 33 ( 3 ), 217 – 238 . DOI: 10.1080/0929821042000317813 Kishon-Rabin , L. , Amir , O. , Vexler , Y. , & Zaltz , Y. ( 2001 ). Pitch discrimination: Are professional musicians better than non-musicians? Journal of Basic and Clinical Physiology and Pharmacology...
Journal Articles
Music Perception (2005) 22 (4): 583–611.
Published: 01 April 2005
... hypothesis applies to experts, the literature does not contain any convincing studies that demonstrate this as fact. The present study addresses this issue. Professional jazz and bluegrass musicians rated the complexity of and their liking for short, but complete, jazz and bluegrass improvisations...
Journal Articles
Music Perception (2020) 37 (4): 298–322.
Published: 11 March 2020
... Fredrickson , W. E. ( 1999 ). Effect of musical performance on perception of tension in Gustav Holst’s first suite in E-flat . Journal of Research in Music Education , 47 , 44 – 52 . https://doi.org/10.2307/3345827 Fredrickson , W. E. ( 2000 ). Perception of tension in music: Musicians...
Journal Articles
Music Perception (2020) 37 (4): 347–358.
Published: 11 March 2020
... accompaniment by multiple instruments seem to belong firmly at the musical end of things. Choirs are often large ensembles of singers, allowing many people to participate at once, but once all these strongly musical elements are in place, we are more likely to find a distinction between musicians/singers and...
Journal Articles
Music Perception (2020) 37 (3): 196–207.
Published: 01 February 2020
.... ( 1996 ). Simultaneity of two effectors in synchronization with a periodic external signal . Human Movement Science , 15 , 25 – 38 . Butler , B. E. , & Trainor , L. J. ( 2015 ) The musician redefined: A behavioral assessment of rhythm perception in professional club DJs . Timing...
Journal Articles
Music Perception (2020) 37 (3): 240–258.
Published: 01 February 2020
... . In the PUMS database, the way the researchers selected their emotional music stimuli is broken into six categories: previous studies , experimenter/expert chosen , pilot tested , composed for study , participant chosen , and professionals asked to play/express emotion . The analysis of the PUMS...
Journal Articles
Music Perception (2019) 37 (2): 147–164.
Published: 01 December 2019
... in the score. In this study we therefore concentrate on how these verbal descriptions are interpreted by the performers. Different terminologies are used by psychologists and musicians to verbally describe expressiveness in music. Psychologists deal with expressiveness in terms of affect or...
Journal Articles
Music Perception (2019) 37 (2): 134–146.
Published: 01 December 2019
... three timbre conditions. Eight musicians (all with more than 10 years of professional music training) rated the similarity among the three versions of each melody with regard to rubato, intensity, phrasing, and the overall performance level using a 7-point scale (1 = very incongruent , 4 = not sure...
Journal Articles
Music Perception (2019) 37 (1): 42–56.
Published: 01 September 2019
.... , KÜhnis, J. , & Jäncke, L. ( 2017 ). Task context influences brain activation during music listening . Frontiers in Human Neuroscience , 11 , 1 – 14 Mikutta, C. , Maissen, G. , Altorfer, A. , Strik, W. , & Koenig, T. ( 2014 ). Professional musicians listen differently to music...
Journal Articles
Music Perception (2019) 37 (1): 1–25.
Published: 01 September 2019
... were as follows: Ethical approval for this research was obtained from the University of Music and Performing Arts Vienna Ethics Committee. Forty-two professional musicians completed the experiment (20 pianists and 22 clarinettists). Pianists (age M = 28.3 years; 14 female) reported an average of...